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From aporia to identity formation: the perilous passage of African American women's dramatic discourse

Journal of international women's studies, 2015-01, Vol.16 (2), p.297-311

Sarada, Thallam

2015

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Postindustrial Futurities in Contemporary Black Feminist Theater: Lynn Nottage’s Sweat, Dominique Morisseau’s Skeleton Crew, and Lisa Langford’s The Art of Longing

Frontiers (Boulder), 2021, Vol.42 (1), p.58-91

Burrell, Julie

2021

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"Blood at the Root": Cultural Abjection and Th warted Desire in the Lynching Plays and Poetry of Angelina Weld Grimké

Frontiers (Boulder), 2021-01, Vol.42 (1), p.27-57

Hammer, K Allison

2021

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Polygamous Postcolonialism and Transnational Critique in Tess Onwueme’s The Reign of Wazobia

Meridians (Middletown, Conn.), 2017-01, Vol.15 (2), p.330-352

Batra, Kanika

2017

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“Set Your Blackness Free”: Barbara Ann Teer’s Art and Activism during the Black Arts Movement

Frontiers (Boulder), 2015, Vol.36 (1), p.136-159

Forsgren, La Donna L

2015

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Proletarian Plays for a Proletarian Audience: Langston Hughes and Harvest

Journal of African American studies (New Brunswick, N.J.), 2021-09, Vol.25 (3), p.475-493

Vrtis, Catherine Peckinpaugh

2021

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Ciguapas in New York: Transcultural Ethnicity and Transracialization in Dominican American Performance

Journal of American studies, 2012-02, Vol.46 (1), p.139-153

DURÁN-ALMARZA, EMILIA MARÍA

2012

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Afropolitanism and Cultural Ambivalence in Contemporary Nigerian Drama: A Case Study of Ade Solanke's Pandora's Box

Research in African literatures, 2019-06, Vol.50 (2), p.238-252

Lare, Damlègue

2019

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Swap and Formation of Diasporic Identities in Amiri Baraka’s Theater: from Afrocentric Leanings to a Pan-Africanist Worldview

Journal of African American studies (New Brunswick, N.J.), 2020-03, Vol.24 (1), p.116-128

Azouz, Samy

2020

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The Scars of the Ghetto

Monthly review (New York. 1949), 2015-05, Vol.67 (1), p.32-32

Hansberry, Lorraine

2015

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The Writer's Racial Paradox: August Wilson, Choosing the Black Route

Journal of humanistic and social studies, 2021-01, Vol.12 (1), p.21-37

Albulanee, Alwan Hassan Khalaf

2021

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Du Bois's Forgotten Plays

African American review, 2017-10, Vol.50 (3), p.309-319

Lokke, Geoffrey

2017

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Vendidas y Devueltas: Queer Times and Color Lines in Chicana/o Performance

Meridians (Middletown, Conn.), 2013-03, Vol.11 (2), p.114-146

Rowe, Aimee Carrillo

2013

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What We Talk About When We Talk About Africville

African American review, 2018-10, Vol.51 (3), p.223-231

Remes, Jacob A. C.

2018

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Who Is Afraid Of Efunsetan Aniwura? Performing Power in Yoruba Masculinist Oligarchy

Journal of international women's studies, 2020-01, Vol.21 (1), p.79-88

2020

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Madam Zajj and US Steel: Blackness, Bioperformance, and Duke Ellington’s Calypso Theater

Social text, 2012-01, Vol.30 (4), p.1-24

Vogel, Shane

2012

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Play(Writing) and En(Acting) Consciousness: Theater as Rhetoric in Harriet Wilson's Our Nig

The Western journal of black studies, 2010-10, Vol.34 (3), p.347-357

Lester, Neal A

2010

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Battles on the Body: Disability, Interpreting Dramatic Literature, and the Case of Lynn Nottage's Ruined

Journal of literary & cultural disability studies, 2011-01, Vol.5 (1), p.1

Fox, Ann M

2011

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Language, Society and Gender

Journal of humanistic and social studies, 2020-01, Vol.11 (1), p.41-52

Adekunle, Idowu James

2020

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No More Shame! Defeating the New Jim Crow with Antilynching Activism's Best Tools

American quarterly, 2014-03, Vol.66 (1), p.143-152

Mitchell, Koritha

2014

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Performing African Canadian Identity: Diasporic Reinvention in "Afrika Solo"

Feminist review, 2006-01, Vol.84 (84), p.104-123

Petropoulos, Jacqueline

2006

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Naima Zitane's Revolutionary Play, Dialy: Using the Vagina Trope to "Talk Back" to the Islamist Party's Calls for 'Halal' Art in Morocco

Journal of international women's studies, 2021, Vol.22 (1), p.246-269

Tazi, Maha

2021

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Grassroots struggle: The representation of the black voice in Maishe Maponya’s The Hungry Earth (1980)

Literator, 2020-01, Vol.41 (1), p.e1-e8

2020

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Outrageous Behavior: Women's Public Performance in North Africa

Meridians (Middletown, Conn.), 2006-01, Vol.6 (2), p.78-92

Box, Laura Chakravarty

2006

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"The Colored Man Can't Fix Nothing with the Law": Carceral Spaces in August Wilson's "The Piano Lesson"

Journal of African American studies (New Brunswick, N.J.), 2013-12, Vol.17 (4), p.506-517

Wardi, Anissa Janine

2013

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From aporia to identity formation: the perilous passage of African American women's dramatic discourse

Postindustrial Futurities in Contemporary Black Feminist Theater: Lynn Nottage’s Sweat, Dominique Morisseau’s Skeleton Crew, and Lisa Langford’s The Art of Longing

"Blood at the Root": Cultural Abjection and Th warted Desire in the Lynching Plays and Poetry of Angelina Weld Grimké

Polygamous Postcolonialism and Transnational Critique in Tess Onwueme’s The Reign of Wazobia

“Set Your Blackness Free”: Barbara Ann Teer’s Art and Activism during the Black Arts Movement

Proletarian Plays for a Proletarian Audience: Langston Hughes and Harvest

Ciguapas in New York: Transcultural Ethnicity and Transracialization in Dominican American Performance

Afropolitanism and Cultural Ambivalence in Contemporary Nigerian Drama: A Case Study of Ade Solanke's Pandora's Box

Swap and Formation of Diasporic Identities in Amiri Baraka’s Theater: from Afrocentric Leanings to a Pan-Africanist Worldview

The Scars of the Ghetto

The Writer's Racial Paradox: August Wilson, Choosing the Black Route

Du Bois's Forgotten Plays

Vendidas y Devueltas: Queer Times and Color Lines in Chicana/o Performance

What We Talk About When We Talk About Africville

Who Is Afraid Of Efunsetan Aniwura? Performing Power in Yoruba Masculinist Oligarchy

Madam Zajj and US Steel: Blackness, Bioperformance, and Duke Ellington’s Calypso Theater

Play(Writing) and En(Acting) Consciousness: Theater as Rhetoric in Harriet Wilson's Our Nig

Battles on the Body: Disability, Interpreting Dramatic Literature, and the Case of Lynn Nottage's Ruined

Language, Society and Gender

No More Shame! Defeating the New Jim Crow with Antilynching Activism's Best Tools

Performing African Canadian Identity: Diasporic Reinvention in "Afrika Solo"

Naima Zitane's Revolutionary Play, Dialy: Using the Vagina Trope to "Talk Back" to the Islamist Party's Calls for 'Halal' Art in Morocco

Grassroots struggle: The representation of the black voice in Maishe Maponya’s The Hungry Earth (1980)

Outrageous Behavior: Women's Public Performance in North Africa

"The Colored Man Can't Fix Nothing with the Law": Carceral Spaces in August Wilson's "The Piano Lesson"

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