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Il teatro tra Quattrocento e Seicento: studi in onore di Konrad Eisenbichler

Sabbatino, Pasquale

2024

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And, Perhaps, O’Neill at Last Belongs: O’Neill’s Dramaturgically Innovative Stage Directions

The Eugene O'Neill review, 2023-08, Vol.44 (2), p.132-148

Rowen, Bess

2023

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I'd Like to Thank the Academy, Team Spillovers, and Network Centrality

American sociological review, 2010-02, Vol.75 (1), p.31-51

2010

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La disonancia genérica en la comedia palatina temprana. El ejemplo de «Laura perseguida» (1594)

Anuario Lope de Vega, 2022-01, Vol.28, p.58

Couderc, Christophe

2022

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Do African Americans Direct Science Fiction or Blockbuster Franchise Movies? Race, Genre, and Contemporary Hollywood

Journal of black studies, 2016-09, Vol.47 (6), p.550-569

Erigha, Maryann

2016

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Female Masculinity and Cultural Symbolism: A History of Yeoseong gukgeuk, the All-Female Cast Theatrical Genre

The Review of Korean Studies, 2021, 24(2), , pp.107-144

Ju-Yong HA

2021

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Talking Drama, Teaching Writing

The Harold Pinter review, 2018-05, Vol.2 (1), p.10-15

Owens, Craig N.

2018

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La visualización de datos en el teatro clásico. La colección Gondomar como campo de ensayo

Anuario Lope de Vega, 2020-01, Vol.26, p.15

Josefa Badia Herrera

2020

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Is a Dramatic Bakhtiyār-nāme Possible? Sketch of a Social Systems Theoretical Adaptation Methodology

Interdisciplinary literary studies, 2018-03, Vol.20 (1), p.103-127

Farshi, Golnaz Sarkar

2018

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"The Play's the Thing": The Impact of Roger Abrahams' Folk Drama Scholarship

Western folklore, 2016-07, Vol.75 (3/4), p.297-311

Green, Thomas A.

2016

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Drama as Philosophical Genre

The Journal of speculative philosophy, 2014-12, Vol.28 (4), p.454-471

Wahman, Jessica

2014

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FILM AS COMRADE-IN-ARMS: IMAGE, DRAMA, AND IDENTITY IN THE HÃ-HÃ-HÃE STRUGGLE FOR RECOGNITION

Latin American research review, 2016, Vol.51 (1), p.3-21

Zoettl, Peter Anton

2016

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Dramatic Pilcrows

The Papers of the Bibliographical Society of America, 2014-12, Vol.108 (4), p.413-452

Bourne, Claire M. L.

2014

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Hong Shen and the "Natural Death" of Female Impersonation: Rethinking the History of Gender-Appropriate Performance in "Huaju"

Modern Chinese literature and culture, 2015-09, Vol.27 (2), p.172-207

Ammirati, Megan

2015

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The Merchant of Venice and Shakespeare's sense of humour(s)

Renaissance studies, 2014-11, Vol.28 (5), p.643-658

Bernard, J. F.

2014

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Authorship and Shaw'sShakes Versus Shav

Shaw, 2013-09, Vol.33 (1), p.79-94

Christopher Wixson

2013

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JIN-DYNASTY PINGYANG AND THE RISE OF THEATRICAL PICTURES

Artibus Asiae, 2014-01, Vol.74 (2), p.337-380

ZHANG, FAN JEREMY

2014

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Ode ao teatro musicado nacional em quatro etapas, um prólogo e um epílogo

Urdimento: Revista de Estudos em Artes Cênicas, 2021-09, Vol.2 (41), p.1-25

Neves, Larissa de Oliveira

2021

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At the Intersections of Mode, Genre, and Media: A Dossier of Essays on Melodrama

Criticism (Detroit), 2013-09, Vol.55 (4), p.535-545

Frank, Marcie

2013

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On Reading Renaissance Closet Drama: A Reconsideration of the Chorus in Fulke Greville's "Alaham" and "Mustapha"

Studies in philology, 2013-10, Vol.110 (4), p.762-788

Roscoe, Brett

2013

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Introduction: ‘Hither we are sent a Message for to say’

The Yearbook of English studies, 2013-01, Vol.43, p.4-11

2013

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Drama Innovations in Nikolai Erdman's The Warrant and The Suicide

The Russian review (Stanford), 2014-04, Vol.73 (2), p.260-280

KOVALOVA, ANNA

2014

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Classicism and the Creaturely: Pierre Corneille's "Polyeucte"

Yale French studies, 2013-01 (124), p.108-120

IBBETT, KATHERINE

2013

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On the Science of Dramatic Character

Narrative (Columbus, Ohio), 2011-05, Vol.19 (2), p.241-252

Storm, William

2011

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Theater of Pathos: Sentimental Melodramas in the New Drama Legacy

Modern Chinese literature and culture, 2012-10, Vol.24 (2), p.94-128

Jin, Li

2012

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Il teatro tra Quattrocento e Seicento: studi in onore di Konrad Eisenbichler

And, Perhaps, O’Neill at Last Belongs: O’Neill’s Dramaturgically Innovative Stage Directions

I'd Like to Thank the Academy, Team Spillovers, and Network Centrality

La disonancia genérica en la comedia palatina temprana. El ejemplo de «Laura perseguida» (1594)

Do African Americans Direct Science Fiction or Blockbuster Franchise Movies? Race, Genre, and Contemporary Hollywood

Female Masculinity and Cultural Symbolism: A History of Yeoseong gukgeuk, the All-Female Cast Theatrical Genre

Talking Drama, Teaching Writing

La visualización de datos en el teatro clásico. La colección Gondomar como campo de ensayo

Is a Dramatic Bakhtiyār-nāme Possible? Sketch of a Social Systems Theoretical Adaptation Methodology

"The Play's the Thing": The Impact of Roger Abrahams' Folk Drama Scholarship

Drama as Philosophical Genre

FILM AS COMRADE-IN-ARMS: IMAGE, DRAMA, AND IDENTITY IN THE HÃ-HÃ-HÃE STRUGGLE FOR RECOGNITION

Dramatic Pilcrows

Hong Shen and the "Natural Death" of Female Impersonation: Rethinking the History of Gender-Appropriate Performance in "Huaju"

The Merchant of Venice and Shakespeare's sense of humour(s)

Authorship and Shaw'sShakes Versus Shav

JIN-DYNASTY PINGYANG AND THE RISE OF THEATRICAL PICTURES

Ode ao teatro musicado nacional em quatro etapas, um prólogo e um epílogo

At the Intersections of Mode, Genre, and Media: A Dossier of Essays on Melodrama

On Reading Renaissance Closet Drama: A Reconsideration of the Chorus in Fulke Greville's "Alaham" and "Mustapha"

Introduction: ‘Hither we are sent a Message for to say’

Drama Innovations in Nikolai Erdman's The Warrant and The Suicide

Classicism and the Creaturely: Pierre Corneille's "Polyeucte"

On the Science of Dramatic Character

Theater of Pathos: Sentimental Melodramas in the New Drama Legacy

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