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Vineland Reread

Coviello, Peter

1, 2021

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Spiegelzeiten, Spiegelräume: Spiegelfiguren als Elemente einer postkolonialen Ästhetik

Brühl, Simone

1, 2022

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Dissident Postmodernists: Barthelme, Coover, Pynchon

Maltby, Paul

1, 1991

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Review of: Pynchon’s Sound of Music

Orbit (Cambridge), 2022-11, Vol.10 (2)

Ketzan, Erik

2022

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Selling San Narciso: Pierce Inverarity as Insider-Innovator in The Crying of Lot 49

Orbit (Cambridge), 2023, Vol.11 (1)

Johnson, Fred

2023

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The Cambridge Companion to Thomas Pynchon

2011

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Thomas Pynchon

2013

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"Remembering Is the Essence of What I Am": Thomas Pynchon and the Politics of Nostalgia

Critique - Bolingbroke Society, 2019-08, Vol.60 (4), p.475-486

Sandberg, Eric

2019

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No Light against Entropy: Elfriede Jelinek’s Translation of Thomas Pynchon’s Gravity’s Rainbow and Its Impact on Die Kinder der Toten

Seminar : a journal of Germanic studies (Toronto), 2021-02, Vol.57 (1), p.61-84

Schönsee, Rebecca

2021

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‘Acting Out’ and ‘Working Through’ Departure in Thomas Pynchon’s Bleeding Edge

Nordic Journal of English Studies, 2019-12, Vol.18 (2), p.86

Fernandez Santiago, Miriam

2019

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Lines in the Dirt (c. 1969): Postwar Literalism and the Failure of Technology

American literature, 2019-06, Vol.91 (2), p.385-416

Gladstone, Jason

2019

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The grammars of the system: Thomas Pynchon at Boeing

Textual practice, 2019-03, Vol.33 (3), p.473-493

Muth, Katie

2019

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The New Alchemy: Economic liberalism, neoliberalism, and Thomas Pynchon’s Against the Day

Textual practice, 2019-03, Vol.33 (3), p.415-432

Carswell, Sean

2019

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HIPERGENERYCZNE SPEKTRUM TĘCZY GRAWITACJI THOMASA PYNCHONA W PRZEKŁADZIE NA JĘZYK POLSKI

Przekładaniec : a journal of literary translation, 2020 (40), p.240-259

Barciński, Łukasz

2020

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New Essays on The Crying of Lot 49

O'Donnell, Patrick

1992

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Postmodern Allegory and 1960s Melancholy in Pynchon's Inherent Vice

Critique - Bolingbroke Society, 2017-10, Vol.58 (5), p.521-537

Cichosz, Maria

2017

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Capitalist Mysticism and the Historicizing of 9/11 in Thomas Pynchon's Bleeding Edge

Critique - Bolingbroke Society, 2016-05, Vol.57 (3), p.242-253

Darlington, Joseph

2016

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Maximalism in Contemporary American Literature: The Uses of Detail

Levey, Nick

1, 2016

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Remembering Home in Foreign Lands: Thomas Pynchon's Gravity's Rainbow

Critique - Bolingbroke Society, 2017-01, Vol.58 (1), p.53-63

Nagano, Yoshihiro

2017

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Pynchon and Philosophy: Wittgenstein, Foucault and Adorno

Eve, Martin Paul

1, 2014

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The Suffusion of the Televisual in The Crying of Lot 49

Style (University Park, PA), 2017-06, Vol.51 (2), p.146-166

Watson, Jacob T.

2017

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La rete musicale. Citazione e comunicazione in “The Crying of the Lot 49” di Thomas Pynchon

Parole rubate, 2019-12, Vol.10 (20), p.209-219

Federico Francucci

2019

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Mindless Pleasures: Playlists, Unemployment, and Thomas Pynchon's Inherent Vice

Journal of Modern Literature, 2016-03, Vol.39 (3), p.41-56

Levey, Nick

2016

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"There Is Money Everywhere": Representation, Authority, and the Money Form in Thomas Pynchon's Against the Day

Critique - Bolingbroke Society, 2013-04, Vol.54 (2), p.147-160

Käkelä-Puumala, Tiina

2013

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Whose line is it anyway?: enlightenment, revolution, and ipseic ethics in the works of Thomas Pynchon

Textual practice, 2012-10, Vol.26 (5), p.921-939

Eve, Martin Paul

2012

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Vineland Reread

Spiegelzeiten, Spiegelräume: Spiegelfiguren als Elemente einer postkolonialen Ästhetik

Dissident Postmodernists: Barthelme, Coover, Pynchon

Review of: Pynchon’s Sound of Music

Selling San Narciso: Pierce Inverarity as Insider-Innovator in The Crying of Lot 49

The Cambridge Companion to Thomas Pynchon

Thomas Pynchon

"Remembering Is the Essence of What I Am": Thomas Pynchon and the Politics of Nostalgia

No Light against Entropy: Elfriede Jelinek’s Translation of Thomas Pynchon’s Gravity’s Rainbow and Its Impact on Die Kinder der Toten

‘Acting Out’ and ‘Working Through’ Departure in Thomas Pynchon’s Bleeding Edge

Lines in the Dirt (c. 1969): Postwar Literalism and the Failure of Technology

The grammars of the system: Thomas Pynchon at Boeing

The New Alchemy: Economic liberalism, neoliberalism, and Thomas Pynchon’s Against the Day

HIPERGENERYCZNE SPEKTRUM TĘCZY GRAWITACJI THOMASA PYNCHONA W PRZEKŁADZIE NA JĘZYK POLSKI

New Essays on The Crying of Lot 49

Postmodern Allegory and 1960s Melancholy in Pynchon's Inherent Vice

Capitalist Mysticism and the Historicizing of 9/11 in Thomas Pynchon's Bleeding Edge

Maximalism in Contemporary American Literature: The Uses of Detail

Remembering Home in Foreign Lands: Thomas Pynchon's Gravity's Rainbow

Pynchon and Philosophy: Wittgenstein, Foucault and Adorno

The Suffusion of the Televisual in The Crying of Lot 49

La rete musicale. Citazione e comunicazione in “The Crying of the Lot 49” di Thomas Pynchon

Mindless Pleasures: Playlists, Unemployment, and Thomas Pynchon's Inherent Vice

"There Is Money Everywhere": Representation, Authority, and the Money Form in Thomas Pynchon's Against the Day

Whose line is it anyway?: enlightenment, revolution, and ipseic ethics in the works of Thomas Pynchon

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