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Paths to the Absolute: Mondrian, Malevich, Kandinsky, Pollock, Newman, Rothko, and Still

Golding, John

1, 2000

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The bureaucracy of freedom

Journal of contemporary painting, 2023-04, Vol.9 (1), p.77-94

Pratt, Katie

2023

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Katharine Harvey Threshold

Queen's quarterly, 2019-09, Vol.126 (3), p.414-433

Pryce, Paula

2019

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Bill Hutson

Black renaissance, 2019-01, Vol.19 (1), p.98-105

Bill Hutson

2019

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Voices of fire: art, rage, power, and the state

Voices of fire, 1996

1, 1996

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Models of painterly abstraction and Strzemiński’s ‘Unist adventure’ (1923–1936)

Journal of contemporary painting, 2019-04, Vol.5 (1), p.163-176

Salamon, Anna

2019

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Religion and Art : Rethinking Aesthetic and Auratic Experiences in 'Post-Secular' Times

Džalto, Davor

2019

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Abstract America

Henry, Max introd

2008

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Abstract painting in Canada

Nasgaard, Roald

2007

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Paths to the Absolute: Mondrian, Malevich, Kandinsky, Pollock, Newman, Rothko, and Still

Golding, John

2023

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Investigating the negative bias towards artificial intelligence: Effects of prior assignment of AI-authorship on the aesthetic appreciation of abstract paintings

Computers in human behavior, 2022-12, Vol.137, p.107406, Article 107406

2022

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Pupil responses to implied motion in figurative and abstract paintings

PloS one, 2021-10, Vol.16 (10), p.e0258490

2021

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Automatic orientation detection of abstract painting

Knowledge-based systems, 2021-09, Vol.227, p.107240, Article 107240

2021

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Statistical image properties and aesthetic judgments on abstract paintings by Robert Pepperell

Journal of vision (Charlottesville, Va.), 2023-06, Vol.23 (6), p.1-1

2023

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Abstract painting image orientation recognition based on eye movement and multitask learning

Journal of electronic imaging, 2024-03, Vol.33 (2)

2024

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Rachel Berman: The Struggle with Self

Queen's quarterly, 2013-06, Vol.120 (2), p.282

2013

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FRANTIŠEK KUPKA’S CONCEPT OF ABSTRACT PAINTING: ON MUSICAL ANALOGIES IN THE ART OF THE FIRST THIRD OF THE 20TH CENTURY

Arhitekton, 2022-03 (1), p.16

Shusharichev, Lev K.

2022

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User attention and behaviour in virtual reality art encounter

Multimedia tools and applications, 2024-05, Vol.83 (15), p.46595-46624

2024

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Paintings

The Southern review (Baton Rouge), 2007-09, Vol.43 (4), p.871

Fujimura, Makoto

2007

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Combination of certainty and uncertainty: Using FusionGAN to create abstract paintings

Neural networks, 2021-12, Vol.144, p.443-454

2021

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Io giungo all’essere e a me stesso». Le prime opere di Francesco Lo Savio, 1957-1959

Collana del Centro studi beni culturali e ambientali., 2021-12 (22)

Di Modica, Angelo

2021

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Helen Frankenthaler : painting history, writing painting

Rowley, Alison

2007

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Aesthetic Image Statistics Vary with Artistic Genre

Vision (Basel), 2020-02, Vol.4 (1), p.10

Mather, George

2020

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Abstraksjon, relasjon og samisk selvrealisering: Tre malerier av Synnøve Persen

Kunst og kultur, 2022-09, Vol.105 (2-3), p.118-128

Aamold, Svein

2022

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Presenting the Unpresentable: Jean-François Lyotard’s Kantian Art-Sublime

Kantian review, 2021-12, Vol.26 (4), p.549-565

Zuckert, Rachel

2021

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Paths to the Absolute: Mondrian, Malevich, Kandinsky, Pollock, Newman, Rothko, and Still

The bureaucracy of freedom

Katharine Harvey Threshold

Bill Hutson

Voices of fire: art, rage, power, and the state

Models of painterly abstraction and Strzemiński’s ‘Unist adventure’ (1923–1936)

Religion and Art : Rethinking Aesthetic and Auratic Experiences in 'Post-Secular' Times

Abstract America

Abstract painting in Canada

Paths to the Absolute: Mondrian, Malevich, Kandinsky, Pollock, Newman, Rothko, and Still

Investigating the negative bias towards artificial intelligence: Effects of prior assignment of AI-authorship on the aesthetic appreciation of abstract paintings

Pupil responses to implied motion in figurative and abstract paintings

Automatic orientation detection of abstract painting

Statistical image properties and aesthetic judgments on abstract paintings by Robert Pepperell

Abstract painting image orientation recognition based on eye movement and multitask learning

Rachel Berman: The Struggle with Self

FRANTIŠEK KUPKA’S CONCEPT OF ABSTRACT PAINTING: ON MUSICAL ANALOGIES IN THE ART OF THE FIRST THIRD OF THE 20TH CENTURY

User attention and behaviour in virtual reality art encounter

Paintings

Combination of certainty and uncertainty: Using FusionGAN to create abstract paintings

Io giungo all’essere e a me stesso». Le prime opere di Francesco Lo Savio, 1957-1959

Helen Frankenthaler : painting history, writing painting

Aesthetic Image Statistics Vary with Artistic Genre

Abstraksjon, relasjon og samisk selvrealisering: Tre malerier av Synnøve Persen

Presenting the Unpresentable: Jean-François Lyotard’s Kantian Art-Sublime

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