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Alfred H. Barr, Jr. and the intellectual origins of the Museum of Modern Art

Kantor, Sybil Gordon

2002

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Structuring Materiality: Design Fabrication of Heterogeneous Materials

Architectural design, 2010-07, Vol.80 (4), p.78-85

Oxman, Neri

2010

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The Museums of Contemporary Art: Notion and Development

Lorente, J. Pedro

1, 2011

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Dada in the collection of the Museum of Modern Art

2008

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Mood, Posture and Rhythmic Feedback: MONAD Studio's Sonic Experiments with 3D-Printed Musical Instruments

Architectural design, 2016-11, Vol.86 (6), p.108-117

Goldemberg, Eric

2016

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Lady in the dark: Iris Barry and the art of film

Sitton, Robert

1, 2014

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Gender and the market for modern art in the United States

New vistas, 2022-04, Vol.8 (1)

Robson, A. Deirdre

2022

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‘Beautiful, plain objects like [SKF] ball bearings’: The Enigma of Aestheticizing Anonymity in ‘Machine Art’ and Modernist Logotypes

Journal of design history, 2022-12, Vol.35 (4), p.323-345

Shales, Ezra

2022

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Exhibiting Italian Art in the United States from Futurism to Arte Povera: "Like a Giant Screen"

Bedarida, Raffaele

1, 2022

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O Centro de Arte Contemporânea e o Museu Nacional de Soares dos Reis. Análise de uma parceria institucional

Midas (Évora), 2023, Vol.16

Silvestre, Inês

2023

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DESIGN is Everywhere: Elements of Design and MoMA’s Evolving Design Pedagogy

Journal of design history, 2022-06, Vol.35 (1), p.35-52

Rasmussen, Briley

2022

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In Northcliffe Jail: Iris Barry, film journalist

Early popular visual culture, 2024-01, Vol.22 (1), p.57-67

Miller, Henry K.

2024

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'The thing will be alive': Nancy Newhall and a Vision for Photography

History of photography, 2023-04, Vol.47 (2), p.175-181

Palmer Albers, Kate

2023

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Profili and González Robles: Biennial Events and Exhibitions between Friendship and Geopolitics

Art in translation, 2024-01, Vol.16 (1), p.157-169

Ribeiro dos Santos, Renata

2024

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Optimisation Stories: The Impact of Building Information Modelling on Contemporary Design Practice

Architectural design, 2009-03, Vol.79 (2), p.6-13

Garber, Richard

2009

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"Strengthen the Bonds": The United States on Display in 1938 France

Journal of transnational American studies, 2017, Vol.8 (1)

Riley, Caroline M.

2017

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Kenneth Burke at the MoMA: A viewer's theory

The Quarterly journal of speech, 2019-10, Vol.105 (4), p.418-440

2019

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“The Bulk of the Best Visible Things”: Judd’s Review of Twentieth Century Engineering at the Museum of Modern Art

Panorama (Minneapolis, Minn.), 2022, Vol.l (g)

Susanneh Bieber

2022

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Lincoln Kirstein’s Modern

Panorama (Minneapolis, Minn.), 2022, Vol.l (g)

Clara Barnhart

2022

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How social media users experience museum posting on social issues

Museums & social issues, 2022-07, Vol.16 (2), p.152-170

Bakogianni, Sophia

2022

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The Institutionalization of Video Art at the Museum of Modern Art

Journal of curatorial studies, 2023-10, Vol.12 (2), p.144-173

Vuković, Vuk

2023

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The Unstable Object: Glifo, Blow and Sacco at MoMA, 1972

Journal of design history, 2020-12, Vol.33 (4), p.329-345

Halland, Ingrid

2020

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Dekonstruktivismus in der Architektur?: Eine Analyse der Ausstellung >>Deconstructivist Architecture im New Yorker Museum of Modern Art 1988

Kraft, Simone

2015

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Sobre la potencia crítica del arte: los Domingos da Criação, una experiencia entre artístico y pedagógica disruptiva en tiempos de dictadura cívico-militar en Brasil

Nuevo mundo, mundos nuevos, 2021-03

Cañada, Lucía

2021

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Mrs. Rockefeller’s Exquisite Corpse

Comparative studies in society and history, 2021-10, Vol.63 (4), p.768-797

Bender, Courtney

2021

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Alfred H. Barr, Jr. and the intellectual origins of the Museum of Modern Art

Structuring Materiality: Design Fabrication of Heterogeneous Materials

The Museums of Contemporary Art: Notion and Development

Dada in the collection of the Museum of Modern Art

Mood, Posture and Rhythmic Feedback: MONAD Studio's Sonic Experiments with 3D-Printed Musical Instruments

Lady in the dark: Iris Barry and the art of film

Gender and the market for modern art in the United States

‘Beautiful, plain objects like [SKF] ball bearings’: The Enigma of Aestheticizing Anonymity in ‘Machine Art’ and Modernist Logotypes

Exhibiting Italian Art in the United States from Futurism to Arte Povera: "Like a Giant Screen"

O Centro de Arte Contemporânea e o Museu Nacional de Soares dos Reis. Análise de uma parceria institucional

DESIGN is Everywhere: Elements of Design and MoMA’s Evolving Design Pedagogy

In Northcliffe Jail: Iris Barry, film journalist

'The thing will be alive': Nancy Newhall and a Vision for Photography

Profili and González Robles: Biennial Events and Exhibitions between Friendship and Geopolitics

Optimisation Stories: The Impact of Building Information Modelling on Contemporary Design Practice

"Strengthen the Bonds": The United States on Display in 1938 France

Kenneth Burke at the MoMA: A viewer's theory

“The Bulk of the Best Visible Things”: Judd’s Review of Twentieth Century Engineering at the Museum of Modern Art

Lincoln Kirstein’s Modern

How social media users experience museum posting on social issues

The Institutionalization of Video Art at the Museum of Modern Art

The Unstable Object: Glifo, Blow and Sacco at MoMA, 1972

Dekonstruktivismus in der Architektur?: Eine Analyse der Ausstellung >>Deconstructivist Architecture im New Yorker Museum of Modern Art 1988

Sobre la potencia crítica del arte: los Domingos da Criação, una experiencia entre artístico y pedagógica disruptiva en tiempos de dictadura cívico-militar en Brasil

Mrs. Rockefeller’s Exquisite Corpse

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