UB Paderborn / Katalog / Suche / in CDI

Sortiert nach

Einfacher Volltextzugriff von (fast) überall

Installieren Sie die LibKey Nomad-Browsererweiterung und erhalten Sie von vielen Webseiten einfachen Zugriff auf lizenzierte Volltexte oder Open Access Publikationen. Mehr erfahren...

"The white man is still there. The white duppy": Gothic Haunting and Colourism in Marlon James's A Brief History of Seven Killings

Journal of West Indian literature, 2024-04, Vol.32 (2), p.39-163

Marks, Cato

2024

Volltextzugriff (PDF)

Feminine Power: Women Contesting Plantocracy in The Book of Night Women

The Journal of Pan African studies, 2017-05, Vol.10 (3), p.132

Ozuna, Ana

2017

Volltextzugriff (PDF)

Transnational Black Dialogues : Re-Imagining Slavery in the Twenty-First Century

Nehl, Markus

1, 2016

Volltextzugriff (PDF)

A Regarded Self: Caribbean Womanhood and the Ethics of Disorderly Being by Kaiama L. Glover (review)

Ariel, 2023, Vol.54 (1), p.163-166

McGuirk, Jake J

2023

Volltextzugriff (PDF)

“If It No Go So, It Go Near So”: Marlon James and Collective Memory

Novel : a forum on fiction, 2023-08, Vol.56 (2), p.186-207

Kortenaar, Neil Ten

2023

Volltextzugriff (PDF)

Jamaican Signatures: An Archetypal Analysis of Marlon James' "John Crow's Devil"

The journal of Caribbean literatures, 2011-09, Vol.7 (1), p.69-75

Madore, Joél

2011

Volltextzugriff (PDF)

Queer Talk: Black Leopard Red Wolf and the Black Diaspora

ASAP journal, 2021-05, Vol.6 (2), p.290-294

Musser, Amber Jamilla

2021

Volltextzugriff (PDF)

A Regarded Self: Caribbean Womanhood and the Ethics of Disorderly Being by Kaiama L. Glover (review)

Esprit Créateur, 2021-10, Vol.61 (3), p.146-146

Thomas, Bonnie

2021

Volltextzugriff (PDF)

Bookshelf 2019

New West Indian Guide, 2020-06, Vol.94 (1-2), p.82-111

2020

Volltextzugriff (PDF)

Bookshelf 2020

New West Indian Guide, 2021-03, Vol.95 (1-2), p.63-95

2021

Volltextzugriff (PDF)

Beyond Homophobia and Binary Gender: The Case of Jamaican Men

New West Indian Guide, 2022, Vol.96 (3/4), p.325-331

King, Rosamond S.

2022

Volltextzugriff (PDF)

Marlon James: Writing Against Type

The Virginia quarterly review, 2018-04, Vol.94 (1), p.10-13

Reyes, Paul

2018

Volltextzugriff (PDF)

“Me no repent yet”: Estrategias para la traducción del inglés jamaicano en Breve historia de siete asesinatos de Marlon James

Odisea (Almería, Spain), 2018-04 (18), p.65-80

Sanz Jiménez, Miguel

2018

Volltextzugriff (PDF)

"Killing Don't Need No Reason": Trauma and Criminality in A Brief History of Seven Killings

Caribbean quarterly, 2020-04, Vol.66 (2), p.240-257

Morgan, Paula

2020

Volltextzugriff (PDF)

Editorial Preface

Journal of West Indian literature, 2021-04, Vol.29 (2), p.I-155

Outar, Lisa

2021

Volltextzugriff (PDF)

"How Godfather Part II of You": The Gangster Figure and Transnational Masculinities in Marlon James's A Brief History of Seven Killings

Interventions (London, England), 2020-01, Vol.22 (1), p.49-70

Evans, Lucy

2020

Volltextzugriff (PDF)

‘Always Returning from It’: Neoliberal Capitalism, Retrospect, and Marlon James's A Brief History of Seven Killings

CounterText (Online), 2018-08, Vol.4 (2), p.169-191

Deckard, Sharae

2018

Volltextzugriff (PDF)

The Harder They Cum, the Harder Babylon Fall: The Queer Utopian Poetics of Marlon James's A Brief History of Seven Killings

Journal of West Indian literature, 2021-04, Vol.29 (2), p.74-156

Willis, Kedon

2021

Volltextzugriff (PDF)

Close-Up: Caribbean Cinema as Cross-Border Dialogue: Beyond a Boundary: The Gangsta as Modern Black Subject in Contemporary Jamaican Art Practices

Black camera : the newsletter of the Black Film Center/Archives, 2019-10, Vol.11 (1), p.281-303

Bryce, Jane

2019

Volltextzugriff (PDF)

Motherless Tongues: The insurgency of language amid wars of translation by Vicente L. Rafael

Journal of colonialism & colonial history, 2018-07, Vol.19 (2)

James Sales, Marlon

2018

Volltextzugriff (PDF)

Narco-narratives and Transnational Form: The Geopolitics of Citation in the Circum-Caribbean

Postmodern culture, 2015-09, Vol.26 (1)

Frydman, Jason

2015

Volltextzugriff (PDF)

Editor's Note

Caribbean quarterly, 2017-03, Vol.63 (1), p.1

Robinson-Walcott, Kim

2017

Volltextzugriff (PDF)

We Need These Bodies, But Not Their Knowledge: Black Women in the Archival Science Professions and Their Connection to the Archives of Enslaved Black Women in the French Antilles

Library trends, 2016-03, Vol.64 (4), p.776-794

Warren, Kellee E

2016

Volltextzugriff (PDF)

Femme Finale: Gender, Violence and Nation in Marlon James' Novels

Journal of West Indian literature, 2018-11, Vol.26 (2), p.18-33

Shoemaker, Lauren

2018

Volltextzugriff (PDF)

Re-evaluating Religion and Superstition: Obeah and Christianity in Marlon James's The Book of Night Women and William Earle Jr.'s Obi, or The History of Three-Fingered Jack

Journal of West Indian literature, 2018-11, Vol.26 (2), p.50-65

Layne, Jhordan

2018

Volltextzugriff (PDF)

1 – 25 von 516

Menü

Weitere Dienste

Einstellungen

"The white man is still there. The white duppy": Gothic Haunting and Colourism in Marlon James's A Brief History of Seven Killings

Feminine Power: Women Contesting Plantocracy in The Book of Night Women

Transnational Black Dialogues : Re-Imagining Slavery in the Twenty-First Century

A Regarded Self: Caribbean Womanhood and the Ethics of Disorderly Being by Kaiama L. Glover (review)

“If It No Go So, It Go Near So”: Marlon James and Collective Memory

Jamaican Signatures: An Archetypal Analysis of Marlon James' "John Crow's Devil"

Queer Talk: Black Leopard Red Wolf and the Black Diaspora

A Regarded Self: Caribbean Womanhood and the Ethics of Disorderly Being by Kaiama L. Glover (review)

Bookshelf 2019

Bookshelf 2020

Beyond Homophobia and Binary Gender: The Case of Jamaican Men

Marlon James: Writing Against Type

“Me no repent yet”: Estrategias para la traducción del inglés jamaicano en Breve historia de siete asesinatos de Marlon James

"Killing Don't Need No Reason": Trauma and Criminality in A Brief History of Seven Killings

Editorial Preface

"How Godfather Part II of You": The Gangster Figure and Transnational Masculinities in Marlon James's A Brief History of Seven Killings

‘Always Returning from It’: Neoliberal Capitalism, Retrospect, and Marlon James's A Brief History of Seven Killings

The Harder They Cum, the Harder Babylon Fall: The Queer Utopian Poetics of Marlon James's A Brief History of Seven Killings

Close-Up: Caribbean Cinema as Cross-Border Dialogue: Beyond a Boundary: The Gangsta as Modern Black Subject in Contemporary Jamaican Art Practices

Motherless Tongues: The insurgency of language amid wars of translation by Vicente L. Rafael

Narco-narratives and Transnational Form: The Geopolitics of Citation in the Circum-Caribbean

Editor's Note

We Need These Bodies, But Not Their Knowledge: Black Women in the Archival Science Professions and Their Connection to the Archives of Enslaved Black Women in the French Antilles

Femme Finale: Gender, Violence and Nation in Marlon James' Novels

Re-evaluating Religion and Superstition: Obeah and Christianity in Marlon James's The Book of Night Women and William Earle Jr.'s Obi, or The History of Three-Fingered Jack

Suchergebnisse filtern