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Electric Salome: Loie Fuller's performance of modernism

Garelick, Rhonda K

1, 2009

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Attention, Music, Dance: Embodying the “Cinema of Attractions”

Sound Stage Screen, 2021-11, Vol.1 (2)

Caddy, Davinia

2021

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Appropriating Japonisme at the 1900 Exposition: Sada Yacco, Loie Fuller, and the 'Geishas' of Le Panorama du Tour du Monde

Dix-neuf : journal of the Society of Dix-Neuviémistes, 2020-07, Vol.24 (2-3), p.221-244

Emery, Elizabeth

2020

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Embodied spectatorship: interpreting dance reviews around 1900

Nordic theatre studies, 2017-01, Vol.29 (1), p.8

Hammergren, Lena

2017

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'Like a butterfly under glass': the cancan, Loïe Fuller and cinema

International journal of performance arts and digital media, 2009-12, Vol.5 (2-3), p.107-120

Parfitt, Clare

2009

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Embodied Spectatorship? Interpreting dance reviews around 1900

Nordic theatre studies, 2017, Vol.29 (1), p.8-24

Hammergren, Lena

2017

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The French Ballet Theater of the Early 20th Century: On the Path Towards a New Synthesis

Problemy Muzykalʹnoĭ Nauki, 2014-01 (1), p.39-45

Gagarina, Oksana A

2014

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Electricity and Imagination: Post‐romantic Electrified Experience and the Gendered Body. An Introduction

Centaurus, 2015-08, Vol.57 (3), p.131-155

Vermeir, Koen

2015

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White Womanhood, Property Rights, and the Campaign for Choreographic Copyright: Loïe Fuller's Serpentine Dance

Dance research journal, 2011, Vol.43 (1), p.3-26

Kraut, Anthea

2011

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Rechoreographing Homonymous Partners: Rancière's Dance Education from Loïe Fuller

The Journal of aesthetic education, 2022-10, Vol.56 (3), p.44-62

Hall, Joshua M.

2022

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Queer Ecology in Loïe Fuller’s Modernist Dance and Magnus Hirschfeld’s Die Transvestiten

Environmental humanities, 2022-11, Vol.14 (3), p.618-640

Linge, Ina

2022

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modern dance

Encyclopædia Britannica Online, 2020

2020

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Musicality of Language and "Corporeal Writing" in La Tragédie de Salomé (1907)

Dance chronicle, 2017-01, Vol.40 (1), p.25-52

Coe, Megan Varvir

2017

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La danza en la prosa de Emilia Pardo Bazán: de la tradición a la modernidad

La Tribuna: cadernos de estudios da Casa Museo Emilia Pardo Bazán, 2017 (12), p.63-96

Ezama Gil, María de los Angeles

2017

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A Kabuki Pose in Sculptures of Auguste Rodin

Távol-keleti tanulmányok (Online), 2022-11, Vol.14 (1)

Doma, Petra

2022

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Matters of Tact: Writing History from the inside out

Dance research journal, 2003-12, Vol.35/36 (2-1), p.10-26

Albright, Ann Cooper

2003

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Science and the Visual Culture of Spiritualism: Camille Flammarion and the Symbolists in fin-de-siècle France

Aries (Leiden, Netherlands), 2013-01, Vol.13 (1), p.37-69

Keshavjee, Serena

2013

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Figuring modern dance within fin-de-siècle visual culture and print: The case of Loïe Fuller

Early popular visual culture, 2015-01, Vol.13 (1), p.21-40

Doran, Emma

2015

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Light, Motion, Cinema!: The Heritage of Loïe Fuller and Germaine Dulac

Framework, 2005-04, Vol.46 (1), p.106-129

Gunning, Tom

2005

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II. Revolutionaries of the Theatrical Experience: Fuller and the futurists

Dance chronicle, 1998-01, Vol.21 (1), p.93-105

Zornitzer, Amy

1998

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Women in motion: Loie Fuller and the "interpenetration" of art and science

Camera obscura (Durham, NC), 2002-06 (49), p.73

Coffman, Elizabeth

2002

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Bodies, Rest, and Motion: from Cosmic Dance to Biodance

New theatre quarterly, 2000-08, Vol.16 (3), p.211-218

Gargano, Cara

2000

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Superrealistas. De la contribución de los rayos-x a la visión y presentación de la realidad en el arte de comienzos del siglo XX

Anales de historia del arte, 2011-01, p.277-291

Lamata Manuel, Ana

2011

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Loie Fuller and the Futurists: Two views: I. Loie Fuller's influence on F. T. Marinetti's Futurist Dance

Dance chronicle, 1998-01, Vol.21 (1), p.73

Merwin, Ted

1998

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The "Symptomatic Act" circa 1900: Hysteria, Hypnosis, Electricity, Dance

Critical inquiry, 1995-07, Vol.21 (4), p.748-774

McCarren, Felicia

1995

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Electric Salome: Loie Fuller's performance of modernism

Attention, Music, Dance: Embodying the “Cinema of Attractions”

Appropriating Japonisme at the 1900 Exposition: Sada Yacco, Loie Fuller, and the 'Geishas' of Le Panorama du Tour du Monde

Embodied spectatorship: interpreting dance reviews around 1900

'Like a butterfly under glass': the cancan, Loïe Fuller and cinema

Embodied Spectatorship? Interpreting dance reviews around 1900

The French Ballet Theater of the Early 20th Century: On the Path Towards a New Synthesis

Electricity and Imagination: Post‐romantic Electrified Experience and the Gendered Body. An Introduction

White Womanhood, Property Rights, and the Campaign for Choreographic Copyright: Loïe Fuller's Serpentine Dance

Rechoreographing Homonymous Partners: Rancière's Dance Education from Loïe Fuller

Queer Ecology in Loïe Fuller’s Modernist Dance and Magnus Hirschfeld’s Die Transvestiten

modern dance

Musicality of Language and "Corporeal Writing" in La Tragédie de Salomé (1907)

La danza en la prosa de Emilia Pardo Bazán: de la tradición a la modernidad

A Kabuki Pose in Sculptures of Auguste Rodin

Matters of Tact: Writing History from the inside out

Science and the Visual Culture of Spiritualism: Camille Flammarion and the Symbolists in fin-de-siècle France

Figuring modern dance within fin-de-siècle visual culture and print: The case of Loïe Fuller

Light, Motion, Cinema!: The Heritage of Loïe Fuller and Germaine Dulac

II. Revolutionaries of the Theatrical Experience: Fuller and the futurists

Women in motion: Loie Fuller and the "interpenetration" of art and science

Bodies, Rest, and Motion: from Cosmic Dance to Biodance

Superrealistas. De la contribución de los rayos-x a la visión y presentación de la realidad en el arte de comienzos del siglo XX

Loie Fuller and the Futurists: Two views: I. Loie Fuller's influence on F. T. Marinetti's Futurist Dance

The "Symptomatic Act" circa 1900: Hysteria, Hypnosis, Electricity, Dance

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