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Robert Rodriguez: Interviews

1, 2012

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Torture porn in the wake of 9/11: Horror, exploitation, and the cinema of sensation By Aaron MichaelKerner, New Brunswick, NJ: Rutgers University Press. 2015

Journal of American culture (Malden, Mass.), 2024-06, Vol.47 (2), p.176-176

Ingle, Zachary

2024

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The Baseball Film: A Cultural and Transmedia History

Journal of sport history, 2023-04, Vol.50 (1), p.124-125

Ingle, Zachary

2023

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Reading Phineas, Watching Slashers: Horror Theory and Numbers 25Brandon R.Grafius. Lexington Books/Fortress Academic, 2018

Journal of American culture (Malden, Mass.), 2020-09, Vol.43 (3), p.263-264

Ingle, Zachary

2020

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Protesting on Bended Knee: Race, Dissent, and Patriotism in 21st-Century America ed. by Eric Burin (review)

Journal of sport history, 2020, Vol.47 (2), p.164-165

Ingle, Zachary

2020

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Avengers Assemble! Critical Perspectives on the Marvel Cinematic Universe. TerenceMcSweeney. Wallflower Press, 2018

Journal of American culture (Malden, Mass.), 2019-03, Vol.42 (1), p.85-86

Ingle, Zachary

2019

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Sportswomen in Cinema: Film and the Frailty Myth by Nicholas Chare (review)

Film & history, 2018-06, Vol.48 (1), p.65-66

Ingle, Zachary

2018

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The Cinema of Hockey: Four Decades of the Game on ScreenIriCermark. McFarland, 2017

Journal of American culture (Malden, Mass.), 2018-06, Vol.41 (2), p.243-244

Ingle, Zachary

2018

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Coppola's Monster Film: The Making of Apocalypse NowStevenTravers. McFarland, 2016

Journal of American culture (Malden, Mass.), 2017-12, Vol.40 (4), p.418-419

Ingle, Zachary

2017

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Dirty Harry's America: Clint Eastwood, Harry Callahan, and the Conservative BacklashJoeStreet. University Press of Florida, 2016

Journal of American culture (Malden, Mass.), 2017-09, Vol.40 (3), p.281-282

Ingle, Zachary

2017

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Lois Weber in Early Hollywood by Shelley Stamp (review)

Journal of film and video, 2017, Vol.69 (2), p.60-61

Ingle, Zachary

2017

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The Ages of the Incredible Hulk: Essays on the Green Goliath in Changing TimesJoseph J.Darowski, Editor. McFarland, 2016

Journal of American culture (Malden, Mass.), 2017-06, Vol.40 (2), p.198-199

Ingle, Zachary

2017

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The Spike Lee Brand: A Study of Documentary Filmmaking by Delphine Letort (review)

Film & history, 2017, Vol.47 (1), p.94-95

Ingle, Zachary

2017

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A Christian Response to Horror Cinema: Ten Films in Theological PerspectivePeterFraser. Jefferson, NC: McFarland, 2015

Journal of American culture (Malden, Mass.), 2016-12, Vol.39 (4), p.452-453

Ingle, Zachary

2016

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The JFK Image: Profiles in DocudramaRalucaLucia Cimpean. Lanham: Rowman & Littlefield, 2015

Journal of American culture (Malden, Mass.), 2016-09, Vol.39 (3), p.381-382

Ingle, Zachary

2016

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Blossoms and Blood: Postmodern Media Culture and the Films of Paul Thomas AndersonJasonSperb. Austin: University of Texas Press, 2013

Journal of American culture (Malden, Mass.), 2016-06, Vol.39 (2), p.240-241

Ingle, Zachary

2016

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X‐Men and the Mutant Metaphor: Race and Gender in the Comic BooksJoseph J.Darowski. Lanham, MD: Rowman & Littlefield, 2014

Journal of American culture (Malden, Mass.), 2016-06, Vol.39 (2), p.270-271

Ingle, Zachary

2016

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Superhero Synergies: Comic Book Characters Go DigitalJames N.Gilmore and MatthiasStork, Editors. Lanham: Rowman & Littlefield, 2014

Journal of American culture (Malden, Mass.), 2016-03, Vol.39 (1), p.113-114

Ingle, Zachary

2016

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The Culture and Philosophy of Ridley Scott ed. by Adam Barkman, Ashley Barkman, and Nancy Kangs (review)

Film & history, 2016, Vol.46 (1), p.76-77

Ingle, Zachary

2016

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The Cinema of John Boorman by Brian Hoyle (review)

Film & history, 2016, Vol.46 (2), p.61-62

Ingle, Zachary

2016

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The Death Penalty in American Cinema: Criminality and Retribution in Hollywood Film by Yvonne Kozlovsky-Golan (review)

Film & history, 2016, Vol.46 (2), p.76-77

Ingle, Zachary

2016

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Alexie Tcheuyap (2011) Postnationalist African Cinemas

Film-philosophy, 2012-12, Vol.16 (1), p.313-316

Ingle, Zachary Thomas

2012

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Bill Giles and Baseball by John B. Lord (review)

Journal of sport history, 2015, Vol.42 (2), p.267-268

Ingle, Zachary

2015

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Willie Keeler: From the Playgrounds of Brooklyn to the Hall of Fame by Lyle Spatz (review)

Journal of sport history, 2015, Vol.42 (3), p.454-455

Ingle, Zachary

2015

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Cinema and Evil: Moral Complexities and the “Dangerous” Film by Dara Waldron (review)

Film & history, 2015, Vol.45 (2), p.45-46

Ingle, Zachary

2015

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Robert Rodriguez: Interviews

Torture porn in the wake of 9/11: Horror, exploitation, and the cinema of sensation By Aaron MichaelKerner, New Brunswick, NJ: Rutgers University Press. 2015

The Baseball Film: A Cultural and Transmedia History

Reading Phineas, Watching Slashers: Horror Theory and Numbers 25Brandon R.Grafius. Lexington Books/Fortress Academic, 2018

Protesting on Bended Knee: Race, Dissent, and Patriotism in 21st-Century America ed. by Eric Burin (review)

Avengers Assemble! Critical Perspectives on the Marvel Cinematic Universe. TerenceMcSweeney. Wallflower Press, 2018

Sportswomen in Cinema: Film and the Frailty Myth by Nicholas Chare (review)

The Cinema of Hockey: Four Decades of the Game on ScreenIriCermark. McFarland, 2017

Coppola's Monster Film: The Making of Apocalypse NowStevenTravers. McFarland, 2016

Dirty Harry's America: Clint Eastwood, Harry Callahan, and the Conservative BacklashJoeStreet. University Press of Florida, 2016

Lois Weber in Early Hollywood by Shelley Stamp (review)

The Ages of the Incredible Hulk: Essays on the Green Goliath in Changing TimesJoseph J.Darowski, Editor. McFarland, 2016

The Spike Lee Brand: A Study of Documentary Filmmaking by Delphine Letort (review)

A Christian Response to Horror Cinema: Ten Films in Theological PerspectivePeterFraser. Jefferson, NC: McFarland, 2015

The JFK Image: Profiles in DocudramaRalucaLucia Cimpean. Lanham: Rowman & Littlefield, 2015

Blossoms and Blood: Postmodern Media Culture and the Films of Paul Thomas AndersonJasonSperb. Austin: University of Texas Press, 2013

X‐Men and the Mutant Metaphor: Race and Gender in the Comic BooksJoseph J.Darowski. Lanham, MD: Rowman & Littlefield, 2014

Superhero Synergies: Comic Book Characters Go DigitalJames N.Gilmore and MatthiasStork, Editors. Lanham: Rowman & Littlefield, 2014

The Culture and Philosophy of Ridley Scott ed. by Adam Barkman, Ashley Barkman, and Nancy Kangs (review)

The Cinema of John Boorman by Brian Hoyle (review)

The Death Penalty in American Cinema: Criminality and Retribution in Hollywood Film by Yvonne Kozlovsky-Golan (review)

Alexie Tcheuyap (2011) Postnationalist African Cinemas

Bill Giles and Baseball by John B. Lord (review)

Willie Keeler: From the Playgrounds of Brooklyn to the Hall of Fame by Lyle Spatz (review)

Cinema and Evil: Moral Complexities and the “Dangerous” Film by Dara Waldron (review)

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