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Understanding the role of affect in producing a critical pedagogy for history museums

Museum management and curatorship (1990), 2013-08, Vol.28 (3), p.255-271

Witcomb, Andrea

2013

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Port Arthur and the spectre of 'unnatural acts' in Australia

Landscape research, 2021-04, Vol.46 (3), p.309-323

Witcomb, Andrea

2021

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Museums, Transculturality, and the Nation-State: Case Studies from a Global Context

1, 2022

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Comprendre le rôle de l’affect dans la création d’une pédagogie critique pour les musées d’histoire

Culture & musées, 2020-12 (36), p.137-167

Witcomb, Andrea

2020

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Comprendre le rôle de l’affect dans la création d’une pédagogie critique pour les musées d’histoire

Culture & musées, 2020-12, p.137-167

Witcomb, Andrea

2020

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'Hidden from view'?: an analysis of the integration of women's history and women's voices into Australia's social history exhibitions

International journal of heritage studies : IJHS, 2019-02, Vol.25 (2), p.128-142

2019

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"Nature's Marvels": The Value of Collections Extracted from Colonial Western Australia

Journal of Australian studies, 2021-04, Vol.45 (2), p.197-220

2021

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Remembering and Fighting for Their Own: Vietnam Veterans and the Long Tan Cross

Australian historical studies, 2018-01, Vol.49 (1), p.83-102

2018

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Collections without End

Museum worlds, 2018-07, Vol.6 (1), p.94-111

2018

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Editorial: Towards Decolonisation

Museum international, 2022-07, Vol.74 (3-4), p.iv-xi

English ed., 2022

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MESSAGES FROM LONG TAN, VIETNAM: Memorialization, Reconciliation, and Historical Justice

Critical Asian studies, 2013-06, Vol.45 (2), p.255-278

2013

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Engaging with the future of 'critical heritage studies': looking back in order to look forward

International journal of heritage studies : IJHS, 2013-09, Vol.19 (6), p.562-578

2013

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MESSAGES FROM LONG TAN, VIETNAM

Critical Asian studies, 2013-06, Vol.45 (2), p.255-278

2013

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Empty Museums

Museum international, 2021-07, Vol.73 (3-4), p.iv-ix

English ed., 2021

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Reconstructions and Re-readings by the Editorial Board

Museum international, 2022-01, Vol.74 (1-2), p.iv-vii

English ed., 2022

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Migration, social cohesion and cultural diversity: Can museums move beyond pluralism?

Humanities research, 2009-09, Vol.XV (2)

Witcomb, Andrea

2009

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Practising lively geographies in the city: encountering Melbourne through experimental field-based workshops

Journal of geography in higher education, 2020-07, Vol.44 (3), p.406-426

2020

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Migration, social cohesion and cultural diversity

Humanities research, 2009-01, Vol.15 (2), p.49-66

Andrea Witcomb

2009

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Migration, social cohesion and cultural diversity: can museums move beyond pluralism? [Paper in: Compelling Cultures: Representing Cultural Diversity and Cohesion in Multicultural Australia. Message, Kylie; Edmundson, Anna and Frederick, Ursula (eds).]

Humanities research, 2009-01, Vol.15 (2), p.49-66

Andrea Witcomb

2009

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Towards a Cosmopolitical Exhibition Practice: An Analysis of Place-Based Exhibitions Seeking to Engage with Cross-Cultural Encounters in Australian Museums

Museums, Transculturality, and the Nation-State, 2022, Vol.52, p.187-212

2022

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Postmodern space and the museum-the displacement of 'public' narratives

Social semiotics, 1994-01, Vol.4 (1-2), p.239-262

Witcomb, Andrea

1994

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“Sticky” objects, faces and voices in the museum: Love and Sorrow’s use of affective interpretation strategies to challenge masculinist commemorations of World War I

Museums, History and the Intimate Experience of the Great War, 2021, p.171-189

Witcomb, Andrea

1, 2021

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Tony Bennett, Pasts Beyond Memory: Evolution, Museums, Colonialism

Museum and society, 2005-07, Vol.3 (2), p.116-118

Andrea Witcomb

2005

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Oral History and First-Person Narratives in Migration Exhibitions: Tracking Relations Between “Us” and “Them”

Remembering Migration, p.203-217

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Understanding the role of affect in producing a critical pedagogy for history museums

Port Arthur and the spectre of 'unnatural acts' in Australia

Museums, Transculturality, and the Nation-State: Case Studies from a Global Context

Comprendre le rôle de l’affect dans la création d’une pédagogie critique pour les musées d’histoire

Comprendre le rôle de l’affect dans la création d’une pédagogie critique pour les musées d’histoire

'Hidden from view'?: an analysis of the integration of women's history and women's voices into Australia's social history exhibitions

"Nature's Marvels": The Value of Collections Extracted from Colonial Western Australia

Remembering and Fighting for Their Own: Vietnam Veterans and the Long Tan Cross

Collections without End

Editorial: Towards Decolonisation

MESSAGES FROM LONG TAN, VIETNAM: Memorialization, Reconciliation, and Historical Justice

Engaging with the future of 'critical heritage studies': looking back in order to look forward

MESSAGES FROM LONG TAN, VIETNAM

Empty Museums

Reconstructions and Re-readings by the Editorial Board

Migration, social cohesion and cultural diversity: Can museums move beyond pluralism?

Practising lively geographies in the city: encountering Melbourne through experimental field-based workshops

Migration, social cohesion and cultural diversity

Migration, social cohesion and cultural diversity: can museums move beyond pluralism? [Paper in: Compelling Cultures: Representing Cultural Diversity and Cohesion in Multicultural Australia. Message, Kylie; Edmundson, Anna and Frederick, Ursula (eds).]

Towards a Cosmopolitical Exhibition Practice: An Analysis of Place-Based Exhibitions Seeking to Engage with Cross-Cultural Encounters in Australian Museums

Postmodern space and the museum-the displacement of 'public' narratives

L’émotion dans les expositions

“Sticky” objects, faces and voices in the museum: Love and Sorrow’s use of affective interpretation strategies to challenge masculinist commemorations of World War I

Tony Bennett, Pasts Beyond Memory: Evolution, Museums, Colonialism

Oral History and First-Person Narratives in Migration Exhibitions: Tracking Relations Between “Us” and “Them”

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