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Mixing Pop and Politics: Political Dimensions of Popular Music in the 21st Century

1st, 2022

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Signifiers of indigeneity in Australian and New Zealand popular music

Perfect beat, 2010-08, Vol.11 (1), p.25-47

Wilson, Oli

2010

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From Home-Studios to Mobile Phones: Recent Trends in Popular Music Recording and Sharing in Papua New Guinea

Journal of world popular music, 2019-01, Vol.6 (2), p.133-150

Wilson, Oli

2019

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Not our ‘Dunedin sound’: Responses to the historicisation of Dunedin popular music

Popular music, 2020-05, Vol.39 (2), p.187-207

2020

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Editorial introduction

Perfect beat, 2021-12, Vol.21 (2)

2021

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Editorial introduction

Perfect beat, 2021-08, Vol.21 (1)

2021

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Editorial introduction

Perfect beat, 2020-09, Vol.20 (1)

2020

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Editorial Introduction

Perfect beat, 2017-05, Vol.18 (1), p.5-6

Wilson, Oli

2017

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Introduction

Perfect beat, 2017-03, Vol.17 (2), p.101-103

Wilson, Oli

2017

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More than 'clips of dead fish': gender, technologisation, and localisation in the amateur music videos of Wellington spearfishers

Green letters, 2020-07, Vol.24 (3), p.252-268

2020

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Editorial introduction

Perfect beat, 2019-12, Vol.19 (2), p.105-106

2019

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Editorial Introduction

Perfect beat, 2018-12, Vol.19 (1), p.5-7

2018

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Selling Lokal Music: A Comparison of the Content and Promotion of Two Locally Recorded and Released Albums in Port Moresby, Papua New Guinea

Journal of world popular music, 2014-09, Vol.1 (1), p.51-71

Wilson, Oli

2014

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Ples and Popular Music Production: A Typology of Home-based Recording Studios in Port Moresby, Papua New Guinea

Ethnomusicology forum, 2014-09, Vol.23 (3), p.425-444

Wilson, Oli

2014

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Popular Music as Local Culture: An Ethnographic Study of the Album Matha Wa! by the Band Paramana Strangers from Papua New Guinea

Musicology Australia, 2013-12, Vol.35 (2), p.253-267

Wilson, Oli

2013

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Editorial introduction

Perfect beat, 2017-10, Vol.18 (2), p.93-94

2017

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An interview with Tiki Taane: Expressing cultural heritage and identity through music

Perfect beat, 2014-01, Vol.15 (2), p.167-174

Wilson, Oli

2014

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Introduction

Perfect beat, 2015-12, Vol.16 (1-2), p.5-7

2015

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Work-Integrated Learning in University Popular Music Programmes: Localised Approaches to Vocational Curricula in Melbourne, Australia and Wellington, Aotearoa/New Zealand

British journal of music education, 2020-07, Vol.37 (2), p.181-192

2020

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Music video and online social media : a case study of the discourse around Japanese imagery in the New Zealand indie scene

Sites (Palmerston North, N.Z.), 2016-11, Vol.13 (2), p.163-186

2016

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Introduction

Perfect beat, 2016-06, Vol.17 (1), p.5-8

2016

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Lookin, searchin, seekin, findin: A new beat

Perfect beat, 2014-01, Vol.15 (2), p.105-111

2014

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Made in Australia and Aotearoa/New Zealand: Studies in Popular Music

1st, 2018

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Looping alone, together: Music, community, and environmental self-sustainability in Aotearoa/New Zealand

Mixing Pop and Politics, 2022, Vol.1, p.84-95

1, 2022

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Perspectives on Music Sharing via Mobile Phones in Papua New Guinea

Mobile Story Making in an Age of Smartphones, p.65-73

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Mixing Pop and Politics: Political Dimensions of Popular Music in the 21st Century

Signifiers of indigeneity in Australian and New Zealand popular music

From Home-Studios to Mobile Phones: Recent Trends in Popular Music Recording and Sharing in Papua New Guinea

Not our ‘Dunedin sound’: Responses to the historicisation of Dunedin popular music

Editorial introduction

Editorial introduction

Editorial introduction

Editorial Introduction

Introduction

More than 'clips of dead fish': gender, technologisation, and localisation in the amateur music videos of Wellington spearfishers

Editorial introduction

Editorial Introduction

Selling Lokal Music: A Comparison of the Content and Promotion of Two Locally Recorded and Released Albums in Port Moresby, Papua New Guinea

Ples and Popular Music Production: A Typology of Home-based Recording Studios in Port Moresby, Papua New Guinea

Popular Music as Local Culture: An Ethnographic Study of the Album Matha Wa! by the Band Paramana Strangers from Papua New Guinea

Editorial introduction

An interview with Tiki Taane: Expressing cultural heritage and identity through music

Introduction

Work-Integrated Learning in University Popular Music Programmes: Localised Approaches to Vocational Curricula in Melbourne, Australia and Wellington, Aotearoa/New Zealand

Music video and online social media : a case study of the discourse around Japanese imagery in the New Zealand indie scene

Introduction

Lookin, searchin, seekin, findin: A new beat

Made in Australia and Aotearoa/New Zealand: Studies in Popular Music

Looping alone, together: Music, community, and environmental self-sustainability in Aotearoa/New Zealand

Perspectives on Music Sharing via Mobile Phones in Papua New Guinea

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