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The Garden in the Laboratory: Arthur C. Pillsbury’s Time-Lapse Films and the American Conservation Movement

Philosophies (Basel), 2022-10, Vol.7 (5), p.118

Williamson, Colin

2022

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“An Escape Into Reality”: Computers, Special Effects, and the Haunting Optics of Westworld (1973)

Imaginations (Edmonton, Alberta), 2018-11, Vol.9 (1), p.19-39

Williamson, Colin

2018

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Hidden in Plain Sight: An Archaeology of Magic and the Cinema

Williamson, Colin

1, 2015

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The (un)natural history film: formalist tendencies old and new

New review of film and television studies, 2022-01, Vol.20 (1), p.63-73

Williamson, Colin

2022

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The Many Cinemas of Michael Curtiz

1, 2018

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Reclaiming “Lost” Films: The Paper Print Fragment Collection and the American Film Company

Moving image (Minneapolis, Minn.), 2016-03, Vol.16 (1), p.125-134

2016

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Observations on the Origins of Life and Animation: David Lebrun's Proteus: A Nineteenth Century Vision

Discourse (Berkeley, Calif.), 2021-10, Vol.43 (3), p.383-420

Williamson, Colin

2021

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Towards a catalogue of cine-genres

New review of film and television studies, 2022-01, Vol.20 (1), p.1-3

2022

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Nature and the Wonders of the Moving Image: John Ott's Postwar Popular Science Filmmaking

Film history (New York, N.Y.), 2019, Vol.31 (3), p.27-54

Williamson, Colin

2019

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Quicker Than the Eye? Sleight of Hand and Cinemas of Scientific Discovery from Chronophotography to Cognitive Film Theory

Leonardo (Oxford), 2016-10, Vol.49 (5), p.421-395

WILLIAMSON, COLIN

2016

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Object lessons, old and new: experimental media archaeology in the classroom

Early popular visual culture, 2020-01, Vol.18 (1), p.2-14

2020

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“Pagan Constellations in the Sky”: (Re)Animating Muybridge in the Film History Classroom

Moving image (Minneapolis, Minn.), 2019-03, Vol.19 (1), p.75-92

Williamson, Colin

2019

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Quicker Than the Eye?

Leonardo (Oxford), 2016, Vol.49 (5), p.421-437

Williamson, Colin

2016

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Thinking in the Dark: Cinema, Theory, Practice

1, 2015

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Head injury: assessment and early management-summary of updated NICE guidance

BMJ (Online), 2023-05, Vol.381, p.1130

2023

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Uncanny Effigies: Early Sound Cinema and Mystery of the Wax Museum

The Many Cinemas of Michael Curtiz, 2018, p.278

2018

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The Blow Book, Performance Magic, and Early Animation: Mediating the Living Dead

Animation : an interdisciplinary journal, 2011-07, Vol.6 (2), p.111-126

Williamson, Colin

2011

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Walter Benjamin: Afterimages of the Aura

Thinking in the Dark, 2015, p.54

2015

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THE ENCHANTED SCREEN: Performing the Cinema’s Illusion of Life

Hidden in Plain Sight, 2015, p.100

Williamson, Colin

2015

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(DE)MYSTIFYING TRICKS: The Wonder Response and the Emergence of the Cinema

Hidden in Plain Sight, 2015, p.20

Williamson, Colin

2015

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CONCLUSION: Other Obscurities and Illuminations

Hidden in Plain Sight, 2015, p.185

Williamson, Colin

2015

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DIGITAL PRESTIDIGITATION: The Eclipse of the Cinema’s Mechanical Magic

Hidden in Plain Sight, 2015, p.129

Williamson, Colin

2015

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QUICKER THAN THE EYE: Science, Cinema, and the Question of Vision

Hidden in Plain Sight, 2015, p.46

Williamson, Colin

2015

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THROUGH DIGITAL EYES: Reanimating Early Cinema

Hidden in Plain Sight, 2015, p.155

Williamson, Colin

2015

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SECOND SIGHT: Time Lapse and the Cinema as Seer

Hidden in Plain Sight, 2015, p.70

Williamson, Colin

2015

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The Garden in the Laboratory: Arthur C. Pillsbury’s Time-Lapse Films and the American Conservation Movement

“An Escape Into Reality”: Computers, Special Effects, and the Haunting Optics of Westworld (1973)

Hidden in Plain Sight: An Archaeology of Magic and the Cinema

The (un)natural history film: formalist tendencies old and new

The Many Cinemas of Michael Curtiz

Reclaiming “Lost” Films: The Paper Print Fragment Collection and the American Film Company

Observations on the Origins of Life and Animation: David Lebrun's Proteus: A Nineteenth Century Vision

Towards a catalogue of cine-genres

Nature and the Wonders of the Moving Image: John Ott's Postwar Popular Science Filmmaking

Quicker Than the Eye? Sleight of Hand and Cinemas of Scientific Discovery from Chronophotography to Cognitive Film Theory

Object lessons, old and new: experimental media archaeology in the classroom

“Pagan Constellations in the Sky”: (Re)Animating Muybridge in the Film History Classroom

Quicker Than the Eye?

Thinking in the Dark: Cinema, Theory, Practice

Head injury: assessment and early management-summary of updated NICE guidance

Uncanny Effigies: Early Sound Cinema and Mystery of the Wax Museum

The Blow Book, Performance Magic, and Early Animation: Mediating the Living Dead

Walter Benjamin: Afterimages of the Aura

THE ENCHANTED SCREEN: Performing the Cinema’s Illusion of Life

(DE)MYSTIFYING TRICKS: The Wonder Response and the Emergence of the Cinema

CONCLUSION: Other Obscurities and Illuminations

DIGITAL PRESTIDIGITATION: The Eclipse of the Cinema’s Mechanical Magic

QUICKER THAN THE EYE: Science, Cinema, and the Question of Vision

THROUGH DIGITAL EYES: Reanimating Early Cinema

SECOND SIGHT: Time Lapse and the Cinema as Seer

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