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When Folk Dance Was Radical: Cold War Yangge, World Youth Festivals, and Overseas Chinese Leftist Culture in the 1950s and 1960s

China perspectives, 2020-01 (1), p.33-42

WILCOX, EMILY

2020

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Revolutionary Bodies : Chinese Dance and the Socialist Legacy

Wilcox, Emily

2019

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Revolutionary Bodies: Chinese Dance and the Socialist Legacy

Emily Wilcox

2018

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Beyond Internal Orientalism: Dance and Nationality Discourse in the Early People's Republic of China, 1949–1954

The Journal of Asian studies, 2016-05, Vol.75 (2), p.363-386

Wilcox, Emily E.

2016

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Dynamic Inheritance: Representative Works and the Authoring of Tradition in Chinese Dance

Journal of folklore research, 2018-01, Vol.55 (1), p.77-111

Wilcox, Emily E

2018

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K-Pop Dance: Fandoming Yourself on Social Media by Chuyun Oh (review)

Asian theatre journal, 2024-09, Vol.41 (2), p.456-460

Wilcox, Emily

2024

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Sino-Japanese Cultural Diplomacy in the 1950s: The Making and Reception of the Matsuyama Ballet’s The White-Haired Girl

Twentieth-century China, 2023-05, Vol.48 (2), p.130-158

Wilcox, Emily

2023

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Moonwalking in Beijing: Michael Jackson, piliwu, and the origins of Chinese hip-hop

Inter-Asia cultural studies, 2022-04, Vol.23 (2), p.302-321

Wilcox, Emily

2022

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Chinese Theatre Troupes in Southeast Asia: Touring Diaspora, 1900s-1970s (Routledge Studies in the Modern History of Asia, vol. 8)

Sojourn, 2022-07, Vol.37 (2), p.369-371

Wilcox, Emily

2022

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Internationalist Aesthetics: China and Early Soviet Culture by Edward Tyerman (review)

Twentieth-Century China, 2023, Vol.48 (1), p.E-9-E-11

Wilcox, Emily

2023

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Performing Bandung: China's dance diplomacy with India, Indonesia, and Burma, 1953-1962

Inter-Asia cultural studies, 2017-10, Vol.18 (4), p.518-539

Wilcox, Emily

2017

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Rulan Chao Pian

Asian theatre journal, 2015-09, Vol.32 (2), p.636

Wilcox, Emily E

2015

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When Folk Dance Was Radical: Cold War Yangge, World Youth Festivals, and Overseas Chinese Leftist Culture in the 1950s and 1960s

China perspectives, 2020-06, Vol.1 (2020), p.33-42

Wilcox, Emily

2020

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Chinese Theatre Troupes in Southeast Asia: Touring Diaspora, 1900s–1970s by Beiyu Zhang (review)

Sojourn (Singapore), 2022, Vol.37 (2), p.369-371

Wilcox, Emily

2022

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Rulan Chao Pian 卞赵如兰 (1922–2013)

Asian theatre journal, 2015-10, Vol.32 (2), p.636-647

Wilcox, Emily E.

2015

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Inter-Asia in Motion: Dance as Method

1, 2024

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Meaning in Movement: Adaptation and the Xiqu Body in Intercultural Chinese Theatre

TDR : Drama review, 2014-03, Vol.58 (1), p.42-63

Wilcox, Emily E.

2014

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The Postcolonial Blind Spot: Chinese Dance in the Era of Third Worldism, 1949–1965

Positions : Asia Critique, 2018-11, Vol.26 (4), p.781-815

Wilcox, Emily

2018

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Reflections on Narrative Techniques and Popularization in Contemporary China's Main Melody Dance Dramas: Only This Green (2021). By The Palace Museum, China Oriental Performing Arts Group, and People.cn Company Limited. National Centre for the Performing Arts, Beijing

Dance chronicle, 2024-05, Vol.47 (2), p.297-304

2024

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Quand la danse folklorique était radicale : le yangge de la guerre froide, les Festivals mondiaux de la jeunesse et la culture de gauche chinoise d’outre-mer dans les années 1950 et 1960

Perspectives chinoises, 2020-06, p.33-44

Wilcox, Emily

2020

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Quand la danse folklorique était radicale: le yangge de la guerre froide, les Festivals mondiaux de la jeunesse et la culture de gauche chinoise d'outremer dans les années 1950 et 1960

Perspectives chinoises, 2020-01 (1 (150)), p.33-44

WILCOX, EMILY

2020

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The Postcolonial Blind Spot

Positions : Asia Critique, 2018-11, Vol.26 (4), p.781-815

Wilcox, Emily

2018

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A REPORT ON THE SHANGHAI THEATRE ACADEMY WINTER INSTITUTE 2013: “SHANGHAI ENCOUNTERS”

CHINOPERL: journal of Chinese oral & performing literature, 2013-07, Vol.32 (1), p.86-88

Wilcox, Emily E

2013

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The Oxford Handbook of Dance and Ethnicity ed. by Anthony Shay and Barbara Sellers-Young (review)

Asian theatre journal, 2019, Vol.36 (1), p.246-249

Wilcox, Emily

2019

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RASA DANCE FESTIVAL

Asian Theatre Journal, 2018-09, Vol.35 (2), p.487-490

Wilcox, Emily

2018

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When Folk Dance Was Radical: Cold War Yangge, World Youth Festivals, and Overseas Chinese Leftist Culture in the 1950s and 1960s

Revolutionary Bodies : Chinese Dance and the Socialist Legacy

Revolutionary Bodies: Chinese Dance and the Socialist Legacy

Beyond Internal Orientalism: Dance and Nationality Discourse in the Early People's Republic of China, 1949–1954

Dynamic Inheritance: Representative Works and the Authoring of Tradition in Chinese Dance

K-Pop Dance: Fandoming Yourself on Social Media by Chuyun Oh (review)

Sino-Japanese Cultural Diplomacy in the 1950s: The Making and Reception of the Matsuyama Ballet’s The White-Haired Girl

Moonwalking in Beijing: Michael Jackson, piliwu, and the origins of Chinese hip-hop

Chinese Theatre Troupes in Southeast Asia: Touring Diaspora, 1900s-1970s (Routledge Studies in the Modern History of Asia, vol. 8)

Internationalist Aesthetics: China and Early Soviet Culture by Edward Tyerman (review)

Performing Bandung: China's dance diplomacy with India, Indonesia, and Burma, 1953-1962

Rulan Chao Pian

When Folk Dance Was Radical: Cold War Yangge, World Youth Festivals, and Overseas Chinese Leftist Culture in the 1950s and 1960s

Chinese Theatre Troupes in Southeast Asia: Touring Diaspora, 1900s–1970s by Beiyu Zhang (review)

Rulan Chao Pian 卞赵如兰 (1922–2013)

Inter-Asia in Motion: Dance as Method

Meaning in Movement: Adaptation and the Xiqu Body in Intercultural Chinese Theatre

The Postcolonial Blind Spot: Chinese Dance in the Era of Third Worldism, 1949–1965

Reflections on Narrative Techniques and Popularization in Contemporary China's Main Melody Dance Dramas: Only This Green (2021). By The Palace Museum, China Oriental Performing Arts Group, and People.cn Company Limited. National Centre for the Performing Arts, Beijing

Quand la danse folklorique était radicale : le yangge de la guerre froide, les Festivals mondiaux de la jeunesse et la culture de gauche chinoise d’outre-mer dans les années 1950 et 1960

Quand la danse folklorique était radicale: le yangge de la guerre froide, les Festivals mondiaux de la jeunesse et la culture de gauche chinoise d'outremer dans les années 1950 et 1960

The Postcolonial Blind Spot

A REPORT ON THE SHANGHAI THEATRE ACADEMY WINTER INSTITUTE 2013: “SHANGHAI ENCOUNTERS”

The Oxford Handbook of Dance and Ethnicity ed. by Anthony Shay and Barbara Sellers-Young (review)

RASA DANCE FESTIVAL

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