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Films on Ice: Cinemas of the Arctic

2014

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Nordic Film Cultures and Cinemas of Elsewhere

1, 2019

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Locating August Strindberg's prose: modernism, transnationalism, and setting

Locating August Strindberg's prose, 2010

Stenport, Anna Westerståhl

1, 2010

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Arnait Video Productions: Inuit Women's Collective Filmmaking, Coalitional Politics, and a Globalized Arctic

Camera obscura (Durham, NC), 2016-01, Vol.31 (93), p.153-163

2016

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Action, Avatar, Ecology, and Empire: Databases, Digitality, Death, and Gaming in Werner Herzog's Arctic

Moving image (Minneapolis, Minn.), 2016-10, Vol.16 (2), p.45-71

2016

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Playing with art cinema? Digitality constructs in Ruben Östlund's Play

Journal of Scandinavian cinema, 2014-03, Vol.4 (1), p.77-84

2014

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Strindberg and Radicalism—Strindberg and the Avant-garde: A Hundred-Year Legacy

Scandinavian studies, 2012-09, Vol.84 (3), p.235-247

2012

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National Betrayal: Language, Location, and Lesbianism in August Strindberg's Le Plaidoyer D'un Fou

Comparative literature, 2010-03, Vol.62 (2), p.144-160

Stenport, Anna Westerståhl

2010

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The Eradication of Memory: Film Adaptations and Algorithms of the Digital

Cinema journal, 2015-10, Vol.55 (1), p.74-94

2015

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Modern Drama as Historiography and Cultural Critique: Prisons, Poverty, and Political Economy in August Strindberg’s The Dance of Death I

Modern drama, 2016-12, Vol.59 (4), p.422-439

Stenport, Anna Westerståhl

2016

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Bodies Under Assault: Nation and Immigration in Henning Mankell's "Faceless Killers"

Scandinavian studies, 2007-03, Vol.79 (1), p.1-24

Stenport, Anna Westerståhl

2007

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Documentary Filmmaking as Colonialist Propaganda and Cinefeminist Intervention: Mai Zettterling's Of Seals and Men (1979)

Film history (New York, N.Y.), 2015-01, Vol.27 (4), p.106-129

2015

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Arctic Environmental Modernities: From the Age of Polar Exploration to the Era of the Anthropocene

1, 2017

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Charting and challenging digital media convergence practice and rhetoric through longitudinal media population surveys

Convergence (London, England), 2014-05, Vol.20 (2), p.140-156

2014

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Interiority Conceits: Domestic Architecture, Graphophone Recordings, and Colonial Imaginations in August Strindberg's The Roofing Ceremony (1907)

Modernism/modernity (Baltimore, Md.), 2011-04, Vol.18 (2), p.233-253

Stenport, Anna Westerståhl

2011

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An Alternative History of the Arctic: The Origins of Ethnographic Filmmaking, the Fifth Thule Expedition, and Indigenous Cinema

Visual anthropology review, 2020-03, Vol.36 (1), p.137-162

2020

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THE MIND AND NATURE OF LOCKED ROOMS: TARJEI VESAAS'S NOVEL "THE ICE PALACE" AND METAPHYSICAL CRIME FICTION

Studies in the novel, 2010-09, Vol.42 (3), p.305-320

STENPORT, ANNA WESTERSTÅHL

2010

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Corporations, Crime, and Gender Construction in Stieg Larsson's "The Girl with the Dragon Tattoo": Exploring Twenty-first Century Neoliberalism in Swedish Culture

Scandinavian Studies, 2009-06, Vol.81 (2), p.157-178

2009

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From Arsonists and Bastards to Vampires and Zombies: Urban Spatio-Pathologies in Strindberg's Chamber Plays

Studies in the literary imagination, 2007-03, Vol.40 (1), p.35

Stenport, Anna Westerståhl

2007

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Polar bears and ice: cultural connotations of Arctic environments that contradict the science of climate change

Media, Culture & Society, 2017-03, Vol.39 (2), p.282-295

2017

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The Threat of the Thaw: The Cold War on the Screen

Films on Ice, 2014, p.161-175

2014

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The Politics of Color in the Arctic Landscape: Blackness at the Center of Frederic Edwin Church's Aurora Borealis and the Legacy of 19th-Century Limits of Representation

ARTMargins (Cambridge, Mass.), 2017-06, Vol.6 (2), p.6

2017

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INTRODUCTION: WHAT ARE ARCTIC CINEMAS?

Films on Ice, 2014, p.1

2014

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Introduction: Arctic Modernities, Environmental Politics, and the Era of the Anthropocene

Arctic Environmental Modernities, 2017, p.1-20

2017

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Documentary filmmaking as colonialist propaganda and cinefeminist intervention: Mai Zetterling's Of Seals and Men (1979)

Film history (New York, N.Y.), 2015, Vol.27 (4), p.106

2015

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Films on Ice: Cinemas of the Arctic

Nordic Film Cultures and Cinemas of Elsewhere

Locating August Strindberg's prose: modernism, transnationalism, and setting

Arnait Video Productions: Inuit Women's Collective Filmmaking, Coalitional Politics, and a Globalized Arctic

Action, Avatar, Ecology, and Empire: Databases, Digitality, Death, and Gaming in Werner Herzog's Arctic

Playing with art cinema? Digitality constructs in Ruben Östlund's Play

Strindberg and Radicalism—Strindberg and the Avant-garde: A Hundred-Year Legacy

National Betrayal: Language, Location, and Lesbianism in August Strindberg's Le Plaidoyer D'un Fou

The Eradication of Memory: Film Adaptations and Algorithms of the Digital

Modern Drama as Historiography and Cultural Critique: Prisons, Poverty, and Political Economy in August Strindberg’s The Dance of Death I

Bodies Under Assault: Nation and Immigration in Henning Mankell's "Faceless Killers"

Documentary Filmmaking as Colonialist Propaganda and Cinefeminist Intervention: Mai Zettterling's Of Seals and Men (1979)

Arctic Environmental Modernities: From the Age of Polar Exploration to the Era of the Anthropocene

Charting and challenging digital media convergence practice and rhetoric through longitudinal media population surveys

Interiority Conceits: Domestic Architecture, Graphophone Recordings, and Colonial Imaginations in August Strindberg's The Roofing Ceremony (1907)

An Alternative History of the Arctic: The Origins of Ethnographic Filmmaking, the Fifth Thule Expedition, and Indigenous Cinema

THE MIND AND NATURE OF LOCKED ROOMS: TARJEI VESAAS'S NOVEL "THE ICE PALACE" AND METAPHYSICAL CRIME FICTION

Corporations, Crime, and Gender Construction in Stieg Larsson's "The Girl with the Dragon Tattoo": Exploring Twenty-first Century Neoliberalism in Swedish Culture

From Arsonists and Bastards to Vampires and Zombies: Urban Spatio-Pathologies in Strindberg's Chamber Plays

Polar bears and ice: cultural connotations of Arctic environments that contradict the science of climate change

The Threat of the Thaw: The Cold War on the Screen

The Politics of Color in the Arctic Landscape: Blackness at the Center of Frederic Edwin Church's Aurora Borealis and the Legacy of 19th-Century Limits of Representation

INTRODUCTION: WHAT ARE ARCTIC CINEMAS?

Introduction: Arctic Modernities, Environmental Politics, and the Era of the Anthropocene

Documentary filmmaking as colonialist propaganda and cinefeminist intervention: Mai Zetterling's Of Seals and Men (1979)

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