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Liberal dreaminess and "The Golden Stairs" of Edward Burne-Jones (1833–1898)

The British art journal, 2017-03, Vol.17 (3), p.55-63

Weliver, Phyllis

2017

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Introduction: A Discursive Duet

Victorian poetry, 2022-06, Vol.60 (2), p.105-114

2022

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A Score of Change: Twenty Years of Critical Musicology and Victorian Literature

Literature compass, 2011-10, Vol.8 (10), p.776-794

Weliver, Phyllis

2011

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Oscar Wilde, Music, and the 'Opium-Tainted Cigarette': Disinterested Dandies and Critical Play

Journal of Victorian Culture : JVC, 2010-12, Vol.15 (3), p.315-347

Weliver, Phyllis

2010

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The Prima Donna, Opera Chorus and Amateur Violinist: Music as 'Event' in Wilkie Collins's Man and Wife

Forum for modern language studies, 2012-04, Vol.48 (2), p.178-194

Weliver, P.

2012

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George Eliot and the Prima Donna's 'Script'

The Yearbook of English Studies, 2010-01, Vol.40 (1/2), p.103-120

WELIVER, PHYLLIS

2010

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The Edinburgh Companion to Literature and Music

da Sousa Correa, Delia

1, 2020

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SOUNDING TENNYSON

Tennyson research bulletin, 2016-11, Vol.10 (5), p.470-472

Weliver, Phyllis

2016

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The Princess and the Tennysons’ Performance of Childhood

The Edinburgh Companion to Literature and Music, 2022, p.462-475

2022

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The Princess and the Tennysons’ Performance of Childhood

The Edinburgh Companion to Literature and Music, 2020, p.462

2020

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Musical Diplomacy and Mary Gladstone's Diary

Music and Institutions in Nineteenth-Century Britain, 2012, p.121-142

1, 2012

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Singing angel or musical demon?: representations of female musicians in victorian literature

Weliver, Phyllis

1999

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Review of John M. Picker,Victorian Soundscapes

Nineteenth - Century Literature, 2005, Vol.60 (2), p.262-265

WELIVER, PHYLLIS

2005

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REVIEW OF EMMA SUTTON, AUBREY BEARDSLEY AND WAGNERISM IN THE 1890S

Nineteenth - Century Literature, 2004, Vol.58 (4), p.562-566

WELIVER, P.

2004

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Review Symposium

Theory and Practice, 2004, Vol.29, p.241-266

2004

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Women Musicians in Victorian Fiction, 1860–1900: Representations of Music, Science, and Gender in the Leisured Home

Isis, 2002, Vol.93 (3), p.494-494

Patton, Cynthia Ellen

2002

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Liberal dreaminess and "The Golden Stairs" of Edward Burne-Jones (1833–1898)

Introduction: A Discursive Duet

A Score of Change: Twenty Years of Critical Musicology and Victorian Literature

Oscar Wilde, Music, and the 'Opium-Tainted Cigarette': Disinterested Dandies and Critical Play

The Prima Donna, Opera Chorus and Amateur Violinist: Music as 'Event' in Wilkie Collins's Man and Wife

George Eliot and the Prima Donna's 'Script'

The Edinburgh Companion to Literature and Music

SOUNDING TENNYSON

The Princess and the Tennysons’ Performance of Childhood

The Princess and the Tennysons’ Performance of Childhood

Musical Diplomacy and Mary Gladstone's Diary

Singing angel or musical demon?: representations of female musicians in victorian literature

Review of John M. Picker,Victorian Soundscapes

REVIEW OF EMMA SUTTON, AUBREY BEARDSLEY AND WAGNERISM IN THE 1890S

Review Symposium

Women Musicians in Victorian Fiction, 1860–1900: Representations of Music, Science, and Gender in the Leisured Home

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