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Netflix, Amazon, and branded television content in subscription video on-demand portals

Media, culture & society, 2018-07, Vol.40 (5), p.725-741

Wayne, Michael L

2018

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Netflix audience data, streaming industry discourse, and the emerging realities of ‘popular’ television

Media, culture & society, 2022-03, Vol.44 (2), p.193-209

Wayne, Michael L

2022

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Depicting the racist past in a "postracial" age: The white, male protagonist in Hell on Wheels and The Knick

Alphaville, 2017-07 (13), p.105-116

2017

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Global streaming platforms and national pay-television markets: a case study of Netflix and multi-channel providers in Israel

The communication review (Yverdon, Switzerland), 2020-01, Vol.23 (1), p.29-45

Wayne, Michael L.

2020

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Minority representation in the streaming era: An analysis of Jewish identity in competing subscription video on-demand platforms

International journal of cultural studies, 2023-03, Vol.26 (2), p.145-163

2023

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Global Portals in National Markets: Branding Netflix in Israel

JCMS : Journal of cinema and media studies, 2020-03, Vol.59 (3), p.149-153

Wayne, Michael L

2020

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Between the programme and the portal: Thinking about the future of transnational TV branding

Critical studies in television, 2018-12, Vol.13 (4), p.510-514

Wayne, Michael L

2018

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Netflix original series, global audiences and discourses of streaming success

Critical studies in television, 2023-03, Vol.18 (1), p.81-100

2023

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Guilty Pleasures and Cultural Legitimation: Exploring High-Status Reality TV in the Postnetwork Era

Journal of popular culture, 2015-10, Vol.48 (5), p.990-1009

Wayne, Michael L.

2015

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Post-network audiences and cable crime drama

Northern lights (Copenhagen), 2016-06, Vol.14 (1), p.141-157

Wayne, Michael L.

2016

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Mitigating Colorblind Racism in the Postnetwork Era: Class-Inflected Masculinities in The Shield, Sons of Anarchy, and Justified

The communication review (Yverdon, Switzerland), 2014-07, Vol.17 (3), p.183-201

Wayne, Michael L.

2014

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Cultural class analysis and audience reception in American television’s ‘third golden age

Interactions (Bristol, England), 2016-04, Vol.7 (1), p.41-57

Wayne, Michael L.

2016

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SVOD Global Expansion in Cross-National Comparative Perspective: Netflix in Israel and Spain

Television & new media, 2021-12, Vol.22 (8), p.896-913

2021

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Ambivalent anti-heroes and racist rednecks on basic cable: Post-race ideology and white masculinities on FX

Journal of popular television, 2014-10, Vol.2 (2), p.205-225

Wayne, Michael L.

2014

Volltextzugriff (PDF)

Loved everywhere?: Netflix’s top 10 and the popularity of geographically diverse content

Convergence (London, England), 2024-08, Vol.30 (4), p.1348-1364

2024

Volltextzugriff (PDF)

“We Don’t Aspire to Be Netflix”: Understanding Content Acquisition Practices Among Niche Streaming Services

Television & new media, 2023-03, Vol.24 (3), p.298-315

2023

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Critically Acclaimed and Cancelled

View (Utrecht), 2016-08, Vol.5 (9), p.116

Wayne, Michael L.

2016

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Critically Acclaimed and Cancelled: FX's The Bridge, Channel as Brand and the Adaptation of Scripted TV Formats

View (Utrecht), 2016-08, Vol.5 (9), p.116

Wayne, Michael L.

2016

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Adding Flesh to Bones: Kiyozawa Manshi’s Seishinshugi in Modern Japanese Buddhist Thought

1, 2022

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Scholars as Audiences, Symbolic Boundaries, and Culturally Legitimated Prime-Time Cable Drama

Global media journal. German edition, 2015-07, Vol.5 (1)

Michael L. Wayne

2015

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Global Portals in National Markets: Branding Netflix in Israel

Cinema journal, 2020-04, Vol.59 (3), p.149-161

Wayne, Michael L

2020

Volltextzugriff (PDF)

Book Review: Netflix and Streaming Video: The Business of Subscriber-Funded Video on Demand

Media International Australia, 2023, Vol.189 (1), p.145-146

Wayne, Michael L.

2023

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Netflix and streaming video: The business of subscriber-funded video on demand

Media International Australia, Incorporating Culture & Policy, 2023, Vol.189 (1), p.145-146

Michael L Wayne

2023

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Interrogating The Shield

Communication review, 2013, Vol.16 (4), p.271-274

2013

Volltextzugriff (PDF)

Transmedia television: new trends in network serial production

Communication review, 2013, Vol.16 (3), p.185-187

2013

Volltextzugriff (PDF)

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Netflix, Amazon, and branded television content in subscription video on-demand portals

Netflix audience data, streaming industry discourse, and the emerging realities of ‘popular’ television

Depicting the racist past in a "postracial" age: The white, male protagonist in Hell on Wheels and The Knick

Global streaming platforms and national pay-television markets: a case study of Netflix and multi-channel providers in Israel

Minority representation in the streaming era: An analysis of Jewish identity in competing subscription video on-demand platforms

Global Portals in National Markets: Branding Netflix in Israel

Between the programme and the portal: Thinking about the future of transnational TV branding

Netflix original series, global audiences and discourses of streaming success

Guilty Pleasures and Cultural Legitimation: Exploring High-Status Reality TV in the Postnetwork Era

Post-network audiences and cable crime drama

Mitigating Colorblind Racism in the Postnetwork Era: Class-Inflected Masculinities in The Shield, Sons of Anarchy, and Justified

Cultural class analysis and audience reception in American television’s ‘third golden age

SVOD Global Expansion in Cross-National Comparative Perspective: Netflix in Israel and Spain

Ambivalent anti-heroes and racist rednecks on basic cable: Post-race ideology and white masculinities on FX

Loved everywhere?: Netflix’s top 10 and the popularity of geographically diverse content

“We Don’t Aspire to Be Netflix”: Understanding Content Acquisition Practices Among Niche Streaming Services

Critically Acclaimed and Cancelled

Critically Acclaimed and Cancelled: FX's The Bridge, Channel as Brand and the Adaptation of Scripted TV Formats

Adding Flesh to Bones: Kiyozawa Manshi’s Seishinshugi in Modern Japanese Buddhist Thought

Scholars as Audiences, Symbolic Boundaries, and Culturally Legitimated Prime-Time Cable Drama

Global Portals in National Markets: Branding Netflix in Israel

Book Review: Netflix and Streaming Video: The Business of Subscriber-Funded Video on Demand

Netflix and streaming video: The business of subscriber-funded video on demand

Interrogating The Shield

Transmedia television: new trends in network serial production

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