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Understanding high pressure molecular hydrogen with a hierarchical machine-learned potential

Nature communications, 2020-10, Vol.11 (1), p.5014-5014, Article 5014

2020

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Opera and Relational Aesthetics

The Opera quarterly, 2019-11, Vol.35 (1-2), p.139-142

Wiebe, Heather

2019

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Morale as sonic force: Listen to Britain and total war

Sound studies (2015), 2021-01, Vol.7 (1), p.24-41

Wiebe, Heather

2021

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Confronting Opera in the 1960s: Birtwistle's Punch and Judy

Journal of the Royal Musical Association, 2017-01, Vol.142 (1), p.173-204

Wiebe, Heather

2017

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Fade to Black Britten, ‘O Waly, Waly’ (1947), in Terence Davies’s Distant Voices, Still Lives

Cambridge opera journal, 2016-07, Vol.28 (2), p.263-266

Wiebe, Heather

2016

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Twisted-internal charge transfer (TICT) state mechanisms may be less common than expected

New journal of chemistry, 2024-02, Vol.48 (9), p.477-487

2024

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Discovering America: From Paul Bunyan to Peter Grimes

Cambridge opera journal, 2015-07, Vol.27 (2), p.129-153

Wiebe, Heather

2015

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Isotope Quantum Effects in the Metallization Transition in Liquid Hydrogen

Physical review letters, 2021-06, Vol.126 (22), p.1-225701, Article 225701

2021

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Molecular dynamic studies of the solubility of sodium chloride: fast calculations using seed crystalline cluster probe

Molecular physics, 2015-11, Vol.113 (21), p.3176-3181

2015

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Theoretical volume profiles for conformational changes: Application to internal rotation of benzene ring in 1,12-dimethoxy-[12]-paracyclophane

The Journal of chemical physics, 2017-03, Vol.146 (10), p.104107-104107

2017

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Reviews: Prospero's Ossified Isle: Thomas Adès's "The Tempest"

The Opera quarterly, 2014-01, Vol.30 (1), p.166-168

Wiebe, Heather

2014

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Prospero’s Ossified Isle: Thomas Adès’s The Tempest

The Opera quarterly, 2014-03, Vol.30 (1), p.166-168

Wiebe, Heather

2014

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Carfentanil structural analogs found in street drugs by paper spray mass spectrometry and their characterization by high‐resolution mass spectrometry

Drug testing and analysis, 2023-05, Vol.15 (5), p.484-494

2023

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Colloquy: Musicology and the Middlebrow

Journal of the American Musicological Society, 2020-06, Vol.73 (2), p.327-395

2020

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Review: The Cambridge Companion to Elgar edited by Daniel M. Grimley, Julian Rushton; Edward Elgar and His World edited by Byron Adams; Edward Elgar and the Nostalgic Imagination by Matthew Riley; Edward Elgar, Modernist by J. P. E. Harper-Scott

Journal of the American Musicological Society, 2009-04, Vol.62 (1), p.231-243

Wiebe, Heather

2009

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"The Rake's Progress" as Opera Museum

The Opera quarterly, 2009-01, Vol.25 (1-2), p.3-5

Wiebe, Heather

2009

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A Note from the Guest Editor

The Opera quarterly, 2009-01, Vol.25 (1-2), p.3-5

Wiebe, Heather

2009

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Benjamin Britten, the “National Faith,” and the Animation of History in 1950s England

Representations (Berkeley, Calif.), 2006-01, Vol.93 (1), p.76-105

WIEBE, HEATHER

2006

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Ernst Krenek's “On the Situation of Opera”

The Opera quarterly, 2009-12, Vol.25 (1-2), p.124-125

Wiebe, Heather

2009

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The Rake's Progress as Opera Museum

The Opera quarterly, 2009-01, Vol.25 (1-2), p.6-27

Wiebe, Heather

2009

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‘Now and England’: Britten's Gloriana and the ‘New Elizabethans’

Cambridge opera journal, 2005-07, Vol.17 (2), p.141-172

WIEBE, HEATHER

2005

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Music and Sexuality in Britten: Selected Essays (review)

The Opera Quarterly, 2007, Vol.23 (1), p.130-136

Hildebrand, Heather Wiebe

2007

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Rituals of a lost faith: Britten and the culture of postwar reconstruction

Wiebe, Heather Luella

2005

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The Cambridge Companion to Elgar, Edward Elgar and His World, Edward Elgar and the Nostalgic Imagination, Edward Elgar, Modernist

Journal of the American Musicological Society, 2009, Vol.62 (1), p.231

Wiebe, Heather

2009

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The Cambridge Companion to Elgar

Journal of the American Musicological Society, 2009, Vol.62 (1), p.231-243

Wiebe, Heather

2009

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Understanding high pressure molecular hydrogen with a hierarchical machine-learned potential

Opera and Relational Aesthetics

Morale as sonic force: Listen to Britain and total war

Confronting Opera in the 1960s: Birtwistle's Punch and Judy

Fade to Black Britten, ‘O Waly, Waly’ (1947), in Terence Davies’s Distant Voices, Still Lives

Twisted-internal charge transfer (TICT) state mechanisms may be less common than expected

Discovering America: From Paul Bunyan to Peter Grimes

Isotope Quantum Effects in the Metallization Transition in Liquid Hydrogen

Molecular dynamic studies of the solubility of sodium chloride: fast calculations using seed crystalline cluster probe

Theoretical volume profiles for conformational changes: Application to internal rotation of benzene ring in 1,12-dimethoxy-[12]-paracyclophane

Reviews: Prospero's Ossified Isle: Thomas Adès's "The Tempest"

Prospero’s Ossified Isle: Thomas Adès’s The Tempest

Carfentanil structural analogs found in street drugs by paper spray mass spectrometry and their characterization by high‐resolution mass spectrometry

Colloquy: Musicology and the Middlebrow

Review: The Cambridge Companion to Elgar edited by Daniel M. Grimley, Julian Rushton; Edward Elgar and His World edited by Byron Adams; Edward Elgar and the Nostalgic Imagination by Matthew Riley; Edward Elgar, Modernist by J. P. E. Harper-Scott

"The Rake's Progress" as Opera Museum

A Note from the Guest Editor

Benjamin Britten, the “National Faith,” and the Animation of History in 1950s England

Ernst Krenek's “On the Situation of Opera”

The Rake's Progress as Opera Museum

‘Now and England’: Britten's Gloriana and the ‘New Elizabethans’

Music and Sexuality in Britten: Selected Essays (review)

Rituals of a lost faith: Britten and the culture of postwar reconstruction

The Cambridge Companion to Elgar, Edward Elgar and His World, Edward Elgar and the Nostalgic Imagination, Edward Elgar, Modernist

The Cambridge Companion to Elgar

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