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Screening China's Soft Power

1st edition., 2018

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Para-animation in Practice and Theory: The Animateur, the Embodied Gesture and Enchantment

Animation : an interdisciplinary journal, 2023-03, Vol.18 (1), p.23-41

Voci, Paola

2023

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Re-animating the vanishing woman: from invisible labour to embodied gesture

[in]Transition, 2023-09, Vol.10 (3)

Voci, Paola

2023

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Activist sinology and accented documentary: China on the (Italian?) internet

Modern Italy : journal of the Association for the Study of Modern Italy, 2019-11, Vol.24 (4), p.437-456

Voci, Paola

2019

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Can the Creative Subaltern Speak? Dafen Village Painters, Van Gogh, and the Politics of ‘True Art’

Made in China Journal, 2020-01, Vol.5 (1), p.104-111

Voci, Paola

2020

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Electric shadows reloaded: the post-digital animateur, shadow play and handmade cinema

Journal of Chinese cinemas, 2017-09, Vol.11 (3), p.192-209

Voci, Paola

2017

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The Chinese Cinema Book , edited by Song Hwee Lim and Julian Ward. London: Palgrave Macmillan, on behalf of the British Film Institute, 2011. x + 218 pp. £55.00 (hardcover), £18.99 (paperback)

The China journal (Canberra, A.C.T.), 2013-01, Vol.69, p.251-254

Voci, Paola

2013

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This Is Not Reality (Ceci n'est pas la réalité): Capturing the Imagination of the People Creativity, the Chinese Subaltern, and Documentary Storytelling

Global Storytelling: Journal of Digital and Moving Images, 2022-01, Vol.1 (2)

Voci, Paola

2022

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DV and the Animateur Cinema in China

DV-Made China, 2015, p.260

2015

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From the Center to the Periphery: Chinese Documentary's Visual Conjectures

Modern Chinese literature and culture, 2004-04, Vol.16 (1), p.65-113

Voci, Paola

2004

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DV-Made China: Digital Subjects and Social Transformations after Independent Film

1, 2015

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Animating virtual soft power: Digital animation’s dreams, nightmares, and wonders

Screening China's Soft Power, 2018, Vol.1, p.167-195

1, 2018

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DV and the Animateur Cinema in China

DV-Made China, 2018, p.260-288

2018

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DV and the Animateur Cinema in China

DV-Made China, 2018, p.260-288

2018

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Screening China’s soft power: screen cultures and discourses of power

Screening China's Soft Power, 2017

2017

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The Sino-Japanese War in Ip Man: From miscommunication to poetic combat

Chinese and Japanese Films on the Second World War, 2015, p.40-53

1, 2015

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Screening China’s soft power: Screen cultures and discourses of power 1

Screening China's Soft Power, 2018, Vol.1, p.1-18

1, 2018

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Afterword: Shifting perspectives on soft power and Chinese screens

Screening China's Soft Power, 2018, Vol.1, p.252-260

1, 2018

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Towards a “Chinese cinema” in New Zealand: Transnational cinema as localized soft power

Screening China's Soft Power, 2018, Vol.1, p.128-147

1, 2018

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Quasi-Documentary, Cellflix and Web Spoofs: Chinese Movies’ Other Visual Pleasures

China’s iGeneration, 2014, p.45-56

1, 2014

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PART II From East–West to South–South: localizing soft power

Screening China's Soft Power, 2017

2017

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PART I What’s SAPPRFT got to do with it: the limitations, or failure, of Chinese soft power

Screening China's Soft Power, 2017

2017

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Note on transliteration and use of Chinese characters

Screening China's Soft Power, 2017

2017

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Notes on contributors

Screening China's Soft Power, 2017

2017

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PART III Auteurs, animateurs, and matchmakers: pluralizing Chinese soft power

Screening China's Soft Power, 2017

2017

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Screening China's Soft Power

Para-animation in Practice and Theory: The Animateur, the Embodied Gesture and Enchantment

Re-animating the vanishing woman: from invisible labour to embodied gesture

Activist sinology and accented documentary: China on the (Italian?) internet

Can the Creative Subaltern Speak? Dafen Village Painters, Van Gogh, and the Politics of ‘True Art’

Electric shadows reloaded: the post-digital animateur, shadow play and handmade cinema

The Chinese Cinema Book , edited by Song Hwee Lim and Julian Ward. London: Palgrave Macmillan, on behalf of the British Film Institute, 2011. x + 218 pp. £55.00 (hardcover), £18.99 (paperback)

This Is Not Reality (Ceci n'est pas la réalité): Capturing the Imagination of the People Creativity, the Chinese Subaltern, and Documentary Storytelling

DV and the Animateur Cinema in China

From the Center to the Periphery: Chinese Documentary's Visual Conjectures

DV-Made China: Digital Subjects and Social Transformations after Independent Film

Animating virtual soft power: Digital animation’s dreams, nightmares, and wonders

DV and the Animateur Cinema in China

DV and the Animateur Cinema in China

Screening China’s soft power: screen cultures and discourses of power

The Sino-Japanese War in Ip Man: From miscommunication to poetic combat

Screening China’s soft power: Screen cultures and discourses of power 1

Afterword: Shifting perspectives on soft power and Chinese screens

Towards a “Chinese cinema” in New Zealand: Transnational cinema as localized soft power

Quasi-Documentary, Cellflix and Web Spoofs: Chinese Movies’ Other Visual Pleasures

PART II From East–West to South–South: localizing soft power

PART I What’s SAPPRFT got to do with it: the limitations, or failure, of Chinese soft power

Note on transliteration and use of Chinese characters

Notes on contributors

PART III Auteurs, animateurs, and matchmakers: pluralizing Chinese soft power

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