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Shelley's Radical Stages: Performance and cultural memory in the post-Napoleonic era

Van Kooy, Dana

1, 2016

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Lothario’s Corpse: Libertine Drama and the Long-Running Restoration, 1700–1832 by Daniel Gustafson (review)

Eighteenth - Century Studies, 2021-07, Vol.54 (4), p.1051-1054

Van Kooy, Dana

2021

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Melodramatic Slaves

Modern drama, 2012-12, Vol.55 (4), p.459-475

2012

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Speculative Tragedy and Spatial Play: Scaling Byron’s Sardanapalus

Studies in romanticism, 2019-03, Vol.58 (1), p.77-104

Van Kooy, Dana

2019

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Staging the Peninsular War: English Theatres 1807–1815 by Susan Valladares (review)

Comparative drama, 2017, Vol.51 (1), p.122-125

Van Kooy, Dana

2017

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Shelley's radical stages: romantic drama in wartime

Kooy, Dana Van

2016

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Darien Prospects in Keats's 'On First Looking into Chapman's Homer'

Keats-Shelley review, 2015-09, Vol.29 (2), p.128-145

Van Kooy, Dana

2015

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Richard Brinsley Sheridan: The Impresario in Political and Cultural Context ed. by Jack E. DeRochi and Daniel J. Ennis (review)

Eighteenth-century fiction, 2015-07, Vol.27 (3), p.750-753

Van Kooy, Dana

2015

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Darkness Visible: The Early Melodrama of British Imperialism and the Commodification of History in Sheridan's "Pizarro"

Theatre journal (Washington, D.C.), 2012-05, Vol.64 (2), p.179-195

Van Kooy, Dana

2012

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Melodramatic Slaves

Modern drama, 2012, Vol.55 (4), p.459-475

2012

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'Rank Imposture' and 'Mimic Goblinry' in Scott's Doom of Devorgoil: A Genre Politics of National Drama

Literature compass, 2007-05, Vol.4 (3), p.698-708

Van Kooy, Dana

2007

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Staging the Peninsular War: English Theatres 1807–1815

Comparative Drama, 2017, Vol.51 (1), p.122-125

Van Kooy, Dana

2017

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Richard Brinsley Sheridan: The Impresario in Political and Cultural Context

Eighteenth - Century Fiction, 2015, Vol.27 (3/4), p.750

Kooy, Dana Van

2015

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Is this the promised end? [...] or image of that horror?: Promethean dramas of liberation

Shelley's Radical Stages, 2016, p.162-187

Van Kooy, Dana

1, 2016

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Epilogue: Scenic potions

Shelley's Radical Stages, 2016, p.188-192

Van Kooy, Dana

1, 2016

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'Titleless nothing', 'lifeless idol' and 'enchanted phantom': Reconfiguring the King's image and the politics of memory

Shelley's Radical Stages, 2016, p.97-131

Van Kooy, Dana

1, 2016

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O, write no more the tale of Troy: Classical dramas now available in pictures and sound

Shelley's Radical Stages, 2016, p.135-161

Van Kooy, Dana

1, 2016

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Acting out the unspeakable: Mute performances in The Cenci

Shelley's Radical Stages, 2016, p.27-57

Van Kooy, Dana

1, 2016

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Plaything[s] of the imagination: Liberty and the green bag in Shelley's Swellfoot the Tyrant

Shelley's Radical Stages, 2016, p.58-96

Van Kooy, Dana

1, 2016

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Introduction "something must be done... what yet I know not": Radical performances in the Romantic period

Shelley's Radical Stages, 2016, p.1-24

Van Kooy, Dana

1, 2016

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Shelley's radical stages: Legislating through the drama in an age of war

Van Kooy, Dana

2010

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Re-printing, Re-citing, and Re-circulating Romanticisms and the Question of Commitment

European Romantic Review, 2019, Vol.30 (1), p.97-103

Van Kooy, Dana

2019

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Romantic Globalism: British Literature and Modern World Order 1750-1830

Nineteenth-Century Contexts, 2017, Vol.39 (2), p.135-137

Van Kooy, Dana

2017

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Lilla Maria Crisafulli and Keir Elam (eds.), Women's Romantic Theatre and Drama: History, Agency, and Performativity (Farnham, Surrey: Ashgate, 2010), pp. xii+292. £60.00 hardback. 978 0 7546 5577 0

Romanticism, 2015, Vol.21 (1), p.107-112

Van Kooy, Dana

2015

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Book Review: "Theatric Revolution: Drama, Censorship, and Romantic Period Subcultures 1773-1832"

Theatre Journal, 2008, Vol.60 (3), p.504-505

Van Kooy, Dana

2008

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Shelley's Radical Stages: Performance and cultural memory in the post-Napoleonic era

Lothario’s Corpse: Libertine Drama and the Long-Running Restoration, 1700–1832 by Daniel Gustafson (review)

Melodramatic Slaves

Speculative Tragedy and Spatial Play: Scaling Byron’s Sardanapalus

Staging the Peninsular War: English Theatres 1807–1815 by Susan Valladares (review)

Shelley's radical stages: romantic drama in wartime

Darien Prospects in Keats's 'On First Looking into Chapman's Homer'

Richard Brinsley Sheridan: The Impresario in Political and Cultural Context ed. by Jack E. DeRochi and Daniel J. Ennis (review)

Darkness Visible: The Early Melodrama of British Imperialism and the Commodification of History in Sheridan's "Pizarro"

Melodramatic Slaves

'Rank Imposture' and 'Mimic Goblinry' in Scott's Doom of Devorgoil: A Genre Politics of National Drama

Staging the Peninsular War: English Theatres 1807–1815

Richard Brinsley Sheridan: The Impresario in Political and Cultural Context

Is this the promised end? [...] or image of that horror?: Promethean dramas of liberation

Epilogue: Scenic potions

'Titleless nothing', 'lifeless idol' and 'enchanted phantom': Reconfiguring the King's image and the politics of memory

O, write no more the tale of Troy: Classical dramas now available in pictures and sound

Acting out the unspeakable: Mute performances in The Cenci

Plaything[s] of the imagination: Liberty and the green bag in Shelley's Swellfoot the Tyrant

Introduction "something must be done... what yet I know not": Radical performances in the Romantic period

Shelley's radical stages: Legislating through the drama in an age of war

Re-printing, Re-citing, and Re-circulating Romanticisms and the Question of Commitment

Romantic Globalism: British Literature and Modern World Order 1750-1830

Lilla Maria Crisafulli and Keir Elam (eds.), Women's Romantic Theatre and Drama: History, Agency, and Performativity (Farnham, Surrey: Ashgate, 2010), pp. xii+292. £60.00 hardback. 978 0 7546 5577 0

Book Review: "Theatric Revolution: Drama, Censorship, and Romantic Period Subcultures 1773-1832"

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