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Intersections of Race, Class, Gender, and Nation in Fin-de-Siècle Spanish Literature and Culture ed. by Jennifer Smith and Lisa Nalbone (review)

Hispania, 2019, Vol.102 (1), p.144-145

Tolliver, Joyce

2019

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Imagined truths: realism in modern Spanish literature and culture

Imagined truths, 2019, Vol.43

1, 2019

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Striking Their Modern Pose: Fashion, Gender, and Modernity in Galdós, Pardo Bazán, and Picón by Dorota Heneghan (review)

Hispania, 2017, Vol.100 (2), p.306-307

Tolliver, Joyce

2017

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No hay nación para este sexo: La Re(d)pública transatlántica de las Letras: escritoras españolas y latinoamericanas (1824-1936) ed. by Pura Fernández

Anales galdosianos, 2016, Vol.51 (1), p.101-102

Tolliver, Joyce

2016

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Savage Madonnas: ’La mujer filipina’ in the Nineteenth-Century Colonialist Imaginary

Revista de estudios de genero y sexualidad, 2015-11, Vol.41 (2), p.21-34

Tolliver, Joyce

2015

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Colonialism, Collages, and Thick Description: Pardo Bazán and the Rhetoric of Detail

Imagined Truths, 2019, p.215-235

2019

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The Magellan Fallacy: Globalization and the Emergence of Asian and African Literature in Spanish by Adam Lifshey (review)

Revista de estudios hispánicos (University, Ala.), 2014, Vol.48 (2), p.406-408

2014

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Framing Colonial Manliness, Domesticity, and Empire in "Página suelta" and "Oscuramente"

Revista de estudios hispánicos (University, Ala.), 2012-03, Vol.46 (1), p.3

Tolliver, Joyce

2012

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Framing Colonial Manliness, Domesticity, and Empire in "Página suelta" and "Oscuramente"

Estudios Hispánicos, 2012-01, Vol.XLVI (1), p.3-24

Tolliver, Joyce

2012

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Framing Colonial Manliness, Domesticity, and Empire in “Página suelta” and “Oscuramente”

Revista de estudios hispánicos (University, Ala.), 2012, Vol.46 (1), p.3-24

Tolliver, Joyce

2012

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From the Outside Looking In: Narrative Frames and Narrative Spaces in the Short Stories of Emilia Pardo Bazán (review)

Anales galdosianos, 2012, Vol.47 (1), p.120-121

2012

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RELICS: HOME, MODERNITY, AND DISPOSSESSION IN SOLITUD AND LOS PAZOS DE ULLOA

SIGLO DIECINUEVE (Literatura hispánica), 2010-05 (16), p.171-193

Tolliver, Joyce

2010

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Over Her Bloodless Body: Gender, Race, and the Spanish Colonial Fetish in Pardo Bazán

Revista canadiense de estudios hispánicos, 2010-01, Vol.34 (2), p.285-301

TOLLIVER, JOYCE

2010

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Over Her Bloodless Body: Gender, Race, and the Spanish Colonial Fetish in Pardo Bazán

Revista canadiense de estudios hispánicos, 2010-01, Vol.XXXIV (2), p.285-301

Tolliver, Joyce

2010

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Emilia Pardo Bazán. Los Pazos de Ulloa

Boletín de la Biblioteca de Menéndez Pelayo, 2018-12, Vol.93 (único)

Tolliver, Joyce

2018

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Savage Madonnas: 'La mujer filipina' in the Nineteenth-Century Colonialist Imaginary

Letras femeninas, 2015-01, Vol.41 (2), p.21-34

Tolliver, Joyce

2015

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Emilia Pardo Bazán. Cuentos dispersos, I (1865-1910) y II (1911-1921). Obras completas. Tomos XI y XII

Boletín de la Biblioteca de Menéndez Pelayo, 2013-12, Vol.89 (único)

Tolliver, Joyce

2013

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Review Text Rodri´guez, Mari´a Pilar (2000) Vidas im/propias: Transformaciones del sujeto femenino en la narrativa espan ¨ ola contempora´nea (West Lafayette IN: Purdue University Press) 222 pp. ISBN 1557531641 (hb)

Journal of Spanish cultural studies, 2003-03, Vol.4 (1), p.131-132

Tolliver, Joyce

2003

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Rosalía between Two Shores: Gender, Rewriting, and Translation

Hispania, 2002-03, Vol.85 (1), p.33-43

Tolliver, Joyce

2002

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"Sor Aparición" and the Gaze: Pardo Bazán's Gendered Reply to the Romantic Don Juan

Hispania, 1994-09, Vol.77 (3), p.394-405

Tolliver, Joyce

1994

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"Otro modo de ver:" The Gaze in La última niebla

Revista canadiense de estudios hispánicos, 1992-10, Vol.17 (1), p.105-121

TOLLIVER, JOYCE

1992

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Discourse analysis and the intepretation of literary narrative

Style (University Park, PA), 1990-07, Vol.24 (2), p.266

Tolliver, Joyce

1990

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Rosalía Between Two Shores: Gender, Rewriting, and Translation

Hispania, 2002-01, Vol.LXXXV (1), p.33-43

Tolliver, Joyce

2002

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Knowledge, Desire and Syntactic Empathy in Pardo Bazán's "La novia fiel"

Hispania, 1989-12, Vol.72 (4), p.909-918

Tolliver, Joyce

1989

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Intersections of Race, Class, Gender, and Nation in Fin-de-Siècle Spanish Literature and Culture

Hispania, 2019, Vol.102 (1), p.144-145

Tolliver, Joyce

2019

Volltextzugriff (PDF)

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Intersections of Race, Class, Gender, and Nation in Fin-de-Siècle Spanish Literature and Culture ed. by Jennifer Smith and Lisa Nalbone (review)

Imagined truths: realism in modern Spanish literature and culture

Striking Their Modern Pose: Fashion, Gender, and Modernity in Galdós, Pardo Bazán, and Picón by Dorota Heneghan (review)

No hay nación para este sexo: La Re(d)pública transatlántica de las Letras: escritoras españolas y latinoamericanas (1824-1936) ed. by Pura Fernández

Savage Madonnas: ’La mujer filipina’ in the Nineteenth-Century Colonialist Imaginary

Colonialism, Collages, and Thick Description: Pardo Bazán and the Rhetoric of Detail

The Magellan Fallacy: Globalization and the Emergence of Asian and African Literature in Spanish by Adam Lifshey (review)

Framing Colonial Manliness, Domesticity, and Empire in "Página suelta" and "Oscuramente"

Framing Colonial Manliness, Domesticity, and Empire in "Página suelta" and "Oscuramente"

Framing Colonial Manliness, Domesticity, and Empire in “Página suelta” and “Oscuramente”

From the Outside Looking In: Narrative Frames and Narrative Spaces in the Short Stories of Emilia Pardo Bazán (review)

RELICS: HOME, MODERNITY, AND DISPOSSESSION IN SOLITUD AND LOS PAZOS DE ULLOA

Over Her Bloodless Body: Gender, Race, and the Spanish Colonial Fetish in Pardo Bazán

Over Her Bloodless Body: Gender, Race, and the Spanish Colonial Fetish in Pardo Bazán

Emilia Pardo Bazán. Los Pazos de Ulloa

Savage Madonnas: 'La mujer filipina' in the Nineteenth-Century Colonialist Imaginary

Emilia Pardo Bazán. Cuentos dispersos, I (1865-1910) y II (1911-1921). Obras completas. Tomos XI y XII

Review Text Rodri´guez, Mari´a Pilar (2000) Vidas im/propias: Transformaciones del sujeto femenino en la narrativa espan ¨ ola contempora´nea (West Lafayette IN: Purdue University Press) 222 pp. ISBN 1557531641 (hb)

Rosalía between Two Shores: Gender, Rewriting, and Translation

"Sor Aparición" and the Gaze: Pardo Bazán's Gendered Reply to the Romantic Don Juan

"Otro modo de ver:" The Gaze in La última niebla

Discourse analysis and the intepretation of literary narrative

Rosalía Between Two Shores: Gender, Rewriting, and Translation

Knowledge, Desire and Syntactic Empathy in Pardo Bazán's "La novia fiel"

Intersections of Race, Class, Gender, and Nation in Fin-de-Siècle Spanish Literature and Culture

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