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Young people's topography of musical functions: Personal, social and cultural experiences with music across genders and six societies

International journal of psychology, 2012-10, Vol.47 (5), p.355-369

2012

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“Get Up, Stand Up, Stand Up for Your Rights!” The Jamaicanization of Youth Across 11 Countries Through Reggae Music?

Journal of cross-cultural psychology, 2016-05, Vol.47 (4), p.581-604

2016

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Music and social identity: Stylistic identification as a response to musical style

International journal of psychology, 2002-10, Vol.37 (5), p.277-285

2002

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Implicit Knowledge Versus Psychoacoustic Similarity in Priming of Chords

Journal of experimental psychology. Human perception and performance, 1998-02, Vol.24 (1), p.252-260

1998

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Aspects of Stylistic Knowledge: What Are Different Styles Like and Why Do We Listen to Them?

Psychology of music, 2002, Vol.30 (1), p.28-47

2002

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Perceptual Integration of Timing and Intensity Variations in the Perception of Musical Accents

The Journal of general psychology, 2002-04, Vol.129 (2), p.181-191

Tekman, Hasan Gürkan

2002

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Effects of Accenting and Regularity on the Detection of Temporal Deviations: Does Regularity Facilitate Performance?

The Journal of general psychology, 2003-07, Vol.130 (3), p.247-258

Tekman, Hasan Gürkan

2003

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Interactions of Perceived Intensity, Duration, and Pitch in Pure Tone Sequences

Music perception, 1997-04, Vol.14 (3), p.281-294

Tekman, Hasan Gürkan

1997

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Cue Trading in the Perception of Rhythmic Structure

Music perception, 1995-10, Vol.13 (1), p.17-38

Tekman, Hasan Gürkan

1995

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A Multidimensional Study of Preference Judgments for Excerpts of Music

Psychological reports, 1998-06, Vol.82 (3), p.851-860

Tekman, Hasan Gürkan

1998

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Effects of Melodic Accents on Perception of Intensity

Music perception, 1998-07, Vol.15 (4), p.391-401, Article 391

Tekman, Hasan Gürkan

1998

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Accenting and detection of timing variations in tone sequences: Different kinds of accents have different effects

Perception & psychophysics, 2001-04, Vol.63 (3), p.514-523

TEKMAN, Hasan Gürkan

2001

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Perception of Rhythmic Structure in Tone Sequences: Interactions of Relative Timing, Intensity, and Pitch

Dissertation Abstracts International, 1993, Vol.53 (7), p.3817

Tekman, Hasan Gürkan

1993

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Time course of chord priming

Perception & psychophysics, 1992, Vol.51 (1), p.33-39

1992

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Perception of Rhythmic Structure in Tone Sequences: Interactions of Relative Timing, Intensity, and Pitch

Tekman, Hasan Gurkan

1993

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Perception of rhythmic structure in tone sequences: Interactions of relative timing, intensity, and pitch

Tekman, Hasan Gurkan

1992

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ProQuest

The cognition of basic musical structures. D. Temperley (Ed.). The MIT Press, Cambridge, MA, 2001. No. of pages 360. ISBN 0-262-70105-7

Applied Cognitive Psychology, 2005, Vol.19 (8), p.1109-1111

Tekman, Hasan Gurkan

2005

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A preference-rules approach to modeling the perception of 'musical infrastructure'

Applied Cognitive Psychology, 2005, Vol.19 (8), p.1109

Hasan Gurkan Tekman

2005

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Young people's topography of musical functions: Personal, social and cultural experiences with music across genders and six societies

“Get Up, Stand Up, Stand Up for Your Rights!” The Jamaicanization of Youth Across 11 Countries Through Reggae Music?

Music and social identity: Stylistic identification as a response to musical style

Implicit Knowledge Versus Psychoacoustic Similarity in Priming of Chords

Aspects of Stylistic Knowledge: What Are Different Styles Like and Why Do We Listen to Them?

Perceptual Integration of Timing and Intensity Variations in the Perception of Musical Accents

Effects of Accenting and Regularity on the Detection of Temporal Deviations: Does Regularity Facilitate Performance?

Interactions of Perceived Intensity, Duration, and Pitch in Pure Tone Sequences

Cue Trading in the Perception of Rhythmic Structure

A Multidimensional Study of Preference Judgments for Excerpts of Music

Effects of Melodic Accents on Perception of Intensity

Accenting and detection of timing variations in tone sequences: Different kinds of accents have different effects

Perception of Rhythmic Structure in Tone Sequences: Interactions of Relative Timing, Intensity, and Pitch

Time course of chord priming

Perception of Rhythmic Structure in Tone Sequences: Interactions of Relative Timing, Intensity, and Pitch

Perception of rhythmic structure in tone sequences: Interactions of relative timing, intensity, and pitch

The cognition of basic musical structures. D. Temperley (Ed.). The MIT Press, Cambridge, MA, 2001. No. of pages 360. ISBN 0-262-70105-7

A preference-rules approach to modeling the perception of 'musical infrastructure'

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