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The Archaeology of Rock Art in Western Arnhem Land, Australia

1, 2018

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Histories of Australian Rock Art Research

1, 2022

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Human remains from the Pleistocene-Holocene transition of southwest China suggest a complex evolutionary history for East Asians

PloS one, 2012-03, Vol.7 (3), p.e31918-e31918

2012

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Rock art and frontier conflict in Southeast Asia: Insights from direct radiocarbon ages for the large human figures of Gua Sireh, Sarawak

PloS one, 2023-08, Vol.18 (8), p.e0288902-e0288902

2023

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Revisiting Francis Birtles' painted car: exploring a cross-cultural encounter with Aboriginal artist Nayombolmi at Imarlkba Gold Mine, 1929-1930

History Australia, 2021-07, Vol.18 (3), p.469-492

2021

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The recent rock drawings of the Lenggong Valley, Perak, Malaysia

Antiquity, 2011-06, Vol.85 (328), p.459-475

2011

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A Hominin Femur with Archaic Affinities from the Late Pleistocene of Southwest China

PloS one, 2015-12, Vol.10 (12), p.e0143332-e0143332

2015

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The Timing and Nature of Human Colonization of Southeast Asia in the Late Pleistocene: A Rock Art Perspective

Current anthropology, 2017-12, Vol.58 (S17), p.S553-S566

2017

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New rock art discoveries in the Kurnool District, Andhra Pradesh, India

Antiquity, 2010-06, Vol.84 (324), p.335-350

2010

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Rare Late Pleistocene-early Holocene human mandibles from the Niah Caves (Sarawak, Borneo)

PloS one, 2018-06, Vol.13 (6), p.e0196633-e0196633

2018

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Ancient bird stencils discovered in Arnhem Land, Northern Territory, Australia

Antiquity, 2010-06, Vol.84 (324), p.416-427

2010

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Australian Pleistocene rock art

Nature human behaviour, 2021-03, Vol.5 (3), p.301-302

Taçon, Paul S C

2021

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Kaparlgoo Blue: On the Adoption of Laundry Blue Pigment into the Visual Culture of Western Arnhem Land, Australia

International journal of historical archaeology, 2022-06, Vol.26 (2), p.316-337

2022

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Archaeology of animate ancestors and entanglement at Mayarnjarn in the Wellington Range region, Northern Territory

Archaeology in Oceania, 2023-07, Vol.58 (2), p.172-182

2023

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Possible Signatures of Hominin Hybridization from the Early Holocene of Southwest China

Scientific reports, 2015-07, Vol.5 (1), p.12408-12408, Article 12408

2015

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The re-emergence of nganaparru (water buffalo) into the culture, landscape and rock art of western Arnhem Land

Antiquity, 2021-10, Vol.95 (383), p.1298-1314

2021

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Analysis of the Preserved Amino Acid Bias in Peptide Profiles of Iron Age Teeth from a Tropical Environment Enable Sexing of Individuals Using Amelogenin MRM

Proteomics (Weinheim), 2019-03, Vol.19 (5), p.e1800341-n/a

2019

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New and Emerging Challenges to Heritage and Well-Being: A Critical Review

Heritage, 2019-06, Vol.2 (2), p.1300-1315

2019

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Who let the dogs in? A review of the recent genetic evidence for the introduction of the dingo to Australia and implications for the movement of people

Journal of archaeological science, reports, 2016-06, Vol.7, p.782-792

2016

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The global implications of the early surviving rock art of greater Southeast Asia

Antiquity, 2014-12, Vol.88 (342), p.1050-1064

2014

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Rock Art and (Re)Production of Narratives: A Cassowary Bone Dagger Stencil Perspective from Auwim, East Sepik, Papua New Guinea

Cambridge archaeological journal, 2022-11, Vol.32 (4), p.547-565

2022

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High-precision U-series dating of the late Pleistocene – early Holocene rock paintings at Tiger Leaping Gorge, Jinsha River valley, southwestern China

Journal of archaeological science, 2022-02, Vol.138, p.105535, Article 105535

2022

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Rock art and long-distance prehistoric exchange behavior: A case study from Auwim, East Sepik, Papua New Guinea

Journal of island and coastal archaeology, 2022, Vol.17 (3), p.432-444

2022

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Majumbu ('Old Harry') and the Spencer-Cahill bark painting collection

Australian archaeology, 2023-01, Vol.89 (1), p.14-31

2023

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Narlim's Fingerprints: Aboriginal Histories and Rock Art

Journal of Australian studies, 2021-07, Vol.45 (3), p.292-316

2021

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The Archaeology of Rock Art in Western Arnhem Land, Australia

Histories of Australian Rock Art Research

Human remains from the Pleistocene-Holocene transition of southwest China suggest a complex evolutionary history for East Asians

Rock art and frontier conflict in Southeast Asia: Insights from direct radiocarbon ages for the large human figures of Gua Sireh, Sarawak

Revisiting Francis Birtles' painted car: exploring a cross-cultural encounter with Aboriginal artist Nayombolmi at Imarlkba Gold Mine, 1929-1930

The recent rock drawings of the Lenggong Valley, Perak, Malaysia

A Hominin Femur with Archaic Affinities from the Late Pleistocene of Southwest China

The Timing and Nature of Human Colonization of Southeast Asia in the Late Pleistocene: A Rock Art Perspective

New rock art discoveries in the Kurnool District, Andhra Pradesh, India

Rare Late Pleistocene-early Holocene human mandibles from the Niah Caves (Sarawak, Borneo)

Ancient bird stencils discovered in Arnhem Land, Northern Territory, Australia

Australian Pleistocene rock art

Kaparlgoo Blue: On the Adoption of Laundry Blue Pigment into the Visual Culture of Western Arnhem Land, Australia

Archaeology of animate ancestors and entanglement at Mayarnjarn in the Wellington Range region, Northern Territory

Possible Signatures of Hominin Hybridization from the Early Holocene of Southwest China

The re-emergence of nganaparru (water buffalo) into the culture, landscape and rock art of western Arnhem Land

Analysis of the Preserved Amino Acid Bias in Peptide Profiles of Iron Age Teeth from a Tropical Environment Enable Sexing of Individuals Using Amelogenin MRM

New and Emerging Challenges to Heritage and Well-Being: A Critical Review

Who let the dogs in? A review of the recent genetic evidence for the introduction of the dingo to Australia and implications for the movement of people

The global implications of the early surviving rock art of greater Southeast Asia

Rock Art and (Re)Production of Narratives: A Cassowary Bone Dagger Stencil Perspective from Auwim, East Sepik, Papua New Guinea

High-precision U-series dating of the late Pleistocene – early Holocene rock paintings at Tiger Leaping Gorge, Jinsha River valley, southwestern China

Rock art and long-distance prehistoric exchange behavior: A case study from Auwim, East Sepik, Papua New Guinea

Majumbu ('Old Harry') and the Spencer-Cahill bark painting collection

Narlim's Fingerprints: Aboriginal Histories and Rock Art

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