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Multilingualism, Trauma, and Liminality in The Bullet Collection: Contact Zones, Checkpoints, and Liminal Points

Arab studies quarterly, 2021-01, Vol.43 (1), p.5-25

Hout, Syrine

2021

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To Paint and Die in Arabic: Code-Switching in Rabih Alameddine's Koolaids: The Art of War

Arab studies quarterly, 2018-09, Vol.40 (4), p.277-299

Hout, Syrine

2018

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Artistic Fallout from the July 2006 War: Momentum, Mediation, and Mediatization

Arab studies quarterly, 2017-03, Vol.39 (2), p.793-814

Hout, Syrine

2017

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Post-War Anglophone Lebanese Fiction: Home Matters in the Diaspora

Hout, Syrine

1, 2012

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Recounting Memories of Resistance in 33 Days

Arab studies quarterly, 2016-03, Vol.38 (2), p.481-499

Hout, Syrine

2016

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Code-Switching, Homeness, and Identitarian Conflict in Rayyan Al-Shawaf’s When All Else Fails

Revue française d'études américaines, 2022-03, Vol.N° 170 (1), p.11-24

Hout, Syrine

2022

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Having the Cake and Eating it Too: The Secret Ingredients of Code-Switching in A Girl Made of Dust

College literature, 2021, Vol.48 (1), p.83-110

Hout, Syrine

2021

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The Impossibility of Postmemory in Diasporic Anglophone Lebanese Texts

CEA critic, 2023-11, Vol.85 (3), p.248-254

Hout, Syrine

2023

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Novel(istic) Realities in/of An Unsafe Haven: Crossroads for Refugees and Scholars

College literature, 2019-03, Vol.46 (2), p.394-423

Hout, Syrine

2019

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Reading Multilingual Arab Literatures Globally in the Twenty-First Century

World literature today, 2019-03, Vol.93 (2), p.38-41

Hout, Syrine

2019

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TO PAINT AND DIE IN ARABIC: CODESWITCHING IN RABIH ALAMEDDINE'S KOOLAIDS: THE ART OF WAR

Arab studies quarterly, 2018-10, Vol.40 (4), p.277-299

Hout, Syrine

2018

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TO PAINT AND DIE IN ARABIC: CODE-SWITCHING IN RABIH ALAMEDDINE'S KOOLAIDS: THE ART OF WAR

Arab studies quarterly, 2018-09, p.177

Hout, Syrine

2018

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Whose war is it anyway? Multilingual games as political encoding in Rawi Hage's De Niro's Game

Middle Eastern literatures, 2018-01, Vol.21 (1), p.44-59

Hout, Syrine

2018

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Native Tongue, Stranger Talk: The Arabic and French Literary Landscapes of Lebanon by Michelle Hartman (review)

Comparative literature studies (Urbana), 2017, Vol.54 (1), p.270-274

Hout, Syrine

2017

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Sex and love as routes for border crossing and homing desire in anglophone Lebanese fiction

Journal of postcolonial writing, 2016-05, Vol.52 (3), p.345-358

Hout, Syrine

2016

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Reading Multilingual Arab Literatures Globally in the Twenty-First Century

World literature today, 2019, Vol.93 (2), p.38

Hout

2019

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The Lebanese Post-Civil War Novel: Memory, Trauma, and Capital, written by Felix Lang

Middle East journal of culture and communication, 2016, Vol.9 (3), p.375-378

Hout, Syrine

2016

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What is Out There to Resist?

Middle East journal of culture and communication, 2016, Vol.9 (1), p.28-48

Hout, Syrine

2016

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Revisiting Lebanon: Testimony, Trauma, and Transition in Patricia Sarrafian Ward's The Bullet Collection

Middle Eastern literatures, 2009-12, Vol.12 (3), p.271-288

Hout, Syrine C.

2009

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Fatima Mernissi (1940-30 November 2015)

Middle Eastern literatures, 2015-09, Vol.18 (3), p.224-224

2015

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The Tears of Trauma: Memories of Home, War, and Exile in Rabih Alameddine's "I, the Divine"

World literature today, 2008-09, Vol.82 (5), p.58-62

Hout, Syrine C.

2008

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Cultural hybridity, trauma, and memory in diasporic anglophone Lebanese fiction

Journal of postcolonial writing, 2011-07, Vol.47 (3), p.330-342

Hout, Syrine

2011

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Post-War Anglophone Lebanese Fiction: Home Matters in the Diaspora: Home Matters in the Diaspora

Hout, Syrine

2012

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Memory, Home, and Exile in Contemporary Anglophone Lebanese Fiction

Critique - Bolingbroke Society, 2005-04, Vol.46 (3), p.219-233

Hout, Syrine C.

2005

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THE LAST MIGRATION: The first contemporary example of Lebanese diasporic literature

Journal of postcolonial writing, 2007-12, Vol.43 (3), p.286-296

Hout, Syrine

2007

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Multilingualism, Trauma, and Liminality in The Bullet Collection: Contact Zones, Checkpoints, and Liminal Points

To Paint and Die in Arabic: Code-Switching in Rabih Alameddine's Koolaids: The Art of War

Artistic Fallout from the July 2006 War: Momentum, Mediation, and Mediatization

Post-War Anglophone Lebanese Fiction: Home Matters in the Diaspora

Recounting Memories of Resistance in 33 Days

Code-Switching, Homeness, and Identitarian Conflict in Rayyan Al-Shawaf’s When All Else Fails

Having the Cake and Eating it Too: The Secret Ingredients of Code-Switching in A Girl Made of Dust

The Impossibility of Postmemory in Diasporic Anglophone Lebanese Texts

Novel(istic) Realities in/of An Unsafe Haven: Crossroads for Refugees and Scholars

Reading Multilingual Arab Literatures Globally in the Twenty-First Century

TO PAINT AND DIE IN ARABIC: CODESWITCHING IN RABIH ALAMEDDINE'S KOOLAIDS: THE ART OF WAR

TO PAINT AND DIE IN ARABIC: CODE-SWITCHING IN RABIH ALAMEDDINE'S KOOLAIDS: THE ART OF WAR

Whose war is it anyway? Multilingual games as political encoding in Rawi Hage's De Niro's Game

Native Tongue, Stranger Talk: The Arabic and French Literary Landscapes of Lebanon by Michelle Hartman (review)

Sex and love as routes for border crossing and homing desire in anglophone Lebanese fiction

Reading Multilingual Arab Literatures Globally in the Twenty-First Century

The Lebanese Post-Civil War Novel: Memory, Trauma, and Capital, written by Felix Lang

What is Out There to Resist?

Revisiting Lebanon: Testimony, Trauma, and Transition in Patricia Sarrafian Ward's The Bullet Collection

Fatima Mernissi (1940-30 November 2015)

The Tears of Trauma: Memories of Home, War, and Exile in Rabih Alameddine's "I, the Divine"

Cultural hybridity, trauma, and memory in diasporic anglophone Lebanese fiction

Post-War Anglophone Lebanese Fiction: Home Matters in the Diaspora: Home Matters in the Diaspora

Memory, Home, and Exile in Contemporary Anglophone Lebanese Fiction

THE LAST MIGRATION: The first contemporary example of Lebanese diasporic literature

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