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New Korean Cinema

1, 2005

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Hollywood on Location: An Industry History

1, 2019

Volltextzugriff (PDF)

Problems with the treatment of Hong Kong cinema as camp

Asian cinema, 2018-09, Vol.8 (2), p.44-65

Stringer, Julian

2018

Volltextzugriff (PDF)

Seoul Stirring: 5 Korean Directors, Tony Rayns (1994)

Asian cinema, 2018-09, Vol.8 (2), p.143-145

Stringer, Julian

2018

Volltextzugriff (PDF)

Problems with the treatment of Hong Kong cinema as camp

Asian cinema, 2018-09, Vol.8 (2), p.44-65

Stringer, Julian

2018

Volltextzugriff (PDF)

Seoul Stirring: 5 Korean Directors, Tony Rayns (1994)

Asian cinema, 2018-09, Vol.8 (2), p.143-145

Stringer, Julian

2018

Volltextzugriff (PDF)

Hong Kong Neo-Noir

1, 2016

Volltextzugriff (PDF)

New Korean Cinema

2019

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Reshaping contemporary Chinese film sound: Dolby Laboratories and changing industrial practices

Journal of Chinese cinemas, 2013, Vol.7 (3), p.263-276

2013

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New Korean Cinema

2019

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Genre Films and Festival Communities: Lessons from Nottingham, 1991-2000

Film international (Göteborg, Sweden), 2008-10, Vol.6 (4), p.53-60

Stringer, Julian

2008

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From Screenwriting for Sound to Film Sound Maps: The Evolution of Live Tone's Creative Alliance with Bong Joon-ho

The New Soundtrack, 2018-09, Vol.8 (2), p.145-159

2018

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Genre Films and Festival Communities: Lessons from Nottingham, 19912000

Film international (Göteborg, Sweden), 2008-10, Vol.6 (4), p.53-60

Stringer, Julian

2008

Volltextzugriff (PDF)

WEBSITES

New Korean Cinema, 2022, p.228-228

2022

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PUTTING KOREAN CINEMA IN ITS PLACE: GENRE CLASSIFICATIONS AND THE CONTEXTS OF RECEPTION

New Korean Cinema, 2022, p.95-105

Stringer, Julian

2022

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INTRODUCTION

New Korean Cinema, 2022, p.1-12

Stringer, Julian

2022

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Korean Horror Cinema

1, 2013

Volltextzugriff (PDF)

PUTTING KOREAN CINEMA IN ITS PLACE: GENRE CLASSIFICATIONS AND THE CONTEXTS OF RECEPTION

New Korean Cinema, 2019, p.95

2019

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INTRODUCTION

New Korean Cinema, 2019, p.1

2019

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Counter-programming and the Udine Far East Film Festival

Screen (London), 2012-09, Vol.53 (3), p.301-309

2012

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The Modern Entertainment Marketplace, 2000–Present

Hollywood on Location, 2019, p.181-206

2019

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Reviews

Asian cinema, 2012-08, Vol.7 (2), p.136-144

2012

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Film festivals in Asia: Notes on history, geography, and power from a distance

Film Festivals, 2016, p.34-48

1, 2016

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INDEX

New Korean Cinema, 2022, p.229-234

2022

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Location Filmmaking and the Hong Kong Crime Film: Anatomy of a Scene

Hong Kong Neo-Noir, 2016, p.159

2016

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New Korean Cinema

Hollywood on Location: An Industry History

Problems with the treatment of Hong Kong cinema as camp

Seoul Stirring: 5 Korean Directors, Tony Rayns (1994)

Problems with the treatment of Hong Kong cinema as camp

Seoul Stirring: 5 Korean Directors, Tony Rayns (1994)

Hong Kong Neo-Noir

New Korean Cinema

Reshaping contemporary Chinese film sound: Dolby Laboratories and changing industrial practices

New Korean Cinema

Genre Films and Festival Communities: Lessons from Nottingham, 1991-2000

From Screenwriting for Sound to Film Sound Maps: The Evolution of Live Tone's Creative Alliance with Bong Joon-ho

Genre Films and Festival Communities: Lessons from Nottingham, 19912000

WEBSITES

PUTTING KOREAN CINEMA IN ITS PLACE: GENRE CLASSIFICATIONS AND THE CONTEXTS OF RECEPTION

INTRODUCTION

Korean Horror Cinema

PUTTING KOREAN CINEMA IN ITS PLACE: GENRE CLASSIFICATIONS AND THE CONTEXTS OF RECEPTION

INTRODUCTION

Counter-programming and the Udine Far East Film Festival

The Modern Entertainment Marketplace, 2000–Present

Reviews

Film festivals in Asia: Notes on history, geography, and power from a distance

INDEX

Location Filmmaking and the Hong Kong Crime Film: Anatomy of a Scene

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