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Use of Bioabsorbable Nerve Conduits as an Adjunct to Brachial Plexus Neurorrhaphy

The Journal of hand surgery (American ed.), 2012-10, Vol.37 (10), p.1980-1985

2012

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Energy archives: of rocks, rubbish, and feminist feeling in Aliki Saragas’s Strike a Rock

Subjectivity, 2020-12, Vol.13 (4), p.254-280

Strauss, Helene

2020

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Affective return: anachronistic feeling and contemporary South African documentary form

Social dynamics, 2019-05, Vol.45 (2), p.218-233

Strauss, Helene

2019

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Marikana, Emoyeni, and the Chronopolitics of Happiness

Auto/biography studies, 2018-05, Vol.33 (2), p.445-449

Strauss, Helene

2018

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Managing public feeling: Temporality, mourning and the Marikana Massacre in Rehad Desai's Miners Shot Down

Critical arts, 2016-07, Vol.30 (4), p.522-537

Strauss, Helene

2016

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Waywardness of mood and mode in Love the One You Love and Necktie Youth

Journal of African cinemas, 2017-12, Vol.9 (2-3), p.273-286

Strauss, Helene

2017

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Spectacles of Promise and Disappointment: Political Emotion and Quotidian Aesthetics in Video Installations by Berni Searle and Zanele Muholi

Safundi (Nashville, Tenn.), 2014-10, Vol.15 (4), p.471-495

Strauss, Helene

2014

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"The most hidden open secret": Interview with Uhuru Phalafala on Mine Mine Mine (University of Nebraska Press, 2023), conducted by Helene Strauss

Agenda (Durban), 2023-07, Vol.37 (3), p.12-18

2023

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Cinema of social recuperation: Xenophobic violence and migrant subjectivity in contemporary South Africa

Subjectivity, 2011-07, Vol.4 (2), p.103-120

Strauss, Helene

2011

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Commemorative Snapshots: Towards an Ethics of Ongoing Critical Recalibration

English Academy review, 2012-06, Vol.29 (sup1), p.9-13

Strauss, Helene

2012

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Brachial Plexopathy/Nerve Root Avulsion in a Football Player: The Role of Electrodiagnostics

HSS journal, 2008-02, Vol.4 (1), p.87-95

2008

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Les enfants du voyage à l'école

Enfances & psy, 2001, Vol.16 (4), p.89

Strauss, Hélène

2001

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Listening Otherwise: The Semiotics of the Voice in Achmat Dangor's Bitter Fruit

Wasafiri, 2008-03, Vol.23 (1), p.51-56

Strauss, Helene

2008

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Memory, Masculinity and Responsibility: Searching for ‘Good Men’ in Mtutuzeli Nyoka’s I Speak to the Silent1

English in Africa, 2009-05, Vol.36 (1), p.77

Strauss, Helene

2009

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Memory, Masculinity and Responsibility: Searching for 'Good Men' in Mtutuzeli Nyoka's "I Speak to the Silent"

English in Africa, 2009-05, Vol.36 (1), p.77-89

Strauss, Helene

2009

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Contemporary African mediations of affect and access

Safundi (Nashville, Tenn.), 2016-04, Vol.17 (2), p.107-118

2016

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Squirming White Bodies: Interracial Encounters in Anton Kannemeyer's “True Love” and Ivan Vladislavić's The Restless Supermarket

Journal of literary studies (Pretoria, South Africa), 2008-06, Vol.24 (2), p.21-44

Strauss, Helene

2008

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Contemporary orientations in African Cultural Studies

Critical arts, 2016-07, Vol.30 (4), p.465-477

2016

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From Afrikaner to African: whiteness and the politics of translation in Antjie Krog's A Change of Tongue 1

African identities, 2006-10, Vol.4 (2), p.179-194

Strauss, Helene

2006

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From Afrikaner to African: whiteness and the politics of translation in Antjie Krog's A Change of Tongue

African identities, 2006-10, Vol.4 (2), p.179-194

Strauss, Helene

2006

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tall woman taking up space

Agenda (Durban), 2007-01, Vol.21 (73), p.92-92

Strauss, Helene

2007

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NOT WITHOUT AMBIVALENCE: An Interview with Sara Ahmed on Postcolonial Intimacies

Interventions (London, England), 2013-03, Vol.15 (1), p.110-126

2013

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POSTCOLONIAL INTIMACIES: GATHERINGS, DISRUPTIONS, DEPARTURES

Interventions (London, England), 2013-03, Vol.15 (1), p.1-9

2013

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Dlamini-Zuma, Nkosazana Clarice (1949)

Dictionary of African Biography, 2012

helene strauss

1, 2012

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Govender, Pregs (1960)

Dictionary of African Biography, 2012

helene strauss

1, 2012

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Use of Bioabsorbable Nerve Conduits as an Adjunct to Brachial Plexus Neurorrhaphy

Energy archives: of rocks, rubbish, and feminist feeling in Aliki Saragas’s Strike a Rock

Affective return: anachronistic feeling and contemporary South African documentary form

Marikana, Emoyeni, and the Chronopolitics of Happiness

Managing public feeling: Temporality, mourning and the Marikana Massacre in Rehad Desai's Miners Shot Down

Waywardness of mood and mode in Love the One You Love and Necktie Youth

Spectacles of Promise and Disappointment: Political Emotion and Quotidian Aesthetics in Video Installations by Berni Searle and Zanele Muholi

"The most hidden open secret": Interview with Uhuru Phalafala on Mine Mine Mine (University of Nebraska Press, 2023), conducted by Helene Strauss

Cinema of social recuperation: Xenophobic violence and migrant subjectivity in contemporary South Africa

Commemorative Snapshots: Towards an Ethics of Ongoing Critical Recalibration

Brachial Plexopathy/Nerve Root Avulsion in a Football Player: The Role of Electrodiagnostics

Les enfants du voyage à l'école

Listening Otherwise: The Semiotics of the Voice in Achmat Dangor's Bitter Fruit

Memory, Masculinity and Responsibility: Searching for ‘Good Men’ in Mtutuzeli Nyoka’s I Speak to the Silent1

Memory, Masculinity and Responsibility: Searching for 'Good Men' in Mtutuzeli Nyoka's "I Speak to the Silent"

Contemporary African mediations of affect and access

Squirming White Bodies: Interracial Encounters in Anton Kannemeyer's “True Love” and Ivan Vladislavić's The Restless Supermarket

Contemporary orientations in African Cultural Studies

From Afrikaner to African: whiteness and the politics of translation in Antjie Krog's A Change of Tongue 1

From Afrikaner to African: whiteness and the politics of translation in Antjie Krog's A Change of Tongue

tall woman taking up space

NOT WITHOUT AMBIVALENCE: An Interview with Sara Ahmed on Postcolonial Intimacies

POSTCOLONIAL INTIMACIES: GATHERINGS, DISRUPTIONS, DEPARTURES

Dlamini-Zuma, Nkosazana Clarice (1949)

Govender, Pregs (1960)

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