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Anti-War Theatre After Brecht: Dialectical Aesthetics in the Twenty-First Century

Stevens, Lara

1, 2016

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Alienation in the information age: Wafaa Bilal's domestic tension

Australasian drama studies, 2014-12 (65), p.77-98

Stevens, Lara

2014

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Feminist Ecologies: Changing Environments in the Anthropocene

1, 2017

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Gestic Intertextuality in Elfriede Jelinek's Bambiland

Austrian studies, 2014-01, Vol.22, p.72-88

Lara Stevens

2014

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Anthroposcenic Performance and the Need For 'Deep Dramaturgy'

Performance research, 2019-11, Vol.24 (8), p.89-97

Stevens, Lara

2019

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Australian Coal Theatrics

TDR : Drama review, 2023-03, Vol.67 (1), p.57-61

2023

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The Climate Siren: Hanna Cormick's The Mermaid

TDR : Drama review, 2022-09, Vol.66 (3), p.107-118

2022

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Life After Extinction: The participatory performances of Robyne Latham

Performance research, 2018-04, Vol.23 (3), p.27-36

Stevens, Lara

2018

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From Shakespeare to the super bowl: Theatre and global liveness

Australasian drama studies, 2013-06 (62), p.147-162

2013

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‘Sometimes Uncomfortable, Sometimes Arousing’: The Slow Dramaturgy of Casey Jenkins's Craftivist Performances

Theatre research international, 2016-07, Vol.41 (2), p.168-180

STEVENS, LARA

2016

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Who's Pulling the Strings? The Politics of Puppetry in the Théâtre du Soleil's Tambours sur la digue

Contemporary theatre review, 2016-10, Vol.26 (4), p.429-443

Stevens, Lara

2016

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Who's Pulling the Strings? The Politics of Puppetry in the ThÃ©Ã¢tre du Soleil's Tambours sur la digue

Contemporary theatre review, 2016-01, Vol.26 (4)

Stevens, Lara

2016

Volltextzugriff (PDF)

Catching Australian Theatre in the 2000s. Edited by Richard Fotheringham and James Smith. Amsterdam and New York: Rodopi, 2013. Pp. 1 + 220. €47/$66 Pb; €42/$59 ebook

Theatre research international, 2015-03, Vol.40 (1), p.123-124

Stevens, Lara

2015

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Dismembering the member: rethinking sexual difference in Maria Fernanda Cardoso's exhibition 'It's not size that matters, it is shape'

Journal of the Association for the Study of Australian Literature : JASAL, 2015-03, Vol.15 (2), p.1

Stevens, Lara

2015

Volltextzugriff (PDF)

Alienation in the information age: Wafaa Bilal's domestic tension

Australasian drama studies, 2014-12 (65), p.77-98

Lara Stevens

2014

Volltextzugriff (PDF)

Gestic Intertextuality in Elfriede Jelinek'sBambiland

Austrian studies, 2014-01, Vol.22, p.72-88

Lara Stevens

2014

Volltextzugriff (PDF)

Networks of Resistance: Connecting Stage, Street and Social Media in Tony Kushner's "Only We Who Guard The Mystery Shall Be Unhappy"

Performance Paradigm, 2014-01 (10), p.35-47

Stevens, Lara

2014

Volltextzugriff (PDF)

From Shakespeare to the super bowl: Theatre and global liveness

Australasian drama studies, 2013-06 (62), p.147-162

2013

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Performing Reproduction in an Age of Overproduction: Environmental Installations by Ai Hasegawa

Analysing Gender in Performance, p.211-224

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FÓKUSZ / Casey Jenkins performanszainak lassú dramaturgiája

Játéktér, 2017 (2), p.22-22

Lara, Stevens

2017

Volltextzugriff (PDF)

Assembling non-presence in The Aborigine is Present

The Routledge Companion to Theatre and Politics, 2019, p.98-101

1, 2019

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From The Female Eunuch to White Beech: Germaine Greer and Ecological Feminism

Feminist Ecologies, p.115-133

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Tony Kushner’s Homebody/Kabul and Only We Who Guard the Mystery Shall be Unhappy

Anti-War Theatre After Brecht, 2016, p.51-89

Stevens, Lara

2016

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The Théâtre du Soleil’s Le Dernier Caravansérail

Anti-War Theatre After Brecht, 2016, p.91-124

Stevens, Lara

2016

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Performing the ‘War on Terror’

Anti-War Theatre After Brecht, 2016, p.9-17

Stevens, Lara

2016

Volltextzugriff (PDF)

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Anti-War Theatre After Brecht: Dialectical Aesthetics in the Twenty-First Century

Alienation in the information age: Wafaa Bilal's domestic tension

Feminist Ecologies: Changing Environments in the Anthropocene

Gestic Intertextuality in Elfriede Jelinek's Bambiland

Anthroposcenic Performance and the Need For 'Deep Dramaturgy'

Australian Coal Theatrics

The Climate Siren: Hanna Cormick's The Mermaid

Life After Extinction: The participatory performances of Robyne Latham

From Shakespeare to the super bowl: Theatre and global liveness

‘Sometimes Uncomfortable, Sometimes Arousing’: The Slow Dramaturgy of Casey Jenkins's Craftivist Performances

Who's Pulling the Strings? The Politics of Puppetry in the Théâtre du Soleil's Tambours sur la digue

Who's Pulling the Strings? The Politics of Puppetry in the ThÃ©Ã¢tre du Soleil's Tambours sur la digue

Catching Australian Theatre in the 2000s. Edited by Richard Fotheringham and James Smith. Amsterdam and New York: Rodopi, 2013. Pp. 1 + 220. €47/$66 Pb; €42/$59 ebook

Dismembering the member: rethinking sexual difference in Maria Fernanda Cardoso's exhibition 'It's not size that matters, it is shape'

Alienation in the information age: Wafaa Bilal's domestic tension

Gestic Intertextuality in Elfriede Jelinek'sBambiland

Networks of Resistance: Connecting Stage, Street and Social Media in Tony Kushner's "Only We Who Guard The Mystery Shall Be Unhappy"

From Shakespeare to the super bowl: Theatre and global liveness

Performing Reproduction in an Age of Overproduction: Environmental Installations by Ai Hasegawa

FÓKUSZ / Casey Jenkins performanszainak lassú dramaturgiája

Assembling non-presence in The Aborigine is Present

From The Female Eunuch to White Beech: Germaine Greer and Ecological Feminism

Tony Kushner’s Homebody/Kabul and Only We Who Guard the Mystery Shall be Unhappy

The Théâtre du Soleil’s Le Dernier Caravansérail

Performing the ‘War on Terror’

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