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Teaching Electronic Music: Cultural, Creative, and Analytical Perspectives

Stevens, Blake

1st, 2022

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SYLVIE BOUISSOU , GRAHAM SADLER AND SOLVEIG SERRE , EDS RAMEAU, ENTRE ART ET SCIENCE Paris: École nationale des chartes, 2016 pp. 554, isbn 978 2 357 23082 8

Eighteenth-century music, 2018-03, Vol.15 (1), p.53-54

STEVENS, BLAKE

2018

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Monologue Conflicts: The Terms of Operatic Criticism in Pierre Estève and Jean-Jacques Rousseau

The Journal of musicology (St. Joseph, Mich.), 2012-01, Vol.29 (1), p.1-43

Stevens, Blake

2012

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Induction Curing of Thiol–Acrylate and Thiol–Ene Composite Systems

Macromolecules, 2011-06, Vol.44 (12), p.4988-4996

2011

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Dance and Drama in French Baroque Opera: A History. By Rebecca Harris-Warrick

Music & letters, 2018-02, Vol.99 (1), p.121-124

Stevens, Blake

2018

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Induction Curing of Thiol-acrylate and Thiolene Composite Systems

Macromolecules, 2011-06, Vol.44 (12), p.4988-4996

2011

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Size-selective immunofluorescence of Mycobacterium tuberculosis cells by capillary- and viscous forces

Lab on a chip, 2010-11, Vol.10 (22), p.3178-3181

2010

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THE PRODUCTION OF SPACE IN THE 'TRAGÉDIE EN MUSIQUE': 'ABSENCE EFFECTS' IN LULLY AND QUINAULT'S 'ATYS'

Music & letters, 2015-11, Vol.96 (4), p.509-533

Stevens, Blake

2015

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The Cambridge Companion to French Music ed. by Simon Trezise (review)

Music & letters, 2015-11, Vol.96 (4), p.655-657

Stevens, Blake

2015

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Methane Partial Oxidation Using A (La0.6Sr0.4)(Ga0.8Mg0.05Co0.15)O3–δ Membrane

Catalysis letters, 2008-08, Vol.124 (1-2), p.1-6

2008

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Transpositions of Spectacle and Time: The Entr'acte in the Tragédie en musique

Eighteenth-century music, 2014-03, Vol.11 (1), p.11-29

STEVENS, BLAKE

2014

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JythonMusic: An environment for teaching algorithmic music composition, dynamic coding and musical performativity

Journal of music, technology and education, 2016-05, Vol.9 (1), p.33-56

2016

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Effect of oxygen on the thermomechanical behavior of tantalum thin films during the β - α phase transformation

Journal of applied physics, 2006-12, Vol.100 (12), p.123508-123508-11

2006

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Monologue Conflicts: The Terms of Operatic Criticism in Pierre Estève and Jean-Jacques Rousseau

Perspectives of new music, 2011-01, Vol.49 (1), p.1-43

Stevens, Blake

2011

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Tili Boon Cuillé, Narrative Interludes: Musical Tableaux in Eighteenth-Century French Texts. Toronto: University of Toronto Press, 2006. 320 pp., 8 halftones

Cambridge opera journal, 2008-07, Vol.20 (2), p.237-240

Stevens, Blake

2008

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Listening to and Sampling the Land: On the Decolonization of Electronic Music Pedagogy

Teaching Electronic Music, 2022, p.172-192

1, 2022

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Composing by Hacking: Technology Appropriation as a Pedagogical Tool for Electronic Music

Teaching Electronic Music, 2022, p.157-171

1, 2022

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Analyzing Electronic Music: Uncovering the Original Conditions of Production

Teaching Electronic Music, 2022, p.58-74

1, 2022

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Then and Now: A Practical Guide for Introducing Electronic Music

Teaching Electronic Music, 2022, p.25-42

1, 2022

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Sound and Image in New Media Art

Teaching Electronic Music, 2022, p.208-222

1, 2022

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It's Not (Just) About History and, by the Way, Which History?

Teaching Electronic Music, 2022, p.123-137

1, 2022

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Sound Design and Compositional Process in Skrillex: From Minimalism and FM Synthesis to Dubstep

Teaching Electronic Music, 2022, p.75-89

1, 2022

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Technological Mediation and Traditional Culture in Chinese Electroacoustic Music

Teaching Electronic Music, 2022, p.193-207

1, 2022

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Teaching Principles of Interactive Sound: A Practice-Based Approach

Teaching Electronic Music, 2022, p.90-102

1, 2022

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Posthuman Sound Design: Describing Hybridity, Distributed Cognition, and Mutation

Teaching Electronic Music, 2022, p.141-156

1, 2022

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Teaching Electronic Music: Cultural, Creative, and Analytical Perspectives

SYLVIE BOUISSOU , GRAHAM SADLER AND SOLVEIG SERRE , EDS RAMEAU, ENTRE ART ET SCIENCE Paris: École nationale des chartes, 2016 pp. 554, isbn 978 2 357 23082 8

Monologue Conflicts: The Terms of Operatic Criticism in Pierre Estève and Jean-Jacques Rousseau

Induction Curing of Thiol–Acrylate and Thiol–Ene Composite Systems

Dance and Drama in French Baroque Opera: A History. By Rebecca Harris-Warrick

Induction Curing of Thiol-acrylate and Thiolene Composite Systems

Size-selective immunofluorescence of Mycobacterium tuberculosis cells by capillary- and viscous forces

THE PRODUCTION OF SPACE IN THE 'TRAGÉDIE EN MUSIQUE': 'ABSENCE EFFECTS' IN LULLY AND QUINAULT'S 'ATYS'

The Cambridge Companion to French Music ed. by Simon Trezise (review)

Methane Partial Oxidation Using A (La0.6Sr0.4)(Ga0.8Mg0.05Co0.15)O3–δ Membrane

Transpositions of Spectacle and Time: The Entr'acte in the Tragédie en musique

JythonMusic: An environment for teaching algorithmic music composition, dynamic coding and musical performativity

Effect of oxygen on the thermomechanical behavior of tantalum thin films during the β - α phase transformation

Monologue Conflicts: The Terms of Operatic Criticism in Pierre Estève and Jean-Jacques Rousseau

Tili Boon Cuillé, Narrative Interludes: Musical Tableaux in Eighteenth-Century French Texts. Toronto: University of Toronto Press, 2006. 320 pp., 8 halftones

Listening to and Sampling the Land: On the Decolonization of Electronic Music Pedagogy

Composing by Hacking: Technology Appropriation as a Pedagogical Tool for Electronic Music

Analyzing Electronic Music: Uncovering the Original Conditions of Production

Then and Now: A Practical Guide for Introducing Electronic Music

Sound and Image in New Media Art

It's Not (Just) About History and, by the Way, Which History?

Sound Design and Compositional Process in Skrillex: From Minimalism and FM Synthesis to Dubstep

Technological Mediation and Traditional Culture in Chinese Electroacoustic Music

Teaching Principles of Interactive Sound: A Practice-Based Approach

Posthuman Sound Design: Describing Hybridity, Distributed Cognition, and Mutation

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