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Between Two Worlds: The Dybbuk, Shakespeare's Romeo and Juliet, and Reparative Tragedy

Critical survey (Oxford, England), 2023-06, Vol.35 (2), p.37-48

Starks, Lisa S

2023

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Ovid and Adaptation in Early Modern English Theatre

1, 2019

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Levinas's Humanism of the Other and King Lear

Levinas studies, 2022, Vol.16, p.75-92

Starks, Lisa S.

2022

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Kabbalah, "Dybbuks", and the Religious Posthuman in the Shakespearean Worlds of "Twin Peaks"

Multicultural Shakespeare : translation, appropriation, and performance, 2021-01, Vol.24 (39), p.29-52

Starks, Lisa S.

2021

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Transmisogyny in Popular Culture, Feminisms, and Shakespeare Studies

Borrowers and lenders, 2023-04, Vol.14 (2)

Starks, Lisa

2023

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Kabbalah, "Dybbuks", and the Religious Posthuman in the Shakespearean Worlds of "Twin Peaks"

Multicultural Shakespeare : translation, appropriation, and performance, 2021, Vol.24 (1), p.29-52

Starks, Lisa S

2021

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"Remember Me": Psychoanalysis, Cinema, and the Crisis of Modernity

Shakespeare quarterly, 2002-07, Vol.53 (2), p.181-200

Starks, Lisa S.

2002

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Index

Ovid and Adaptation in Early Modern English Theatre, 2022, p.275-284

Starks, Lisa

2022

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From Face to Facebook: Levinas's Radical Ethics and "Shakespeare Friends"

Borrowers and lenders, 2016-04, Vol.X (1)

Starks-Estes, Lisa S

2016

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Journal of a Plague Year: Six Voices from American Universities. Part I

Archiv für das Studium der neueren Sprachen und Literaturen, 2021-05 (1), Article 5

2021

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Ovid’s Ghosts: Lovesickness, Theatricality, and Ovidian Spectrality on the Early Modern English Stage

Ovid and Adaptation in Early Modern English Theatre, 2022, p.93-112

Starks, Lisa S

2022

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Introduction: Representing “Ovids” on the Early Modern English Stage

Ovid and Adaptation in Early Modern English Theatre, 2022, p.1-18

Starks, Lisa S

2022

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As She Likes It: Shakespeare's Unruly Women by Penny Gay (review)

Comparative drama, 1996, Vol.30 (2), p.305-308

Starks, Lisa S

1996

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Cinematic Hamlet: The Films of Olivier, Zeffirelli, Branagh, and Almereyda, by Patrick J. Cook

Borrowers and lenders, 2011-10, Vol.VI (2)

Starks-Estes, Lisa S

2011

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Ovidian appropriations, metamorphic illusion, and theatrical practice on the Shakespearean stage

The Routledge Handbook of Shakespeare and Global Appropriation, 2020, p.398-408

1, 2020

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Othello (review)

Shakespeare quarterly, 2004, Vol.55 (3), p.341-343

Starks, Lisa S

2004

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Screening Will and Jane: Sexuality and the Gendered Author in Shakespeare and Austen Biopics

Jane Austen and William Shakespeare, 2019, p.291-310

2019

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Othello (review)

Shakespeare quarterly, 2004, Vol.55 (3), p.341-343

Starks, Lisa S.

2004

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"So neatly plotted, and so well perform'd": Villain as Playwright in Marlowe's "The Jew of Malta"

Theatre journal (Washington, D.C.), 1992-10, Vol.44 (3), p.375-389

1992

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Filming Shakespeare in the Global Marketplace

Shakespeare Quarterly, 2008, Vol.59 (1), p.115-117

Starks, Lisa S.

2008

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Let Rome in Tiber melt: Hermaphroditic Transformation in Antonius and Antony and Cleopatra

Ovid and Adaptation in Early Modern English Theatre, 2019, p.75

2019

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Truly, and very notably discharg’d: The Metamorphosis of Pyramus and Thisbe and the Place of Appropriation on the Early Modern Stage

Ovid and Adaptation in Early Modern English Theatre, 2019, p.203

2019

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Worse than Philomel, Worse than Actaeon: Hyperreal Ovid in Shakespeare’s Titus Andronicus

Ovid and Adaptation in Early Modern English Theatre, 2019, p.254

2019

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Introduction: Representing “Ovids” on the Early Modern English Stage

Ovid and Adaptation in Early Modern English Theatre, 2019, p.1

Lisa S. Starks

2019

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Appropriating Ovid’s Tyrannical Raptures in Macbeth

Ovid and Adaptation in Early Modern English Theatre, 2019, p.163

2019

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Between Two Worlds: The Dybbuk, Shakespeare's Romeo and Juliet, and Reparative Tragedy

Ovid and Adaptation in Early Modern English Theatre

Levinas's Humanism of the Other and King Lear

Kabbalah, "Dybbuks", and the Religious Posthuman in the Shakespearean Worlds of "Twin Peaks"

Transmisogyny in Popular Culture, Feminisms, and Shakespeare Studies

Kabbalah, "Dybbuks", and the Religious Posthuman in the Shakespearean Worlds of "Twin Peaks"

"Remember Me": Psychoanalysis, Cinema, and the Crisis of Modernity

Index

From Face to Facebook: Levinas's Radical Ethics and "Shakespeare Friends"

Journal of a Plague Year: Six Voices from American Universities. Part I

Ovid’s Ghosts: Lovesickness, Theatricality, and Ovidian Spectrality on the Early Modern English Stage

Introduction: Representing “Ovids” on the Early Modern English Stage

As She Likes It: Shakespeare's Unruly Women by Penny Gay (review)

Cinematic Hamlet: The Films of Olivier, Zeffirelli, Branagh, and Almereyda, by Patrick J. Cook

Ovidian appropriations, metamorphic illusion, and theatrical practice on the Shakespearean stage

Othello (review)

Screening Will and Jane: Sexuality and the Gendered Author in Shakespeare and Austen Biopics

Othello (review)

"So neatly plotted, and so well perform'd": Villain as Playwright in Marlowe's "The Jew of Malta"

Filming Shakespeare in the Global Marketplace

Let Rome in Tiber melt: Hermaphroditic Transformation in Antonius and Antony and Cleopatra

Truly, and very notably discharg’d: The Metamorphosis of Pyramus and Thisbe and the Place of Appropriation on the Early Modern Stage

Worse than Philomel, Worse than Actaeon: Hyperreal Ovid in Shakespeare’s Titus Andronicus

Introduction: Representing “Ovids” on the Early Modern English Stage

Appropriating Ovid’s Tyrannical Raptures in Macbeth

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