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Shakespeare's Artists: The Painters, Sculptors, Poets and Musicians in His Plays and Poems

Sokol, B. J

1, 2018

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Three Notes on Faulty Bilingualism in Shakespeare's The Merry Wives of Windsor and Middleton's A Chaste Maid in Cheapside

The Ben Jonson journal, 2020-11, Vol.27 (2), p.253-262

Sokol, B. J.

2020

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The “rule of three” and the “ callback ”: How Comic Form in The Merry Wives of Windsor 4.1 May Help To Date Its Folio Text

The Ben Jonson journal, 2019-05, Vol.26 (1), p.97-112

Sokol, B. J.

2019

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Freud's interpretation in "Medusa's Head" and some alternative psychoanalytic implications of Ovid's Medusa

International journal of psychoanalysis, 2024-04, Vol.105 (2), p.192-209

Sokol, B J

2024

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Euripides’ Bacchae and Shakespeare’s Theseus in A Midsummer Night’s Dream

Notes and queries, 2023-09, Vol.70 (3), p.166-170

Sokol, B J

2023

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‘Sans “sans” I pray you’: A Serious Shakespearian Joke

Essays in criticism, 2021-04, Vol.71 (2), p.174-182

Sokol, B J

2021

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The Transformation of Falstaff in The Merry Wives of Windsor and his Allusion in 5.1.1-4 to the Treble Goddess

Notes and queries, 2021-03, Vol.68 (1), p.96-99

Sokol, B J

2021

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Shakespeare's Legal Language: A Dictionary

1, 2005

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Why does Shakespeare give his Windsor Schoolmaster a Double Occupation as an Educator and as a Parson?

Notes and queries, 2019-09, Vol.66 (3), p.430-435

Sokol, B J

2019

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Significant Numerology in Shakespeare’s Sonnets 1609, and a Possible Alternate Emendation to Line Seven of Sonnet 76

Notes and queries, 2018-12, Vol.65 (4), p.511-518

Sokol, B J

2018

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Robert Frost's 'The Ax-Helve', Natural History, and Tolerance

Notes and queries, 2014-12, Vol.61 (4), p.588-590

Sokol, B J

2014

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Cerimon's "rough and woeful music" in Pericles

Shakespeare (London, England), 2014-01, Vol.10 (1), p.46-55

Sokol, B.J.

2014

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Shakespeare's Weak Signature in Sonnet 76

Notes and queries, 2011-06, Vol.58 (2), p.236-237

Sokol, B J

2011

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Inverted Biblical and Religious References and Shylock’s Word ‘Suffrance’ in The Merchant of Venice

Notes and queries, 2010-09, Vol.57 (3), p.368-372

Sokol, B. J.

2010

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A Warwickshire Scandal: Sir Thomas Lucy and the Date of The Merry Wives of Windsor

Shakespeare (London, England), 2009-12, Vol.5 (4), p.355-371

Sokol, B.J.

2009

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Shakespeare's Tragedies: Violation and Identity (review)

University of Toronto Quarterly, 2007-12, Vol.76 (1), p.407-409

Sokol, B. J

2007

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Quentin Skinner, Forensic Shakespeare

Notes and queries, 2016-06, Vol.63 (2), p.305-307

Sokol, B. J.

2016

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Shylock and Marsyas

Shakespeare (London, England), 2015-10, Vol.11 (4), p.337-361

Sokol, B.J.

2015

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SHAKESPEARE AND THE ENGLISH EQUITY JURISDICTION THE MERCHANT OF VENICE AND THE TWO TEXTS OF KING LEAR

The Review of English studies, 1999-11, Vol.50 (200), p.417-439

1999

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Matthew Biberman. Masculinity, Anti-Semitism and Early Modern English Literature: From the Satanic to the Effeminate Jew. Pp. xiv+260 (Women and Gender in the Early Modem World). Aldershot: Ashgate, 2004. £45.00

The Review of English Studies, 2005-11, Vol.56 (227), p.783-785

Sokol, B. J.

2005

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Constitutive Signifiers Or Fetishes In Shakespeare's The Merchant Of Venice?

International journal of psychoanalysis, 1995-04, Vol.76 (2), p.373-387

Sokol, B., J.

1995

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MANUSCRIPT EVIDENCE FOR AN EARLIEST DATE OF HENRY VI PART ONE

Notes and queries, 2000-03, Vol.47 (1), p.58-63

Sokol, B J

2000

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Reader's Reply

Notes and queries, 2006-03, Vol.53 (1), p.94-94

Sokol, B. J.

2006

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Review of Shakespeare's Henry VI Part One (directed by Bronagh Lagan) at the Rose Theatre, Bankside, 3 May 2011

Shakespeare (London, England), 2012-12, Vol.8 (4), p.441-446

Sokol, B. J.

2012

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The Merchant of Venice and the Law Merchant

Renaissance studies, 1992-03, Vol.6 (1), p.60-67

Sokol, B. J.

1992

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Shakespeare's Artists: The Painters, Sculptors, Poets and Musicians in His Plays and Poems

Three Notes on Faulty Bilingualism in Shakespeare's The Merry Wives of Windsor and Middleton's A Chaste Maid in Cheapside

The “rule of three” and the “ callback ”: How Comic Form in The Merry Wives of Windsor 4.1 May Help To Date Its Folio Text

Freud's interpretation in "Medusa's Head" and some alternative psychoanalytic implications of Ovid's Medusa

Euripides’ Bacchae and Shakespeare’s Theseus in A Midsummer Night’s Dream

‘Sans “sans” I pray you’: A Serious Shakespearian Joke

The Transformation of Falstaff in The Merry Wives of Windsor and his Allusion in 5.1.1-4 to the Treble Goddess

Shakespeare's Legal Language: A Dictionary

Why does Shakespeare give his Windsor Schoolmaster a Double Occupation as an Educator and as a Parson?

Significant Numerology in Shakespeare’s Sonnets 1609, and a Possible Alternate Emendation to Line Seven of Sonnet 76

Robert Frost's 'The Ax-Helve', Natural History, and Tolerance

Cerimon's "rough and woeful music" in Pericles

Shakespeare's Weak Signature in Sonnet 76

Inverted Biblical and Religious References and Shylock’s Word ‘Suffrance’ in The Merchant of Venice

A Warwickshire Scandal: Sir Thomas Lucy and the Date of The Merry Wives of Windsor

Shakespeare's Tragedies: Violation and Identity (review)

Quentin Skinner, Forensic Shakespeare

Shylock and Marsyas

SHAKESPEARE AND THE ENGLISH EQUITY JURISDICTION THE MERCHANT OF VENICE AND THE TWO TEXTS OF KING LEAR

Matthew Biberman. Masculinity, Anti-Semitism and Early Modern English Literature: From the Satanic to the Effeminate Jew. Pp. xiv+260 (Women and Gender in the Early Modem World). Aldershot: Ashgate, 2004. £45.00

Constitutive Signifiers Or Fetishes In Shakespeare's The Merchant Of Venice?

MANUSCRIPT EVIDENCE FOR AN EARLIEST DATE OF HENRY VI PART ONE

Reader's Reply

Review of Shakespeare's Henry VI Part One (directed by Bronagh Lagan) at the Rose Theatre, Bankside, 3 May 2011

The Merchant of Venice and the Law Merchant

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