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'Suspect-Proof'? Paranoia, Suspicious Reading, and the Racial Passing Narrative

American literary history, 2022-02, Vol.34 (1), p.272-282

Moynihan, Sinéad

2022

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'Like a Homing Bird to Its Nest': Irish Writers and Mid-Century U.S. Magazines

Éire-Ireland (St. Paul), 2022-09, Vol.57 (3), p.311-338

Moynihan, Sinéad

2022

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“American Homespun Fascists”: Seán O’Casey and the Returning Veteran at the American Negro Theatre

Modern drama, 2020-12, Vol.63 (4), p.393-414

Moynihan, Sinéad

2020

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FROM DISPOSABILITY TO RECYCLING: WILLIAM FAULKNER AND THE NEW POLITICS OF REWRITING IN JESMYN WARD'S "SALVAGE THE BONES"

Studies in the novel, 2015-12, Vol.47 (4), p.550-567

MOYNIHAN, SINÉAD

2015

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"The Lost Apostrophe"?: Race, the roots journey and the "Rose of Tralee" pageant

Irish studies review, 2018-01, Vol.26 (1), p.38-54

Moynihan, Sinéad

2018

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"Empty, Musing, Poignant": Rupture, Nostalgia, and the Seaside Resort in Contemporary Irish Fiction

Critique - Bolingbroke Society, 2016-05, Vol.57 (3), p.310-322

Moynihan, Sinéad

2016

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Ann Petry's Cakewalk: Domestic Workers and The New Yorker at Mid-Century

Melus, 2019-02, Vol.44 (1), p.1-21

Moynihan, Sinéad

2019

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Identity predicaments and the music metaphor in contemporary Irish fiction

Irish studies review, 2016-01, Vol.24 (1), p.79-94

Moynihan, Sinéad

2016

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"Watch me go invisible": Representing Racial Passing in Mat Johnson and Warren Pleece's "Incognegro"

South Central Review, 2015-09, Vol.32 (3), p.45-69

Moynihan, Sinéad

2015

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Beautiful White Girlhood?: Daisy Buchanan in Nella Larsen's "Passing"

African American review, 2014-03, Vol.47 (1), p.37-49

Moynihan, Sinéad

2014

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Gender Inequalities and Academic Journal Publishing: The View from the Journal of American Studies

Journal of American studies, 2021-02, p.1-24

2021

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“Lying about a Lie”: Racial Passing in US History, Literature and Popular Culture

Journal of American studies, 2016-05, Vol.50 (2), p.n/a, Article E18

MOYNIHAN, SINÉAD

2016

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'Upground and belowground topographies': The Chronotopes of Skyscraper and Subway in Colum McCann's New York novels before and after 9/11

Studies in American fiction, 2012-09, Vol.39 (2), p.269-290

Moynihan, Sinéad

2012

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Roundtable

Journal of American Studies, 2019-08, Vol.53 (3), p.819-836

2019

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Editorial

Journal of American studies, 2022-12, Vol.56 (5), p.661-664

2022

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Editorial

Journal of American studies, 2022-12, Vol.56 (5), p.661-664

2022

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Editorial

Journal of American studies, 2022-12, Vol.56 (5), p.661-664

2022

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LOVE APPLIED TO SUFFERING: NUNS IN CONTEMPORARY IRISH AMERICAN FICTION

Religion & literature, 2020, Vol.52/53 (3/1), p.185-193

Moynihan, Sinéad

2020

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History Repeating Itself: Passing, "Pudd'nhead Wilson", and "The President's Daughter"

Callaloo, 2009-07, Vol.32 (3), p.809-821

Moynihan, Sinéad

2009

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The “Second Project”

Journal of American studies, 2017-05, Vol.51 (2), Article E17

2017

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Stand(ing) up for the immigrants: the work of comedian Des Bishop

Irish studies review, 2008-11, Vol.16 (4), p.403-413

Moynihan, Sinéad

2008

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'War Is Not a Map': Irish America, Transnationalism, and Joseph O'Connor's Redemption Falls

Comparative American studies, 2008-12, Vol.6 (4), p.358-373

Moynihan, Sinéad

2008

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"None of us will always be here": Whiteness, Loss, and Alice McDermott's At Weddings and Wakes

Contemporary women's writing, 2010-03, Vol.4 (1), p.40-54

Moynihan, S.

2010

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“The Ghost of the Real Leg”: Maurice Walsh, John Ford, and Adaptation in Roddy Doyle’s The Dead Republic

New hibernia review, 2011-04, Vol.15 (1), p.49-63

Moynihan, Sinéad

2011

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Editors’ Note

Journal of American studies, 2017-11, Vol.51 (4), p.v-v

2017

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'Suspect-Proof'? Paranoia, Suspicious Reading, and the Racial Passing Narrative

'Like a Homing Bird to Its Nest': Irish Writers and Mid-Century U.S. Magazines

“American Homespun Fascists”: Seán O’Casey and the Returning Veteran at the American Negro Theatre

FROM DISPOSABILITY TO RECYCLING: WILLIAM FAULKNER AND THE NEW POLITICS OF REWRITING IN JESMYN WARD'S "SALVAGE THE BONES"

"The Lost Apostrophe"?: Race, the roots journey and the "Rose of Tralee" pageant

"Empty, Musing, Poignant": Rupture, Nostalgia, and the Seaside Resort in Contemporary Irish Fiction

Ann Petry's Cakewalk: Domestic Workers and The New Yorker at Mid-Century

Identity predicaments and the music metaphor in contemporary Irish fiction

"Watch me go invisible": Representing Racial Passing in Mat Johnson and Warren Pleece's "Incognegro"

Beautiful White Girlhood?: Daisy Buchanan in Nella Larsen's "Passing"

Gender Inequalities and Academic Journal Publishing: The View from the Journal of American Studies

“Lying about a Lie”: Racial Passing in US History, Literature and Popular Culture

'Upground and belowground topographies': The Chronotopes of Skyscraper and Subway in Colum McCann's New York novels before and after 9/11

Roundtable

Editorial

Editorial

Editorial

LOVE APPLIED TO SUFFERING: NUNS IN CONTEMPORARY IRISH AMERICAN FICTION

History Repeating Itself: Passing, "Pudd'nhead Wilson", and "The President's Daughter"

The “Second Project”

Stand(ing) up for the immigrants: the work of comedian Des Bishop

'War Is Not a Map': Irish America, Transnationalism, and Joseph O'Connor's Redemption Falls

"None of us will always be here": Whiteness, Loss, and Alice McDermott's At Weddings and Wakes

“The Ghost of the Real Leg”: Maurice Walsh, John Ford, and Adaptation in Roddy Doyle’s The Dead Republic

Editors’ Note

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