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G.W.M. Reynolds Reimagined: Studies in Authorship, Radicalism, and Genre, 1830-1870

1, 2023

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Dickens, Reynolds, and Mayhew on Wellington Street: The Print Culture of a Victorian Street

Shannon, Mary L

1st edition., 2016

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G. W. M. Reynolds and His Fiction: The Man Who Outsold Dickens by Stephen Knight (review)

Victorian Periodicals Review, 2019-10, Vol.52 (3), p.641-643

Shannon, Mary L

2019

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DICKENS IN BYRON'S CHAIR: AUTHENTICITY, AUTHOR PORTRAITS, AND NINETEENTH-CENTURY VISUAL CULTURE

Victorian literature and culture, 2018-03, Vol.46 (1), p.57-81

Shannon, Mary L.

2018

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George Augustus Sala and the Nineteenth-Century Periodical Press: The Personal Style of a Public Writer by Peter Blake (review)

Dickens Quarterly, 2016-09, Vol.33 (3), p.255-257

Shannon, Mary L

2016

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G. W. M. Reynolds Reimagined: Studies in Authorship, Radicalism, and Genre, 1830-1870

1, 2022

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European Research Infrastructures: Guest Editors' Editorial

International journal of humanities and arts computing, 2013-10, Vol.7 (1-2), p.1-3

2013

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The Multiple Lives of Billy Waters: Dangerous Theatricality and Networked Illustrations in Nineteenth-Century Popular Culture

Nineteenth century theatre and film, 2019-11, Vol.46 (2), p.161-189

Shannon, Mary L.

2019

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Introduction: Reynolds Reimagined-Locating Reynolds in Victorian Studies

G. W. M. Reynolds Reimagined, 2023, Vol.1, p.1-23

1, 2023

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A Diversity of Dickens: Or, Should We Read Literature and Culture in Context?

Journal of Victorian Culture, 2013-06, Vol.18 (2), p.290-294

Shannon, Mary L.

2013

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Evening: ‘The Showman Introduces Himself’

Dickens, Reynolds, and Mayhew on Wellington Street, 2016

Shannon, Mary L

2016

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Morning: ‘The Smallness of the World’

Dickens, Reynolds, and Mayhew on Wellington Street, 2016

Shannon, Mary L

2016

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Afternoon: ‘Dissolute and Idle Persons’

Dickens, Reynolds, and Mayhew on Wellington Street, 2016

Shannon, Mary L

2016

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Night: ‘The Compass of the World and They That Dwell Therein’

Dickens, Reynolds, and Mayhew on Wellington Street, 2016

Shannon, Mary L

2016

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Briefly Noted

Theatre notebook, 2015, Vol.69 (3), p.214-215

2015

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Conclusion: 'Very Curiously Brought Together' by Bleak House

Dickens, Reynolds, and Mayhew on Wellington Street, 2015, p.213-218

Shannon, Mary L

1, 2015

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A Comic Writer of Some Distinction: Reimagining G.W.M. Reynolds through the Madras Comic Almanac

G.W.M. Reynolds Reimagined, 2023, Vol.1, p.101-122

1, 2023

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One of the Bastards of the Mountain: George W.M. Reynolds's Red Republican and Socialist Ideology

G.W.M. Reynolds Reimagined, 2023, Vol.1, p.146-164

1, 2023

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Lost, as it were, from amidst the assemblage of my literary productions: Authorial Agency from Scissors-and-Paste to Remix in Reynolds's Translations

G.W.M. Reynolds Reimagined, 2023, Vol.1, p.52-81

1, 2023

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Reynoldsian Women: Sexualisation and Female Agency

G.W.M. Reynolds Reimagined, 2023, Vol.1, p.241-260

1, 2023

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Sisterhoods, Doppelgangers, Republicans: Reynolds's Radical Mysteries

G.W.M. Reynolds Reimagined, 2023, Vol.1, p.205-227

1, 2023

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Lord of Misrule: Reynolds's Radical Christmas Fiction

G.W.M. Reynolds Reimagined, 2023, Vol.1, p.261-282

1, 2023

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Dickensian Departures: Innovation and Originality in G.W.M. Reynolds's Pickwick Abroad

G.W.M. Reynolds Reimagined, 2023, Vol.1, p.27-51

1, 2023

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If I be a wretch, it is you who made me so: The Disintegrated Narrative of Lydia Hutchinson in The Mysteries of London

G.W.M. Reynolds Reimagined, 2023, Vol.1, p.228-240

1, 2023

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Dining with Reynolds: The Reports of Reynolds's Annual Festival

G.W.M. Reynolds Reimagined, 2023, Vol.1, p.165-180

1, 2023

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G.W.M. Reynolds Reimagined: Studies in Authorship, Radicalism, and Genre, 1830-1870

Dickens, Reynolds, and Mayhew on Wellington Street: The Print Culture of a Victorian Street

G. W. M. Reynolds and His Fiction: The Man Who Outsold Dickens by Stephen Knight (review)

DICKENS IN BYRON'S CHAIR: AUTHENTICITY, AUTHOR PORTRAITS, AND NINETEENTH-CENTURY VISUAL CULTURE

George Augustus Sala and the Nineteenth-Century Periodical Press: The Personal Style of a Public Writer by Peter Blake (review)

G. W. M. Reynolds Reimagined: Studies in Authorship, Radicalism, and Genre, 1830-1870

European Research Infrastructures: Guest Editors' Editorial

The Multiple Lives of Billy Waters: Dangerous Theatricality and Networked Illustrations in Nineteenth-Century Popular Culture

Introduction: Reynolds Reimagined-Locating Reynolds in Victorian Studies

A Diversity of Dickens: Or, Should We Read Literature and Culture in Context?

Evening: ‘The Showman Introduces Himself’

Morning: ‘The Smallness of the World’

Afternoon: ‘Dissolute and Idle Persons’

Night: ‘The Compass of the World and They That Dwell Therein’

Briefly Noted

Conclusion: 'Very Curiously Brought Together' by Bleak House

A Comic Writer of Some Distinction: Reimagining G.W.M. Reynolds through the Madras Comic Almanac

One of the Bastards of the Mountain: George W.M. Reynolds's Red Republican and Socialist Ideology

Lost, as it were, from amidst the assemblage of my literary productions: Authorial Agency from Scissors-and-Paste to Remix in Reynolds's Translations

Reynoldsian Women: Sexualisation and Female Agency

Sisterhoods, Doppelgangers, Republicans: Reynolds's Radical Mysteries

Lord of Misrule: Reynolds's Radical Christmas Fiction

Dickensian Departures: Innovation and Originality in G.W.M. Reynolds's Pickwick Abroad

If I be a wretch, it is you who made me so: The Disintegrated Narrative of Lydia Hutchinson in The Mysteries of London

Dining with Reynolds: The Reports of Reynolds's Annual Festival

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