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Cinema Civil Rights: Regulation, Repression, and Race in the Classical Hollywood Era

Scott, Ellen C

1, 2015

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Unresolved Subjects: Poverty, Rage, and Abstraction in the Work of the Last Race Filmmaker

Black camera : the newsletter of the Black Film Center/Archives, 2018-10, Vol.10 (1), p.7-41

Scott, Ellen C

2018

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Precarity, Black Life, and Filmmaking: A Conversation with Filmmaker Anaiis Cisco

Asian diasporic visual cultures and the Americas, 2018-09, Vol.4 (3), p.313-319

Scott, Ellen C.

2018

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Introduction: Black Images Matter: Contextualizing Images of Racialized Police Violence

Black camera : the newsletter of the Black Film Center/Archives, 2018-03, Vol.9 (2), p.76-81

Ellen C. Scott

2018

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Black Movement Impolitic: Soundies, Regulation, and Black Pleasure

African American review, 2016-10, Vol.49 (3), p.205-226

Scott, Ellen C.

2016

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Black "Censor," White Liberties: Civil Rights and Illinois's 1917 Film Law

American quarterly, 2012-06, Vol.64 (2), p.219-247

Scott, Ellen C.

2012

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Making a Promised Land: Harlem in Twentieth-Century Photography and Film by Paula J. Massood (review)

African American review, 2014-03, Vol.47 (1), p.204-207

Scott, Ellen C

2014

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“We proudly present … the picture they didn't want you to see!”: Black Film Advertisements, 1946–1960

Black camera : the newsletter of the Black Film Center/Archives, 2013-10, Vol.5 (1), p.5-33

Scott, Ellen C.

2013

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Hollywood at the Intersection of Race and Identity

1, 2019

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Editors’ Introduction

Feminist media histories, 2020-10, Vol.6 (4), p.1-12

2020

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An Oversimplification of Her Beauty: Terence Nance, dir. 84 min. New York: Media MVMT, 2012

American anthropologist, 2015-03, Vol.117 (1), p.167-168

Scott, Ellen C.

2015

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Editors' Introduction

Feminist media histories, 2020-07, Vol.6 (3), p.1-20

2020

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Close-Up: Black Images Matter: Introduction: Black Images Matter: Contextualizing Images of Racialized Police Violence

Black camera : the newsletter of the Black Film Center/Archives, 2018-04, Vol.9 (2), p.76-81

Scott, Ellen C

2018

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Introduction: Black Images Matter

Black camera : the newsletter of the Black Film Center/Archives, 2018, Vol.9 (2), p.76-81

Scott, Ellen C

2018

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MGM’s Sleeping Lion: Hollywood Regulation of the Washingtonian Slave in The Gorgeous Hussy (1936)

Hollywood at the Intersection of Race and Identity, 2022, p.58-83

2022

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STATE CENSORSHIP AND THE COLOR LINE

Cinema Civil Rights, 2015, p.68

Scott, Ellen C

2015

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RACIAL TRAUMA, CIVIL RIGHTS, AND THE BRUTAL IMAGINATION OF DARRYL F. ZANUCK

Cinema Civil Rights, 2015, p.108

Scott, Ellen C

2015

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Some One of Us Should Have Been There with Her: Gender, race, and sexuality in I Am Not Your Negro and contemporary Black experimental documentary

I Am Not Your Negro, 2021, p.38-51

1, 2021

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Shadowboxing: Black Interpretive Activism In The Classical Hollywood Era

Cinema Civil Rights, 2019, p.147-186

Scott, Ellen C

2019

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Racial Trauma, Civil Rights, And The Brutal Imagination Of Darryl F. Zanuck

Cinema Civil Rights, 2019, p.108-146

Scott, Ellen C

2019

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Index

Cinema Civil Rights, 2019, p.243-254

Scott, Ellen C

2019

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Acknowledgments

Cinema Civil Rights, 2019, p.ix-xii

Scott, Ellen C

2019

Volltextzugriff (PDF)

Introduction

Cinema Civil Rights, 2019, p.1-10

Scott, Ellen C

2019

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Frontmatter

Cinema Civil Rights, 2019, p.i-vi

Scott, Ellen C

2019

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Regulating Race, Structuring Absence: Industry Self-Censorship And African American Representability

Cinema Civil Rights, 2019, p.11-67

Scott, Ellen C

2019

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Cinema Civil Rights: Regulation, Repression, and Race in the Classical Hollywood Era

Unresolved Subjects: Poverty, Rage, and Abstraction in the Work of the Last Race Filmmaker

Precarity, Black Life, and Filmmaking: A Conversation with Filmmaker Anaiis Cisco

Introduction: Black Images Matter: Contextualizing Images of Racialized Police Violence

Black Movement Impolitic: Soundies, Regulation, and Black Pleasure

Black "Censor," White Liberties: Civil Rights and Illinois's 1917 Film Law

Making a Promised Land: Harlem in Twentieth-Century Photography and Film by Paula J. Massood (review)

“We proudly present … the picture they didn't want you to see!”: Black Film Advertisements, 1946–1960

Hollywood at the Intersection of Race and Identity

Editors’ Introduction

An Oversimplification of Her Beauty: Terence Nance, dir. 84 min. New York: Media MVMT, 2012

Editors' Introduction

Close-Up: Black Images Matter: Introduction: Black Images Matter: Contextualizing Images of Racialized Police Violence

Introduction: Black Images Matter

MGM’s Sleeping Lion: Hollywood Regulation of the Washingtonian Slave in The Gorgeous Hussy (1936)

STATE CENSORSHIP AND THE COLOR LINE

RACIAL TRAUMA, CIVIL RIGHTS, AND THE BRUTAL IMAGINATION OF DARRYL F. ZANUCK

Some One of Us Should Have Been There with Her: Gender, race, and sexuality in I Am Not Your Negro and contemporary Black experimental documentary

Shadowboxing: Black Interpretive Activism In The Classical Hollywood Era

Racial Trauma, Civil Rights, And The Brutal Imagination Of Darryl F. Zanuck

Index

Acknowledgments

Introduction

Frontmatter

Regulating Race, Structuring Absence: Industry Self-Censorship And African American Representability

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