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Touching Sound: An Interview with Jayne Parker by Aura Satz

The international journal of screendance, 2017-05, Vol.3, p.120-127

Satz, Aura

2017

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Listening to Éliane

Contemporary music review, 2023-11, Vol.42 (5-6), p.564-570

Satz, Aura

2023

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A spike in the midst of a slow revolution

Moving image review & art journal, 2020-09, Vol.9 (2), p.176-178

Satz, Aura

2020

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Preemptive listening: a roundtable discussion about sirens

Sound studies (2015), 2024-07, Vol.10 (2), p.313-332

2024

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Cold War Legacies: Legacy, Theory, Aesthetics

2017

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Music of Its Own Accord

Leonardo music journal, 2010-01, Vol.20, p.73-78

Satz, Aura

2010

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Roundtable: Wild Sounds and Women's Voices

Discourse (Berkeley, Calif.), 2017-10, Vol.39 (3), p.338-355

2017

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Impulsive Synchronisation: A Conversation on Military Technologies and Audiovisual Arts

Cold War Legacies, 2017, p.70-82

2017

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Ventriloqua

Performance research, 2004-09, Vol.9 (3), p.4-8

Satz, Aura

2004

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Impulsive Synchronisation: A Conversation on Military Technologies and Audiovisual Arts

Cold War Legacies, 2022, p.70-82

2022

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This is (not) my body': transubstantiation as a metaphor for acting in Brecht

Journal of romance studies, 2008-12, Vol.8 (3), p.23-39

2008

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‘This is (not) my body’: transubstantiation as a metaphor for acting in Brecht

Journal of romance studies, 2008, Vol.8 (3), p.23-39

2008

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Attacks on automata and eviscerated sculptures

Iconoclasm : contested objects, contested terms, 2007, p.35-49

2007

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Off the pedestal, on the stage: Animation and de-animation in art and theatre

Satz, Aura

2002

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“The Conviction of its Existence”: Silas Weir Mitchell, Phantom Limbs and Phantom Bodies in Neurology and Spiritualism

Neurology and Modernity, 2010, p.113-129

2010

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“The Conviction of its Existence”: Silas Weir Mitchell, Phantom Limbs and Phantom Bodies in Neurology and Spiritualism

Neurology and Modernity, 2010

2010

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Book Review: Friends of Interpretable Objects

Journal of Visual Culture, 2002, Vol.1 (3), p.381-383

Satz, Aura

2002

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100 words: Aura Satz

Artforum international, 2015-02, Vol.53 (6), p.206-209

2015

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Friends of interpretable objects

Journal of visual culture, 2002, Vol.1 (3), p.381-383

2002

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With hidden noise: Sculpture, video and ventriloquism

Leeds, England: Henry Moore Institute, 2004, ISBN: 1900081342, 2004

2004

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The Artists' Artists

Artforum international, 2014-12, Vol.53 (4), p.123

2014

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Touching Sound: An Interview with Jayne Parker by Aura Satz

Listening to Éliane

A spike in the midst of a slow revolution

Preemptive listening: a roundtable discussion about sirens

Cold War Legacies: Legacy, Theory, Aesthetics

Music of Its Own Accord

Roundtable: Wild Sounds and Women's Voices

Impulsive Synchronisation: A Conversation on Military Technologies and Audiovisual Arts

Ventriloqua

Impulsive Synchronisation: A Conversation on Military Technologies and Audiovisual Arts

This is (not) my body': transubstantiation as a metaphor for acting in Brecht

‘This is (not) my body’: transubstantiation as a metaphor for acting in Brecht

Attacks on automata and eviscerated sculptures

Off the pedestal, on the stage: Animation and de-animation in art and theatre

“The Conviction of its Existence”: Silas Weir Mitchell, Phantom Limbs and Phantom Bodies in Neurology and Spiritualism

“The Conviction of its Existence”: Silas Weir Mitchell, Phantom Limbs and Phantom Bodies in Neurology and Spiritualism

Book Review: Friends of Interpretable Objects

100 words: Aura Satz

Friends of interpretable objects

With hidden noise: Sculpture, video and ventriloquism

The Artists' Artists

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