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The Routledge Companion to African American Theatre and Performance (Edition 1)

1st, 2018

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My General Education: “Discovering” Amitav Ghosh

The Journal of general education (University Park, Pa.), 2015, Vol.64 (4), p.255-262

Richards, Sandra L

2015

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What Is to Be Remembered?: Tourism to Ghana's Slave Castle-Dungeons

Theatre journal (Washington, D.C.), 2005-12, Vol.57 (4), p.617-637

Richards, Sandra L.

2005

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In the Kitchen, Cooking up Diaspora Possibilities: Bailey and Lewis's Sistahs

Theatre research international, 2010-07, Vol.35 (2), p.152-163

RICHARDS, SANDRA L.

2010

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Black Women Playwrights in American Theatre

Theatre journal (Washington, D.C.), 2010-12, Vol.62 (4), p.541-545

2010

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My General Education: “Discovering” Amitav Ghosh

The Journal of general education (University Park, Pa.), 2015-12, Vol.64 (4), p.255-262

Richards, Sandra L.

2015

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Space, Water, Memory: Slavery and Beaufort, South Carolina

Cultural dynamics, 2009-11, Vol.21 (3), p.255-282

Richards, Sandra L.

2009

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Babylon Girls: Black Women Performing and the Shaping of the Modern. By Jayna Brown. Durham, NC and London: Duke University Press, 2008; pp. 360. $89.95 cloth, $24.95 paper. - The Scene of Harlem Cabaret: Race, Sexuality, Performance. By Shane Vogel. Chicago and London: University of Chicago Press, 2009; pp. 278. $60 cloth, $22 paper

Theatre survey, 2011-05, Vol.52 (1), p.194-198

Richards, Sandra L.

2011

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Yoruba Gods on the American Stage: August Wilson's "Joe Turner's Come and Gone"

Research in African literatures, 1999-12, Vol.30 (4), p.92-105

Richards, Sandra L.

1999

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Space, Water, Memory

Cultural dynamics, 2009-11, Vol.21 (3), p.255-282

Richards, Sandra L

2009

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Blacktino Queer Performance

1, 2016

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Highlights of African American Theatre and Performance

The Routledge Companion to African American Theatre and Performance, 2019, Vol.1, p.7-18

1, 2019

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Storytelling we współczesnym teatrze w kontekście kultury afrykańskiej

Przestrzenie teorii, 2008-06 (9), p.233

Richards, Sandra L.

2008

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African Diaspora drama

The Cambridge Companion to African American Theatre, 2012, p.230-254

Richards, Sandra L.

2012

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What Is to Be Remembered?: Tourism to Ghana's Slave Castle-Dungeons1

Theatre journal (Washington, D.C.), 2005-12, Vol.57 (4), p.617

Richards, Sandra L

2005

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Interview with Sharon Bridgforth

Blacktino Queer Performance, 2020, p.78-86

2020

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Cultural Travel to Ghana's Slave Castles: A Commentary

International research in geographical and environmental education, 2002-12, Vol.11 (4), p.372-375

Richards, Sandra L.

2002

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Nigerian Independence Onstage: Responses from "Second Generation" Playwrights

Theatre journal (Washington, D.C.), 1987-05, Vol.39 (2), p.215-227

Richards, Sandra L.

1987

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Conflicting Impulses in the Plays of Ntozake Shange

Black American Literature Forum, 1983-07, Vol.17 (2), p.73-78

Richards, Sandra L.

1983

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Negative Forces and Positive Non-Entities: Images of Women in the Dramas of Amiri Baraka

Theatre journal (Washington, D.C.), 1982-05, Vol.34 (2), p.233-240

Richards, Sandra L.

1982

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Community in Motion: Theatre for Development in Africa by L. Dale Byam (review)

Modern drama, 2000-12, Vol.43 (4), p.651-653

Richards, Sandra L

2000

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Yoruba Gods on the American Stage: August Wilson's Joe Turner's Come and Gone

Research in African literatures, 1999-12, Vol.30 (4), p.92-105

Richards, Sandra L.

1999

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Yoruba Gods on the American Stage: August Wilson's "Joe Turner's Come and Gone"

Research in African literatures, 1999-12, Vol.30 (4), p.93

Richards, Sandra L

1999

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Interview with Sharon Bridgforth

Blacktino Queer Performance, 2016, p.78

2016

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Digging the Africanist Presence in American Performance: Dance and Other Contexts . By Brenda Dixon Gottschild. Westport, CT: Green-wood, 1996; 118 pp.; illustrations. $55.00 cloth. Steppin' on the Blues: The Visible Rhythms of African American Dance . By Jacqui Malone. Champaign: University of Illinois, 1996; 272 pp.; illustrations. $44.95 cloth, $16.95 paper

TDR : Drama review, 1998-03, Vol.42 (1), p.164-168

Richards, Sandra L.

1998

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The Routledge Companion to African American Theatre and Performance (Edition 1)

My General Education: “Discovering” Amitav Ghosh

What Is to Be Remembered?: Tourism to Ghana's Slave Castle-Dungeons

In the Kitchen, Cooking up Diaspora Possibilities: Bailey and Lewis's Sistahs

Black Women Playwrights in American Theatre

My General Education: “Discovering” Amitav Ghosh

Space, Water, Memory: Slavery and Beaufort, South Carolina

Yoruba Gods on the American Stage: August Wilson's "Joe Turner's Come and Gone"

Space, Water, Memory

Blacktino Queer Performance

Highlights of African American Theatre and Performance

Storytelling we współczesnym teatrze w kontekście kultury afrykańskiej

African Diaspora drama

What Is to Be Remembered?: Tourism to Ghana's Slave Castle-Dungeons1

Interview with Sharon Bridgforth

Cultural Travel to Ghana's Slave Castles: A Commentary

Nigerian Independence Onstage: Responses from "Second Generation" Playwrights

Conflicting Impulses in the Plays of Ntozake Shange

Negative Forces and Positive Non-Entities: Images of Women in the Dramas of Amiri Baraka

Community in Motion: Theatre for Development in Africa by L. Dale Byam (review)

Yoruba Gods on the American Stage: August Wilson's Joe Turner's Come and Gone

Yoruba Gods on the American Stage: August Wilson's "Joe Turner's Come and Gone"

Interview with Sharon Bridgforth

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