UB Paderborn / Katalog / Suche / in CDI

Sortiert nach

Einfacher Volltextzugriff von (fast) überall

Installieren Sie die LibKey Nomad-Browsererweiterung und erhalten Sie von vielen Webseiten einfachen Zugriff auf lizenzierte Volltexte oder Open Access Publikationen. Mehr erfahren...

Critical Discourses of the Fantastic, 1712–1831

Sandner, David

1, 2011

Volltextzugriff (PDF)

Politically Fantastic

Journal of the fantastic in the arts, 2021-05, Vol.32 (2), p.190-316

Sandner, David

2021

Volltextzugriff (PDF)

“Put a glide in your stride and a dip in your hip/ and come up to the Mothership”: P.Funk's “Mothership Connection (Starchild)” and the Tropes of Science Fiction

Popular culture review, 2014-06, Vol.25 (2), p.74-83

Sandner, David

2014

Volltextzugriff (PDF)

Supernatural Modernity in Walter Scott's Redgauntlet and James Hogg's Private Memoirs and Confessions of a Justified Sinner

Extrapolation, 2007-03, Vol.48 (1), p.73-83

Sandner, David

2007

Volltextzugriff (PDF)

BETWEEN EUCATASTROPHE AND GRACE: J.R.R. Tolkien and Flannery O'Connor

Soundings (Nashville, Tenn.), 2006-04, Vol.89 (1/2), p.171-198

Sandner, David

2006

Volltextzugriff (PDF)

Rambles in the Fantastic: Digital Mapping Mary Shelley's Last Man

Space(s) of the Fantastic, 2021, p.85-95

1, 2021

Volltextzugriff (PDF)

Theorizing the Fantastic: Editing Fantastic Literature: A Critical Reader and the Six Stages of Fantasy Criticism

Journal of the fantastic in the arts, 2006-01, Vol.16 (4 (64)), p.277-301

Sandner, David

2006

Volltextzugriff (PDF)

Joseph Addison: The First Critic of the Fantastic

Journal of the fantastic in the arts, 2000-01, Vol.11 (1 (41)), p.52-61

Sandner, David

2000

Volltextzugriff (PDF)

“Habituated to the Vast”: Ecocriticism, the Sense of Wonder, and the Wilderness of Stars

Extrapolation, 2000-10, Vol.41 (3), p.283-297

Sandner, David

2000

Volltextzugriff (PDF)

Shooting for the Moon: Méliès, Verne, Weils, and the Imperial Satire

Extrapolation, 1998-04, Vol.39 (1), p.5-25

Sandner, David

1998

Volltextzugriff (PDF)

Tracking Grendel: The Uncanny in Beowulf

Extrapolation, 1999-06, Vol.40 (2), p.162-176

Sandner, David

1999

Volltextzugriff (PDF)

Shooting for the Moon: Méliès, Verne, Wells, and the Imperial Satire

Extrapolation, 1998-04, Vol.39 (1), p.5

Sandner, David

1998

Volltextzugriff (PDF)

Up-to-date with a Vengeance: Modern Monsters in Bram Stoker's "Dracula" and Margaret Oliphant's "The Secret Chamber"

Journal of the fantastic in the arts, 1997-01, Vol.8 (3 (31)), p.294-309

Sandner, David

1997

Volltextzugriff (PDF)

Fairy Unexplained in Ann Radcliffe's The Mysteries of Udolpho

Critical Discourses of the Fantastic, 1712–1831, 2011, p.91-106

Sandner, David

1, 2011

Volltextzugriff (PDF)

This Wild Strain of Imagination: Samuel Johnson and John Hawkesworth on Wonder

Critical Discourses of the Fantastic, 1712–1831, 2011, p.81-90

Sandner, David

1, 2011

Volltextzugriff (PDF)

Appendix A Chronology of Early Critical Sources on the Fantastic

Critical Discourses of the Fantastic, 1712–1831, 2011, p.173-174

Sandner, David

1, 2011

Volltextzugriff (PDF)

The Fairy Way of Writing

Critical Discourses of the Fantastic, 1712–1831, 2011, p.7-16

Sandner, David

1, 2011

Volltextzugriff (PDF)

Supernatural Modernity in Walter Scott's Redgauntlet and James Hogg's The Private Memoirs and Confessions of a Justified Sinner

Critical Discourses of the Fantastic, 1712–1831, 2011, p.107-116

Sandner, David

1, 2011

Volltextzugriff (PDF)

Interlocked Definitions: The Fantastic, the Sublime, the Uncanny

Critical Discourses of the Fantastic, 1712–1831, 2011, p.17-32

Sandner, David

1, 2011

Volltextzugriff (PDF)

On “Two Faults” in “a Work of Such Pure Imagination”: Samuel Taylor Coleridge and Anna Letitia Barbauld on The Rime of the Ancient Mariner

Critical Discourses of the Fantastic, 1712–1831, 2011, p.129-146

Sandner, David

1, 2011

Volltextzugriff (PDF)

Gothick Pasts and Gothick Futures: Horace Walpole and Mary Shelley

Critical Discourses of the Fantastic, 1712–1831, 2011, p.71-80

Sandner, David

1, 2011

Volltextzugriff (PDF)

The Floating Corpse of Fairyland: William Wordsworth and “Fable's Dark Abyss”

Critical Discourses of the Fantastic, 1712–1831, 2011, p.117-128

Sandner, David

1, 2011

Volltextzugriff (PDF)

Afterword A Typology of the Fantastic: Dispossession, Fragmentation, Domestication, and Possession

Critical Discourses of the Fantastic, 1712–1831, 2011, p.159-172

Sandner, David

1, 2011

Volltextzugriff (PDF)

Romantic Wildness and Fantastic Modernity in Anti-Apparition Writings, the Ballad Controversy, and Romance Criticism

Critical Discourses of the Fantastic, 1712–1831, 2011, p.47-62

Sandner, David

1, 2011

Volltextzugriff (PDF)

Romanticism as the Origin and End of the Fantastic

Critical Discourses of the Fantastic, 1712–1831, 2011, p.1-6

Sandner, David

1, 2011

Volltextzugriff (PDF)

1 – 25 von 100

Menü

Weitere Dienste

Einstellungen

Critical Discourses of the Fantastic, 1712–1831

Politically Fantastic

“Put a glide in your stride and a dip in your hip/ and come up to the Mothership”: P.Funk's “Mothership Connection (Starchild)” and the Tropes of Science Fiction

Supernatural Modernity in Walter Scott's Redgauntlet and James Hogg's Private Memoirs and Confessions of a Justified Sinner

BETWEEN EUCATASTROPHE AND GRACE: J.R.R. Tolkien and Flannery O'Connor

Rambles in the Fantastic: Digital Mapping Mary Shelley's Last Man

Theorizing the Fantastic: Editing Fantastic Literature: A Critical Reader and the Six Stages of Fantasy Criticism

Joseph Addison: The First Critic of the Fantastic

“Habituated to the Vast”: Ecocriticism, the Sense of Wonder, and the Wilderness of Stars

Shooting for the Moon: Méliès, Verne, Weils, and the Imperial Satire

Tracking Grendel: The Uncanny in Beowulf

Shooting for the Moon: Méliès, Verne, Wells, and the Imperial Satire

Up-to-date with a Vengeance: Modern Monsters in Bram Stoker's "Dracula" and Margaret Oliphant's "The Secret Chamber"

Fairy Unexplained in Ann Radcliffe's The Mysteries of Udolpho

This Wild Strain of Imagination: Samuel Johnson and John Hawkesworth on Wonder

Appendix A Chronology of Early Critical Sources on the Fantastic

The Fairy Way of Writing

Supernatural Modernity in Walter Scott's Redgauntlet and James Hogg's The Private Memoirs and Confessions of a Justified Sinner

Interlocked Definitions: The Fantastic, the Sublime, the Uncanny

On “Two Faults” in “a Work of Such Pure Imagination”: Samuel Taylor Coleridge and Anna Letitia Barbauld on The Rime of the Ancient Mariner

Gothick Pasts and Gothick Futures: Horace Walpole and Mary Shelley

The Floating Corpse of Fairyland: William Wordsworth and “Fable's Dark Abyss”

Afterword A Typology of the Fantastic: Dispossession, Fragmentation, Domestication, and Possession

Romantic Wildness and Fantastic Modernity in Anti-Apparition Writings, the Ballad Controversy, and Romance Criticism

Romanticism as the Origin and End of the Fantastic

Suchergebnisse filtern