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Philip Roth's "The Humbling": Loneliness and Mortality in the Later Work

Studies in American Jewish literature (1981), 2011-01, Vol.30 (1), p.40-46

Safer, Elaine B.

2011

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Saul Bellow: Master of the Comic

Critique - Bolingbroke Society, 2010-02, Vol.51 (2), p.126-134

Safer, Elaine B.

2010

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Alienation and Black Humor in Philip Roth's "Exit Ghost"

Studies in American Jewish literature (1981), 2010-01, Vol.29 (1), p.139-147

Safer, Elaine B.

2010

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The Naiveté of Malamud's Calvin Cohn and Roth's Seymour “Swede” Levov: Comic, Ironic, or Tragic?

Philip Roth studies, 2008-04, Vol.4 (1), p.75-85

Safer, Elaine B.

2008

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Tragedy and Farce in Roth's: The Human Stain

Critique - Bolingbroke Society, 2002, Vol.43 (3), p.211-227

Safer, Elaine B.

2002

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Philip Roth's “The Humbling”: Loneliness and Mortality in the Later Work

Studies in American Jewish literature (1981), 2011-01, Vol.30, p.40-46

Safer, Elaine B.

2011

Volltextzugriff (PDF)

Philip Roth's “The Humbling”: Loneliness and Mortality in the Later Work

Studies in American Jewish literature (1981), 2011-01, Vol.30, p.40-46

Safer, Elaine B.

2011

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A Response to James Mellard's "Iceberg"

Studies in American humor, 2007-01 (16), p.129-132

Safer, Elaine

2007

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Alienation and Black Humor in Philip Roth's “Exit Ghost”

Studies in American Jewish literature (1981), 2010-01, Vol.29, p.139-147

Safer, Elaine B.

2010

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Alienation and Black Humor in Philip Roth's “Exit Ghost”

Studies in American Jewish literature (1981), 2010-01, Vol.29, p.139-147

Safer, Elaine B.

2010

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Illuminating the Ineffable: Jonathan Safran Foer's Novels

Studies in American Jewish literature (1981), 2006-01, Vol.25, p.112-132

Safer, Elaine

2006

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The Naivet of Malamud's Calvin Cohn and Roth's Seymour "Swede" Levov: Comic, Ironic, or Tragic?

Philip Roth studies, 2008-03, Vol.4 (1), p.75-85

Safer, Elaine B.

2008

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Looking at Saul Bellow (1915-2005)

Philip Roth studies, 2005-10, Vol.1 (2), p.115-124

2005

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The Double, Comic Irony, and Postmodernism in Philip Roth's Operation Shylock

Melus, 1996-01, Vol.21 (4), p.157-172

Safer, Elaine B.

1996

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The Plot Against America

Studies in American Jewish literature (1981), 2007-01, Vol.26, p.91-94

Safer, Elaine B.

2007

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From Poem to Cartoon: Comic Irony in Saul Bellow's More Die of Heartbreak

Critique - Bolingbroke Society, 1993-06, Vol.34 (4), p.203-219

Safer, Elaine B.

1993

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Pynchon's World and its Legendary Past: Humor and the Absurd in a Twentieth-Century Vineland

Critique - Bolingbroke Society, 1990-12, Vol.32 (2), p.107-125

Safer, Elaine B.

1990

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The Allusive Mode, the Absurd, and Black Humor in Bernard Malamud's "God's Grace"

Studies in American humor, 1989-01, Vol.7, p.104-117

Safer, Elaine B.

1989

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The Essay as Aesthetic Mirror: John Barth's 'Exhaustion' and 'Replenishment'

Studies in American fiction, 1987-04, Vol.15 (1), p.109-117

Safer, Elaine B

1987

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The Absurd Quest and Black Humor in Ken Kesey's Sometimes a Great Notion

Critique - Bolingbroke Society, 1983-07, Vol.24 (4), p.228-240

Safer, Elaine B.

1983

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THE ALLUSIVE MODE AND BLACK HUMOR IN BARTH'S "SOT-WEED FACTOR"

Studies in the novel, 1981-12, Vol.13 (4), p.424-438

SAFER, ELAINE B.

1981

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The Allusive Mode, The Absurd and Black Humor in William Gaddis's "The Recognitions"

Studies in American humor, 1982-10, Vol.1 (2), p.103-118

Safer, Elaine B.

1982

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William H. Gass (1924 – )

The Columbia Companion to the Twentieth-Century American Short Story, 2015, p.272-276

2015

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The Allusive Mode and Black Humor in Barth's Giles Goat-Boy and Pynchon's Gravity's Rainbow

Renascence, 1980, Vol.32 (2), p.89-104

Safer, Elaine B.

1980

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"It's the Truth Even If It Didn't Happen": Ken Kesey's "One Flew Over the Cuckoo's Nest"

Literature film quarterly, 1977-04, Vol.5 (2), p.132-141

Safer, Elaine B.

1977

Volltextzugriff (PDF)

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Philip Roth's "The Humbling": Loneliness and Mortality in the Later Work

Saul Bellow: Master of the Comic

Alienation and Black Humor in Philip Roth's "Exit Ghost"

The Naiveté of Malamud's Calvin Cohn and Roth's Seymour “Swede” Levov: Comic, Ironic, or Tragic?

Tragedy and Farce in Roth's: The Human Stain

Philip Roth's “The Humbling”: Loneliness and Mortality in the Later Work

Philip Roth's “The Humbling”: Loneliness and Mortality in the Later Work

A Response to James Mellard's "Iceberg"

Alienation and Black Humor in Philip Roth's “Exit Ghost”

Alienation and Black Humor in Philip Roth's “Exit Ghost”

Illuminating the Ineffable: Jonathan Safran Foer's Novels

The Naivet of Malamud's Calvin Cohn and Roth's Seymour "Swede" Levov: Comic, Ironic, or Tragic?

Looking at Saul Bellow (1915-2005)

The Double, Comic Irony, and Postmodernism in Philip Roth's Operation Shylock

The Plot Against America

From Poem to Cartoon: Comic Irony in Saul Bellow's More Die of Heartbreak

Pynchon's World and its Legendary Past: Humor and the Absurd in a Twentieth-Century Vineland

The Allusive Mode, the Absurd, and Black Humor in Bernard Malamud's "God's Grace"

The Essay as Aesthetic Mirror: John Barth's 'Exhaustion' and 'Replenishment'

The Absurd Quest and Black Humor in Ken Kesey's Sometimes a Great Notion

THE ALLUSIVE MODE AND BLACK HUMOR IN BARTH'S "SOT-WEED FACTOR"

The Allusive Mode, The Absurd and Black Humor in William Gaddis's "The Recognitions"

William H. Gass (1924 – )

The Allusive Mode and Black Humor in Barth's Giles Goat-Boy and Pynchon's Gravity's Rainbow

"It's the Truth Even If It Didn't Happen": Ken Kesey's "One Flew Over the Cuckoo's Nest"

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