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American Cultures as Transnational Performance: Commons, Skills, Traces

1, 2022

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Re/playing slavery: The play within the play in Suzan-Lori Parks’s White Noise and Jeremy O. Harris’s Slave Play

IdeAs (Vanves, France), 2023-03

2023

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Intertextual Inquiry and Interpretive Creation: Pope.L’s Experimental Staging of William Wells Brown’s The Escape

Journal of Contemporary Drama in English, 2023-11, Vol.11 (2), p.287-297

Saal, Ilka

2023

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Dossett, Kate. Radical Black Theatre in the New Deal. Chapel Hill: University of North Carolina, 2020. pp. 338

Kritikon Litterarum, 2022-11, Vol.49 (3), p.370-375

Saal, Ilka

2022

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Introduction: Theater and Community. Poetics, Politics, Performances

Journal of Contemporary Drama in English, 2024-05, Vol.12 (1), p.3-13

2024

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Re/playing slavery: The play within the play in Suzan-Lori Parks’s White Noise and Jeremy O. Harris’s

IdeAs (Vanves, France), 2023-03 (21)

2023

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The form is the meaning: Notes on a Production of Sarah Kane’s Blasted by Sermoen

Documenta, 2019-04, Vol.28 (2), p.134-138

Saal, Ilka

2019

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Dorothy Chansky. Kitchen Sink Realisms: Domestic Labor, Dining, and Drama in American Theatre. Iowa City: University of Iowa Press, 2015, 291 pp., $55 (paperback, PDF ebook)

Journal of Contemporary Drama in English, 2017-10, Vol.5 (2), p.372-375

Saal, Ilka

2017

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On the Stages of Istanbul: Atatürk and the New Young Turks

TDR : Drama review, 2007-06, Vol.51 (2), p.181-186

Saal, Ilka

2007

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Post-National American Dreaming in Joseph O'Neill's Netherland : The Adversity of Hans van den Broek

Canadian review of American studies, 2017, Vol.47 (3), p.333-352

Saal, Ilka

2017

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On the Portability and Meanings of Blackness in Young Jean Lee’s The Shipment (2009)

Journal of Contemporary Drama in English, 2017-04, Vol.5 (1), p.98-111

Saal, Ilka

2017

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REGARDING THE PAIN OF SELF AND OTHER: TRAUMA TRANSFER AND NARRATIVE FRAMING IN JONATHAN SAFRAN FOER'S "EXTREMELY LOUD & INCREDIBLY CLOSE"

Modern fiction studies, 2011-10, Vol.57 (3), p.453-476

Saal, Ilka

2011

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Mary Kathryn Nagle in Conversation with Nina De Bettin Padolin and Ilka Saal

Journal of Contemporary Drama in English, 2024-05, Vol.12 (1), p.144-152

2024

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Jeanne Colleran. Theatre and War: Theatrical Responses since 1991. New York: Palgrave Macmillan, 2012, 241 pp., $ 90.00

Journal of Contemporary Drama in English, 2014-05, Vol.2 (1), p.200-204

Saal, Ilka

2014

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‘It's about us!’. Violence and Narrative Memory in Post 9/11 American Theatre

Arcadia, 2011-04, Vol.45 (2), p.353-373

Saal, Ilka

2011

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Regarding the Pain of Self and Other: Trauma Transfer and Narrative Framing in Jonathan Safran Foer’s Extremely Loud 'amp; Incredibly Close

Modern fiction studies, 2011, Vol.57 (3), p.451-476

Saal, Ilka

2011

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Regarding the Pain of Self and Other: Trauma Transfer and Narrative Framing in Jonathan Safran Foer’s Extremely Loud & Incredibly Close

Modern fiction studies, 2011-09, Vol.57 (3), p.451-476

Saal, Ilka

2011

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Furious Improvisations: How the WPA and a Cast of Thousands Made High Art out of Desperate Times. By Susan Quinn. New York: Walker & Company, 2008. Pp. 325 + 21 illus. $25.95 Hb

Theatre research international, 2010-10, Vol.35 (3), p.311-312

Saal, Ilka

2010

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"It's about us!" Violence and Narrative Memory in Post 9/11 American Theater

Arcadia, 2010-07, Vol.45 (2), p.353

Saal, Ilka

2010

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‘Let's Hurt Someone’: Violence and Cultural Memory in the Plays of Neil LaBute

New theatre quarterly, 2008-11, Vol.24 (4), p.322-336

Saal, Ilka

2008

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MAKING IT REAL? THEATRE IN TIMES OF VIRTUAL WARFARE1

The Journal of American drama and theatre, 2008-04, Vol.20 (2), p.65

Saal, Ilka

2008

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Books

TDR : Drama review, 2005-09, Vol.49 (3), p.187-191

Saal, Ilka

2005

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The Politics of Mimicry: The Minor Theater of Suzan-Lori Parks

South Atlantic review, 2005-04, Vol.70 (2), p.57-71

Saal, Ilka

2005

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Songs of Social Significance: Theater of the Depression Era

The Cambridge Companion to American Literature of the 1930s, 2018, p.111-126

Saal, Ilka

2018

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Enterprise and Drama: Performing Capital on the American Stage: Introduction

South Atlantic review, 2010-06, Vol.75 (3), p.3-9

2010

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American Cultures as Transnational Performance: Commons, Skills, Traces

Re/playing slavery: The play within the play in Suzan-Lori Parks’s White Noise and Jeremy O. Harris’s Slave Play

Intertextual Inquiry and Interpretive Creation: Pope.L’s Experimental Staging of William Wells Brown’s The Escape

Dossett, Kate. Radical Black Theatre in the New Deal. Chapel Hill: University of North Carolina, 2020. pp. 338

Introduction: Theater and Community. Poetics, Politics, Performances

Re/playing slavery: The play within the play in Suzan-Lori Parks’s White Noise and Jeremy O. Harris’s

The form is the meaning: Notes on a Production of Sarah Kane’s Blasted by Sermoen

Dorothy Chansky. Kitchen Sink Realisms: Domestic Labor, Dining, and Drama in American Theatre. Iowa City: University of Iowa Press, 2015, 291 pp., $55 (paperback, PDF ebook)

On the Stages of Istanbul: Atatürk and the New Young Turks

Post-National American Dreaming in Joseph O'Neill's Netherland : The Adversity of Hans van den Broek

On the Portability and Meanings of Blackness in Young Jean Lee’s The Shipment (2009)

REGARDING THE PAIN OF SELF AND OTHER: TRAUMA TRANSFER AND NARRATIVE FRAMING IN JONATHAN SAFRAN FOER'S "EXTREMELY LOUD & INCREDIBLY CLOSE"

Mary Kathryn Nagle in Conversation with Nina De Bettin Padolin and Ilka Saal

Jeanne Colleran. Theatre and War: Theatrical Responses since 1991. New York: Palgrave Macmillan, 2012, 241 pp., $ 90.00

‘It's about us!’. Violence and Narrative Memory in Post 9/11 American Theatre

Regarding the Pain of Self and Other: Trauma Transfer and Narrative Framing in Jonathan Safran Foer’s Extremely Loud 'amp; Incredibly Close

Regarding the Pain of Self and Other: Trauma Transfer and Narrative Framing in Jonathan Safran Foer’s Extremely Loud & Incredibly Close

Furious Improvisations: How the WPA and a Cast of Thousands Made High Art out of Desperate Times. By Susan Quinn. New York: Walker & Company, 2008. Pp. 325 + 21 illus. $25.95 Hb

"It's about us!" Violence and Narrative Memory in Post 9/11 American Theater

‘Let's Hurt Someone’: Violence and Cultural Memory in the Plays of Neil LaBute

MAKING IT REAL? THEATRE IN TIMES OF VIRTUAL WARFARE1

Books

The Politics of Mimicry: The Minor Theater of Suzan-Lori Parks

Songs of Social Significance: Theater of the Depression Era

Enterprise and Drama: Performing Capital on the American Stage: Introduction

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