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Borgos, Anna: "Portrék a Másikról – Alkotónők és alkotótársak a múlt századelőn" [Portraits of the Other. Women Creative Artists and Creative Partners in the Last Century]

Hungarian cultural studies, 2011-01, Vol.4, p.225-231

Séllei, Nóra

2011

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INTRODUCTION

Studia Universitatis Babeș-Bolyai. Philologia, 2024-09, Vol.69 (3)

2024

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20th—21st Century ‘British’ Literature: Recent Critical Trends

Études britanniques contemporaines, 2014-06, Vol.46

2014

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(FEMALE) DESIRE AND ROMANTIC ART IN ANNE BRONTË’S THE TENANT OF WILDFELL HALL

Gender studies (Timişoara), 2009 (8), p.10-26

Séllei , Nóra

2009

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20th—21st Century ‘British’ Literature: Recent Critical Trends: Concluding panel of the SEAC workshop (2013 SAES conference)

Études britanniques contemporaines, 2014-06 (46)

2014

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The Routledge Companion to Modernity, Space and Gender

Staub, Alexandra

1st, 2018

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Cleanliness And Subjectivity In Janice Galloway’s "The Trick Is To Keep Breathing"

Gender studies (Timişoara), 2005 (4), p.65-75

Séllei , Nóra

2005

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A női test mint áldozat – Polcz Alaine: Asszony a fronton

Korall, 2015 (59), p.108-132

Séllei , Nóra

2015

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Through The Window As Looking Glass - Alfred Hitchcock’s Rear Window

Gender studies (Timişoara), 2004 (3), p.10-20

Séllei , Nóra

2004

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THE FIG TREE AND THE BLACK PATENT LEATHER SHOES: THE BODY AND ITS REPRESENTATION IN SYLVIA PLATH'S "THE BELL JAR"

Hungarian journal of English and American studies, 2003-10, Vol.9 (2), p.127-154

Séllei, Nóra

2003

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AN (AUTO)BIOGRAPHY OF GERTRICE/ALTRUDE—"ADA" BY GERTRUDE STEIN

Hungarian journal of English and American studies, 2003-04, Vol.9 (1), p.133-145

Séllei, Nóra

2003

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PREFACE

Hungarian journal of English and American studies, 2003-04, Vol.9 (1), p.5-8

Séllei, Nóra

2003

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Madness and/or Language — Or Why Does ‘The Yellow Wallpaper’ Haunt Us?

Gender studies (Timişoara), 2003 (2), p.10-21

Séllei , Nóra

2003

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Autobiography and the Female Voice: Jane Eyre’s Telling and Controlling Her Story in Gateshead

Gender studies (Timişoara), 2002 (1), p.8-17

Séllei , Nóra

2002

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BORDERS AND REPRESENTATION: JEAN RHYS'S "SMILE PLEASE" AS (POST) COLONIAL AUTOBIOGRAPHY

Hungarian journal of English and American studies, 2001-10, Vol.7 (2), p.115-150

Séllei, Nóra

2001

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L’appellation

Études britanniques contemporaines, 2014-06

2014

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The Humanizing Transformations of the Space of the Home in Gaskell's Cranford

Place and Progress in the Works of Elizabeth Gaskell, 2015, p.23-36

1, 2015

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THE SNAIL AND "THE TIMES": THREE STORIES "DANCING IN UNITY"

Hungarian journal of English and American studies, 1997-01, Vol.3 (2), p.189-198

Séllei, Nóra

1997

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Virginia Woolf and The Problem of Autobiography

The AnaChronist, 1997-01, Vol.3

Séllei, Nóra

1997

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Space, Body and Subjectivity in Ágnes Kocsis's Film, Fresh Air (2006)

The Routledge Companion to Modernity, Space and Gender, 2018, p.238-249

1, 2018

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"THE DETACHED EXISTENCE OF A WORK OF ART:" MANSFIELD'S "THE ALOE" VERSUS "PRELUDE" AND WOOLF'S THEORY OF FICTION

Hungarian journal of English and American studies, 1995-01, Vol.1 (2), p.75-84

Séllei, Nóra

1995

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Feminism and Autobiography: Texts, Theories, Methods. Transformations: Thinking Through Feminism 5

Hungarian Journal of English and American Studies (HJEAS), 2002, Vol.8 (2), p.197-200

Séllei, Nóra

2002

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GENDER CLUSTER - Reviews

E-journal of the American Hungarian Educators Association, 2011 (4), p.1-38

2011

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The Legacy of Boadicea. Gender and Nation in Early Modern England

Hungarian Journal of English and American Studies (HJEAS), 1998, Vol.4 (1/2), p.423-426

Séllei, Nóra

1998

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Reports

Journal of gender studies, 1993-05, Vol.2 (1), p.159-172

1993

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Borgos, Anna: "Portrék a Másikról – Alkotónők és alkotótársak a múlt századelőn" [Portraits of the Other. Women Creative Artists and Creative Partners in the Last Century]

INTRODUCTION

20th—21st Century ‘British’ Literature: Recent Critical Trends

(FEMALE) DESIRE AND ROMANTIC ART IN ANNE BRONTË’S THE TENANT OF WILDFELL HALL

20th—21st Century ‘British’ Literature: Recent Critical Trends: Concluding panel of the SEAC workshop (2013 SAES conference)

The Routledge Companion to Modernity, Space and Gender

Cleanliness And Subjectivity In Janice Galloway’s "The Trick Is To Keep Breathing"

A női test mint áldozat – Polcz Alaine: Asszony a fronton

Through The Window As Looking Glass - Alfred Hitchcock’s Rear Window

THE FIG TREE AND THE BLACK PATENT LEATHER SHOES: THE BODY AND ITS REPRESENTATION IN SYLVIA PLATH'S "THE BELL JAR"

AN (AUTO)BIOGRAPHY OF GERTRICE/ALTRUDE—"ADA" BY GERTRUDE STEIN

PREFACE

Madness and/or Language — Or Why Does ‘The Yellow Wallpaper’ Haunt Us?

Autobiography and the Female Voice: Jane Eyre’s Telling and Controlling Her Story in Gateshead

BORDERS AND REPRESENTATION: JEAN RHYS'S "SMILE PLEASE" AS (POST) COLONIAL AUTOBIOGRAPHY

L’appellation

The Humanizing Transformations of the Space of the Home in Gaskell's Cranford

THE SNAIL AND "THE TIMES": THREE STORIES "DANCING IN UNITY"

Virginia Woolf and The Problem of Autobiography

Space, Body and Subjectivity in Ágnes Kocsis's Film, Fresh Air (2006)

"THE DETACHED EXISTENCE OF A WORK OF ART:" MANSFIELD'S "THE ALOE" VERSUS "PRELUDE" AND WOOLF'S THEORY OF FICTION

Feminism and Autobiography: Texts, Theories, Methods. Transformations: Thinking Through Feminism 5

GENDER CLUSTER - Reviews

The Legacy of Boadicea. Gender and Nation in Early Modern England

Reports

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