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Hauntology, Ruins, and the Failure of the Future in Andrei Tarkovsky’s Stalker

Journal of film and video, 2017-04, Vol.69 (1), p.18-26

Riley, John A.

2017

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The DJ Who “Brought Down” The USSR: The Life and Legacy of Seva NovgorodsevThe DJ Who “Brought Down” The USSR: The Life and Legacy of Seva Novgorodsev MICHELLE S. DANIEL, 2023 Boston, Academic Studies Press. pp. 292, illus., notes, bibliography, index, hardback $149.00, paperback $25.00: MICHELLE S. DANIEL, 2023 Boston, Academic Studies Press. pp. 292, illus., notes, bibliography, index, hardback $149.00, paperback $25.00

Historical journal of film, radio, and television, 2024-07, p.1-3

Riley, John A.

2024

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Singing a Different Tune: The Slavic Film Musical in a Transnational Context: HELENA GOSCILO (Ed.), 2023 Brookline, MA, Academic Studies Press 330 pp.; 86 illus. (color), $139.00 (cloth)

Historical journal of film, radio, and television, 2024-07, Vol.44 (3), p.647-648

Riley, John A.

2024

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Mental representations: Reference and definiteness

Journal of pragmatics, 2007-05, Vol.39 (5), p.831-871

Riley, John A.

2007

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Timothy Murray (2008) Digital Baroque: New Media Art and Cinematic Folds

Film-philosophy, 2010-02, Vol.14 (1), p.422-429

Riley, John A.

2010

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Folk Horror: Hours Dreadful and Things Strange. Edited by AdamScovell. Auteur (Columbia UP), 2017. 215 pp. $25.00 paperback

Journal of popular culture, 2018-08, Vol.51 (4), p.1080-1082

Riley, John A.

2018

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Hauntology, Ruins, and the Failure of the Future in Andrei Tarkovsky'sStalker

Journal of film and video, 2017-04, Vol.69 (1), p.18-26

John A. Riley

2017

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Oropharyngeal Microbiota Clusters in Children with Asthma or Wheeze Associate with Allergy, Blood Transcriptomic Immune Pathways, and Exacerbation Risk

American journal of respiratory and critical care medicine, 2023-07, Vol.208 (2), p.142-154

2023

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The Ghosts of My Life: Writings on Depression, Hauntology and Lost Futures. MarkFisher. Hampshire, UK: Zero Books, 2014. 232 pp. $22.95 paper

Journal of popular culture, 2015-06, Vol.48 (3), p.611-614

Riley, John A.

2015

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DOCUMENTING GEORGIA IN TRANSITION: THE FILMS OF SALOMÉ JASHI AND NINO KIRTADZE

Female Agency and Documentary Strategies, 2018, p.156

2018

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Trudno byt Bogom /’Hard to be a God’ (2013)

Slovo (London, England), 2014

Riley, John A.

2014

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Female Agency and Documentary Strategies: Subjectivities, Identity and Activism

2018

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Tarkovsky and Brevity

Dandelion: Postgraduate Arts Journal and Research Network, 2012-02, Vol.3 (1)

Riley, John A.

2012

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A THEORY OF PRONOMINAL REFERENCE BASED ON INFORMATION THEORY - PART II

Theoretical linguistics, 2000, Vol.26 (1-2), p.135-174

RILEY, John A

2000

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Mental representations : Reference and definiteness: Focus-on issue: Formal and philosophical aspects of pragmatics

Journal of pragmatics, 2007, Vol.39 (5), p.831-871

RILEY, John A

2007

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A THEORY OF PRONOMINAL REFERENCE BASED ON INFORMATION THEORY—PART 1

Theoretical linguistics, 1999, Vol.25 (2-3), p.179-214

RILEY, JOHN A.

1999

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DVD Reviews

Film international (Göteborg, Sweden), 2012-06, Vol.10 (2), p.66-75

2012

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DVD Reviews

Film international (Göteborg, Sweden), 2012-06, Vol.10 (2), p.66-75

2012

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Singing a Different Tune: The Slavic Film Musical in a Transnational Context

Historical Journal of Film, Radio, and Television, 2024, Vol.44 (3), p.647-648

Riley, John A

2024

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The Chaplin machine: slapstick, Fordism and the communist avant-garde

Visual Studies, 2019, Vol.34 (3), p.300-301

Riley, John A

2019

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Folk Horror: Hours Dreadful and Things Strange

Journal of Popular Culture, 2018, Vol.51 (4), p.1080-1082

Riley, John A

2018

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Statistical analysis of the hydrochemistry of ground waters in Columbia River basalts

Journal of hydrology (Amsterdam), 1990, Vol.119 (1), p.245-262

1990

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BOOK REVEWS

Studies in Russian & Soviet cinema, 2012-04, Vol.5 (3), p.411-430

2012

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"I don't understand how this keeps happening ... over and over again": Trumpism, uncanny repetition, and Twin Peaks: The Return

Make America Hate Again, 2019, p.195-210

1, 2019

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The Cinema of Sergei Parajanov

Canadian Slavonic Papers, 2014, Vol.56 (1/2), p.191-192

Riley, John A.

2014

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Hauntology, Ruins, and the Failure of the Future in Andrei Tarkovsky’s Stalker

Singing a Different Tune: The Slavic Film Musical in a Transnational Context: HELENA GOSCILO (Ed.), 2023 Brookline, MA, Academic Studies Press 330 pp.; 86 illus. (color), $139.00 (cloth)

Mental representations: Reference and definiteness

Timothy Murray (2008) Digital Baroque: New Media Art and Cinematic Folds

Folk Horror: Hours Dreadful and Things Strange. Edited by AdamScovell. Auteur (Columbia UP), 2017. 215 pp. $25.00 paperback

Hauntology, Ruins, and the Failure of the Future in Andrei Tarkovsky'sStalker

Oropharyngeal Microbiota Clusters in Children with Asthma or Wheeze Associate with Allergy, Blood Transcriptomic Immune Pathways, and Exacerbation Risk

The Ghosts of My Life: Writings on Depression, Hauntology and Lost Futures. MarkFisher. Hampshire, UK: Zero Books, 2014. 232 pp. $22.95 paper

DOCUMENTING GEORGIA IN TRANSITION: THE FILMS OF SALOMÉ JASHI AND NINO KIRTADZE

Trudno byt Bogom /’Hard to be a God’ (2013)

Female Agency and Documentary Strategies: Subjectivities, Identity and Activism

Tarkovsky and Brevity

A THEORY OF PRONOMINAL REFERENCE BASED ON INFORMATION THEORY - PART II

Mental representations : Reference and definiteness: Focus-on issue: Formal and philosophical aspects of pragmatics

A THEORY OF PRONOMINAL REFERENCE BASED ON INFORMATION THEORY—PART 1

DVD Reviews

DVD Reviews

Singing a Different Tune: The Slavic Film Musical in a Transnational Context

The Chaplin machine: slapstick, Fordism and the communist avant-garde

Folk Horror: Hours Dreadful and Things Strange

Statistical analysis of the hydrochemistry of ground waters in Columbia River basalts

BOOK REVEWS

"I don't understand how this keeps happening ... over and over again": Trumpism, uncanny repetition, and Twin Peaks: The Return

The Cinema of Sergei Parajanov

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