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Music in Twin Peaks: Listen to the Sounds

1st, 2021

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“We Cannot Content Ourselves with Remaining Spectators”: Musical Performance, Audience Interaction, and Nostalgia in the Films of David Lynch

Music and the moving image, 2016-04, Vol.9 (1), p.3-22

Reed, Katherine M.

2016

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Oxidative coupling of Michael acceptors with aryl nucleophiles produced through rhodium-catalyzed C-C bond activation

Organic & biomolecular chemistry, 2017-07, Vol.15 (28), p.5944-5948

2017

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Late Tremadocian Radiolarian Faunas and Biostratigraphy of the Cow Head Group, Western Newfoundland, Canada

Journal of the Korean earth science society, 2007-08, Vol.28 (4), p.497-540

2007

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Oxidative coupling of Michael acceptors with aryl nucleophiles produced through rhodium-catalyzed C-C bond activationElectronic supplementary information (ESI) available: Experimental data, optimization data, characterization information and spectra. See DOI: 10.1039/c7ob01212h

2017-07

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Musical Appropriation and Cultural Memory in Contemporary American Cinema

Reed, Katherine M

2016

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Modified dose of guselkumab for treatment of pyoderma gangrenosum

JAAD Case Reports, 2022-03, Vol.21, p.38-42

2022

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Iron deficiency in female pattern hair loss, chronic telogen effluvium, and control groups

Journal of the American Academy of Dermatology, 2010-12, Vol.63 (6), p.991-999

2010

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The Bang Bang Bar, Silencio, and Lynch's Audiences: Meaning and Musical Performance in Twin Peaks: The Return

Music in Twin Peaks, 2021, Vol.1, p.63-76

1, 2021

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Americana on the Internet: Listening to Twin Peaks

Music in Twin Peaks, 2021, Vol.1, p.165-180

1, 2021

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Listen to the Skins: Drumming and Time in Twin Peaks

Music in Twin Peaks, 2021, Vol.1, p.203-217

1, 2021

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Pitching the Peaks: Media Advertising for the Original Series

Music in Twin Peaks, 2021, Vol.1, p.15-33

1, 2021

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"The Thread Will Be Torn": Sound Design as a Measure of Self-Knowledge in Twin Peaks: Fire Walk With Me

Music in Twin Peaks, 2021, Vol.1, p.107-120

1, 2021

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'Singer'; 'Girl Singer'; 'Roadhouse Singer'; 'Herself': Julee Cruise in the World of Twin Peaks

Music in Twin Peaks, 2021, Vol.1, p.91-103

1, 2021

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Playing with Sound: Fan Engagement with the Soundtrack of Twin Peaks: The Return (2017)

Music in Twin Peaks, 2021, Vol.1, p.34-47

1, 2021

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Where Music is Always in the Air: Voice and Nostalgia in Twin Peaks

Music in Twin Peaks, 2021, Vol.1, p.48-62

1, 2021

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Sound Design, Music, and The Birth of Evil in Twin Peaks: The Return

Music in Twin Peaks, 2021, Vol.1, p.121-134

1, 2021

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Chaos and Creation: Music, Redemption, and the Atomic Bomb in Twin Peaks: The Return

Music in Twin Peaks, 2021, Vol.1, p.218-233

1, 2021

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"What is Gordon Cole Listening To?": The Rhetoric of Subjective Sound in Twin Peaks: The Return

Music in Twin Peaks, 2021, Vol.1, p.135-148

1, 2021

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The Music is Not What It Seems: An Examination of Labor and Capital in the Music of Twin Peaks: The Return Series

Music in Twin Peaks, 2021, Vol.1, p.77-90

1, 2021

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"Like Some Haunting Melody": The Laura Palmer Theme in the World of Twin Peaks

Music in Twin Peaks, 2021, Vol.1, p.181-202

1, 2021

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David Lynch's Metaphysical Sound Design: The Acousmatic Personification of Judy

Music in Twin Peaks, 2021, Vol.1, p.149-162

1, 2021

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Introduction: Twin Peaks: Where There's Always Music (and Sound) in the Air

Music in Twin Peaks, 2021, Vol.1, p.1-11

1, 2021

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Untangling the hairy issue of iron deficiency: Making progress

Journal of the American Academy of Dermatology, 2011-07, Vol.65 (1), p.204-206

2011

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Late Pleistocene Vertebrates and Other Fossils from Epiguruk, Northwestern Alaska

Quaternary research, 1993-05, Vol.39 (3), p.381-389

1993

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Music in Twin Peaks: Listen to the Sounds

“We Cannot Content Ourselves with Remaining Spectators”: Musical Performance, Audience Interaction, and Nostalgia in the Films of David Lynch

Oxidative coupling of Michael acceptors with aryl nucleophiles produced through rhodium-catalyzed C-C bond activation

Late Tremadocian Radiolarian Faunas and Biostratigraphy of the Cow Head Group, Western Newfoundland, Canada

Oxidative coupling of Michael acceptors with aryl nucleophiles produced through rhodium-catalyzed C-C bond activationElectronic supplementary information (ESI) available: Experimental data, optimization data, characterization information and spectra. See DOI: 10.1039/c7ob01212h

Musical Appropriation and Cultural Memory in Contemporary American Cinema

Modified dose of guselkumab for treatment of pyoderma gangrenosum

Iron deficiency in female pattern hair loss, chronic telogen effluvium, and control groups

The Bang Bang Bar, Silencio, and Lynch's Audiences: Meaning and Musical Performance in Twin Peaks: The Return

Americana on the Internet: Listening to Twin Peaks

Listen to the Skins: Drumming and Time in Twin Peaks

Pitching the Peaks: Media Advertising for the Original Series

"The Thread Will Be Torn": Sound Design as a Measure of Self-Knowledge in Twin Peaks: Fire Walk With Me

'Singer'; 'Girl Singer'; 'Roadhouse Singer'; 'Herself': Julee Cruise in the World of Twin Peaks

Playing with Sound: Fan Engagement with the Soundtrack of Twin Peaks: The Return (2017)

Where Music is Always in the Air: Voice and Nostalgia in Twin Peaks

Sound Design, Music, and The Birth of Evil in Twin Peaks: The Return

Chaos and Creation: Music, Redemption, and the Atomic Bomb in Twin Peaks: The Return

"What is Gordon Cole Listening To?": The Rhetoric of Subjective Sound in Twin Peaks: The Return

The Music is Not What It Seems: An Examination of Labor and Capital in the Music of Twin Peaks: The Return Series

"Like Some Haunting Melody": The Laura Palmer Theme in the World of Twin Peaks

David Lynch's Metaphysical Sound Design: The Acousmatic Personification of Judy

Introduction: Twin Peaks: Where There's Always Music (and Sound) in the Air

Untangling the hairy issue of iron deficiency: Making progress

Late Pleistocene Vertebrates and Other Fossils from Epiguruk, Northwestern Alaska

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