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Irish on the Move: Performing Mobility in American Variety Theatre by Michelle Granshaw (review)

Theatre Journal, 2021-06, Vol.73 (2), p.256-257

Rebhorn, Matthew

2021

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Coagulating Consciousness: Neural Historicism and the Onto-Possibilities of Edgar Huntly

Early American literature, 2021-03, Vol.56 (2), p.441-470

REBHORN, MATTHEW

2021

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Novel Nostalgias: The Aesthetics of Antagonism in Nineteenth-Century U.S. Literature by John Funchion (review)

Studies in the Novel, 2018-07, Vol.50 (2), p.303-305

Rebhorn, Matthew

2018

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Introduction: "Nineteenth-Century" "American" "Theater" and "Performance"

J19, 2018-10, Vol.6 (2), p.389-394

Rebhorn, Matthew

2018

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Billy’s Fist: Neuroscience and Corporeal Reading in Melville’s Billy Budd

Nineteenth-century literature, 2017-09, Vol.72 (2), p.218-244

REBHORN, MATTHEW

2017

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Billy’s Fist

Nineteenth-century literature, 2017-09, Vol.72 (2), p.218-244

Rebhorn, Matthew

2017

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Ontological Drift: Medical Discourse and Racial Embodiment in Robert Montgomery Bird’s Sheppard Lee

ESQ, 2015, Vol.61 (2), p.262-296

Rebhorn, Matthew

2015

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Karl M. Kippola, Acts of Manhood: The Performance of Masculinity on the American Stage

Nineteenth century theatre and film, 2013-12, Vol.40 (2), p.139

Rebhorn, Matthew

2013

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Acts of Manhood: The Performance of Masculinity on the American Stage, 1828-65

Nineteenth century theatre and film, 2013-12, Vol.40 (2), p.139

Rebhorn, Matthew

2013

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MINDING THE BODY: "BENITO CERENO" AND MELVILLE'S EMBODIED READING PRACTICE

Studies in the novel, 2009-07, Vol.41 (2), p.157-177

REBHORN, MATTHEW

2009

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Edwin Forrest's Redding Up: Elocution, Theater, and the Performance of the Frontier

Comparative drama, 2006-12, Vol.40 (4), p.455-481

Rebhorn, Matthew

2006

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The Unfinished Drama of the American Civil War

The Cambridge Companion to the Literature of the American Civil War and Reconstruction, 2022, p.103-117

Rebhorn, Matthew

2022

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WHAT IS IT?: THE FRONTIER, MELODRAMA, AND BOUCICAULT'S AMALGAMATED DRAMA

The Journal of American drama and theatre, 2007-10, Vol.19 (3), p.5

Rebhorn, Matthew

2007

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Edwin Forrest's Redding Up: Elocution, Theater, and the Performance of the Frontier

Comparative drama, 2007-01, Vol.40 (4), p.455-481

Rebhorn, Matthew

2007

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Flaying Dutchman

Callaloo, 2003-07, Vol.26 (3), p.796

Rebhorn, Matthew

2003

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Flaying Dutchman: Masochism, Minstrelsy, and the Gender Politics of Amiri Baraka's "Dutchman"

Callaloo, 2003-06, Vol.26 (3), p.796-812

Rebhorn, Matthew

2003

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Pioneer performances: Staging the frontier, 1829–1893

Rebhorn, Matthew

2004

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Poetry of the Revolution: Marx, Manifestos, and the Avant-Gardes (review)

Modern Drama, 2007, Vol.50 (3), p.465-467

Rebhorn, Matthew

2007

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Pioneer Performances: Staging the Frontier

Journal of American Studies, 2013, Vol.47 (1), p.273-275

MOSSAKOWSKI, TOMEK

2013

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Reviews: The Making of the West End Stage: Marriage, Management, and the Mapping of Gender in London, 1830–70, Playing to the Crowd: London Popular Theatre, 1780–1830., Performing Herself: Autobiography and Fanny Kelly's Dramatic Recollections, Acts of Manhood: The Performance of Masculinity on the American Stage, Go West, Young Women! The Rise of Early Hollywood, American Showman: Samuel ‘Roxyrsquo; Rothafel and the Birth of the Entertainment Industry, 1908–35

Nineteenth Century Theatre and Film, 2013, Vol.40 (2), p.133-148

2013

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Book Reviews

Modern Drama, 2007, Vol.50 (3), p.453-472

2007

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Irish on the Move: Performing Mobility in American Variety Theatre by Michelle Granshaw (review)

Coagulating Consciousness: Neural Historicism and the Onto-Possibilities of Edgar Huntly

Novel Nostalgias: The Aesthetics of Antagonism in Nineteenth-Century U.S. Literature by John Funchion (review)

Introduction: "Nineteenth-Century" "American" "Theater" and "Performance"

Billy’s Fist: Neuroscience and Corporeal Reading in Melville’s Billy Budd

Billy’s Fist

Ontological Drift: Medical Discourse and Racial Embodiment in Robert Montgomery Bird’s Sheppard Lee

Karl M. Kippola, Acts of Manhood: The Performance of Masculinity on the American Stage

Acts of Manhood: The Performance of Masculinity on the American Stage, 1828-65

MINDING THE BODY: "BENITO CERENO" AND MELVILLE'S EMBODIED READING PRACTICE

Edwin Forrest's Redding Up: Elocution, Theater, and the Performance of the Frontier

The Unfinished Drama of the American Civil War

WHAT IS IT?: THE FRONTIER, MELODRAMA, AND BOUCICAULT'S AMALGAMATED DRAMA

Edwin Forrest's Redding Up: Elocution, Theater, and the Performance of the Frontier

Flaying Dutchman

Flaying Dutchman: Masochism, Minstrelsy, and the Gender Politics of Amiri Baraka's "Dutchman"

Pioneer performances: Staging the frontier, 1829–1893

Poetry of the Revolution: Marx, Manifestos, and the Avant-Gardes (review)

Pioneer Performances: Staging the Frontier

Book Reviews

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