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Degradation Process of Lead Chromate in Paintings by Vincent van Gogh Studied by Means of Synchrotron X-ray Spectromicroscopy and Related Methods. 1. Artificially Aged Model Samples

Analytical chemistry (Washington), 2011-02, Vol.83 (4), p.1214-1223

2011

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Degradation Process of Lead Chromate in Paintings by Vincent van Gogh Studied by Means of Synchrotron X-ray Spectromicroscopy and Related Methods. 2. Original Paint Layer Samples

Analytical chemistry (Washington), 2011-02, Vol.83 (4), p.1224-1231

2011

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An investigation of Bellini’s Transfiguration in the Capodimonte museum by means of XRF and visible reflectance hyperspectral imaging: Bellini’s handling of materials in the head and figure of the transfigured Christ

Heritage science, 2023-12, Vol.11 (1), p.163-9, Article 163

2023

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Revealing lost 16th-century royal emblems on two Andrea Amati’s violins using XRF scanning

Heritage science, 2020-12, Vol.8 (1), p.1-12, Article 112

2020

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Thermodynamic and experimental study of the degradation of the red pigment mercury sulfide

Journal of analytical atomic spectrometry, 2015-03, Vol.3 (3), p.599-612

2015

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Practices of the Mont Saint-Michel scriptorium in the use of parchment for manuscripts in the 11th century

Journal of cultural heritage, 2024-05, Vol.67, p.452-460

2024

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Ion beam analysis of silver leaves in gilt leather wall coverings

Talanta (Oxford), 2020-01, Vol.206, p.120191, Article 120191

2020

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Non-invasive analysis of gilt leather gold varnish and protective layer by infrared reflection-absorption spectroscopy

Vibrational spectroscopy, 2020-09, Vol.110, p.103133, Article 103133

2020

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Degradation Process of Lead Chromate in Paintings by Vincent van Gogh Studied by Means of Spectromicroscopic Methods. 3. Synthesis, Characterization, and Detection of Different Crystal Forms of the Chrome Yellow Pigment

Analytical chemistry (Washington), 2013-01, Vol.85 (2), p.851-859

2013

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Macro X‐ray fluorescence scanning, multi‐ and hyperspectral imaging study of multiple layers of paintings on paneled vault in the church of Le Quillio (France)

X-ray spectrometry, 2021-08, Vol.50 (4), p.358-374

2021

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Degradation Process of Lead Chromate in Paintings by Vincent van Gogh Studied by Means of Spectromicroscopic Methods. 4. Artificial Aging of Model Samples of Co-Precipitates of Lead Chromate and Lead Sulfate

Analytical chemistry (Washington), 2013-01, Vol.85 (2), p.860-867

2013

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Casting light on the darkening of colors in historical paintings

Physical review letters, 2013-11, Vol.111 (20), p.208302-208302, Article 208302

2013

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From experimental archaeology to laboratory: Mineralogical nature and elemental composition of medieval manufactured vitriols

Journal of archaeological science, reports, 2024-05, Vol.55, p.104460, Article 104460

2024

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Towards a sharpest interpretation of analytical results by assessing the uncertainty of PIXE/RBS data at the AGLAE facility

Measurement (Mahwah, N.J.), 2018-01, Vol.114, p.501-507

2018

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Macro X‐ray fluorescence scanning, multi‐ and hyperspectral imaging study of multiple layers of paintings on paneled vault in the church of Le Quillio (France)

X-ray spectrometry, 2021-09, Vol.50 (5), p.459-459

2021

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The use of microscopic X-ray diffraction for the study of HgS and its degradation products corderoite (α-Hg3S2Cl2), kenhsuite (γ-Hg3S2Cl2) and calomel (Hg2Cl2) in historical paintings

Journal of analytical atomic spectrometry, 2011-01, Vol.26 (5), p.959-968

2011

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Characterization of gold leaves on Greek terracotta figurines: A PIXE-RBS study

Microchemical journal, 2016-05, Vol.126, p.446-453

2016

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The use of XRF imaging for the chemical discrimination of iron‐gall ink inscriptions: A case study in Stradivari's workshop

X-ray spectrometry, 2021-08, Vol.50 (4), p.244-252

2021

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The Use of Synchrotron Radiation for the Characterization of Artists' Pigments and Paintings

Annual review of analytical chemistry (Palo Alto, Calif.), 2013-06, Vol.6 (1), p.399-425

2013

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LES APPORTS DE L'ANALYSE DES MATERIAUX ET DE L'IMAGERIE CHIMIQUE À L'HISTOIRE DES SCRIPTORIA ET DES RIRLIOTHÈQUES LE MS. AVRANCHES, BP, 50, TÉMOIN DES RELATIONS ENTRE LE MONT SAINT-MICHEL ET SAINT-LAUMER DE BLOIS AVANT 1022

Scriptorium, 2021-01, Vol.75 (2), p.251

2021

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Understanding of chemical reactions involved in pigment discoloration, in particular in mercury sulfide (HgS) blackening

Radepont, Marie

2013

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Degradation Process of Lead Chromate in Paintings by Vincent van Gogh Studied by Means of Synchrotron X-ray Spectromicroscopy and Related Methods. 1. Artificially Aged Model Samples

Degradation Process of Lead Chromate in Paintings by Vincent van Gogh Studied by Means of Synchrotron X-ray Spectromicroscopy and Related Methods. 2. Original Paint Layer Samples

An investigation of Bellini’s Transfiguration in the Capodimonte museum by means of XRF and visible reflectance hyperspectral imaging: Bellini’s handling of materials in the head and figure of the transfigured Christ

Revealing lost 16th-century royal emblems on two Andrea Amati’s violins using XRF scanning

Thermodynamic and experimental study of the degradation of the red pigment mercury sulfide

Practices of the Mont Saint-Michel scriptorium in the use of parchment for manuscripts in the 11th century

Ion beam analysis of silver leaves in gilt leather wall coverings

Non-invasive analysis of gilt leather gold varnish and protective layer by infrared reflection-absorption spectroscopy

Degradation Process of Lead Chromate in Paintings by Vincent van Gogh Studied by Means of Spectromicroscopic Methods. 3. Synthesis, Characterization, and Detection of Different Crystal Forms of the Chrome Yellow Pigment

Macro X‐ray fluorescence scanning, multi‐ and hyperspectral imaging study of multiple layers of paintings on paneled vault in the church of Le Quillio (France)

Degradation Process of Lead Chromate in Paintings by Vincent van Gogh Studied by Means of Spectromicroscopic Methods. 4. Artificial Aging of Model Samples of Co-Precipitates of Lead Chromate and Lead Sulfate

Casting light on the darkening of colors in historical paintings

From experimental archaeology to laboratory: Mineralogical nature and elemental composition of medieval manufactured vitriols

Towards a sharpest interpretation of analytical results by assessing the uncertainty of PIXE/RBS data at the AGLAE facility

Macro X‐ray fluorescence scanning, multi‐ and hyperspectral imaging study of multiple layers of paintings on paneled vault in the church of Le Quillio (France)

The use of microscopic X-ray diffraction for the study of HgS and its degradation products corderoite (α-Hg3S2Cl2), kenhsuite (γ-Hg3S2Cl2) and calomel (Hg2Cl2) in historical paintings

Characterization of gold leaves on Greek terracotta figurines: A PIXE-RBS study

The use of XRF imaging for the chemical discrimination of iron‐gall ink inscriptions: A case study in Stradivari's workshop

The Use of Synchrotron Radiation for the Characterization of Artists' Pigments and Paintings

LES APPORTS DE L'ANALYSE DES MATERIAUX ET DE L'IMAGERIE CHIMIQUE À L'HISTOIRE DES SCRIPTORIA ET DES RIRLIOTHÈQUES LE MS. AVRANCHES, BP, 50, TÉMOIN DES RELATIONS ENTRE LE MONT SAINT-MICHEL ET SAINT-LAUMER DE BLOIS AVANT 1022

Understanding of chemical reactions involved in pigment discoloration, in particular in mercury sulfide (HgS) blackening

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