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Statistics of the early synthetic dye industry

Heritage science, 2021-03, Vol.9 (1), p.1-14, Article 33

2021

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Found in the Folds: A Rediscovery of Ancient Egyptian Pleated Textiles and the Analysis of Carbohydrate Coatings

Molecules (Basel, Switzerland), 2022-06, Vol.27 (13), p.4103

2022

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The effect of prior exposure on the lightfastness of early synthetic dyes on textiles

Heritage science, 2022-09, Vol.10 (1), p.1-9, Article 138

2022

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The lightfastness of early synthetic organic dyes

Heritage science, 2022-04, Vol.10 (1), p.1-11, Article 50

2022

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A New Methodology for the Characterisation of Natural Dyes on Museum Objects Using Gas Chromatography-Mass Spectrometry

Studies in conservation, 2018-01, Vol.63 (1), p.36-61

Poulin, Jennifer

2018

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Inside Amber: The Structural Role of Succinic Acid in Class Ia and Class Id Resinite

Analytical chemistry (Washington), 2014-08, Vol.86 (15), p.7428-7435

2014

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Inside amber: New insights into the macromolecular structure of Class Ib resinite

Organic geochemistry, 2015-09, Vol.86, p.94-106

2015

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Direct Inlet Py-GC-MS analysis of cultural heritage materials

Journal of analytical and applied pyrolysis, 2022-06, Vol.164, p.105506, Article 105506

2022

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Class Id resinite from Canada: A new sub-class containing succinic acid

Organic geochemistry, 2012-03, Vol.44, p.37-44

2012

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The Identification of Hafting Adhesive on a Slotted Antler Point from a Southwest Yukon Ice Patch

American antiquity, 2008-04, Vol.73 (2), p.279-288

2008

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The characterisation of amber from deposit sites in western and northern Canada

Journal of archaeological science, reports, 2016-06, Vol.7, p.155-168

2016

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Ancient throwing dart reveals first archaeological evidence of castoreum

Journal of archaeological science, reports, 2021-06, Vol.37, p.102949, Article 102949

2021

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Ancient projectile weapons from ice patches in northwestern Canada: identification of resin and compound resin-ochre hafting adhesives

Journal of archaeological science, 2014-01, Vol.41, p.655-665

2014

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The Alligator Lake Throwing Dart, Yukon, Canada

Journal of glacial archaeology, 2024-03, Vol.7, p.25-45

2024

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Rita Letendre's Oil Paintings from the 1960s: The Effect of Artist's Materials on Degradation Phenomena

Studies in conservation, 2021-02, Vol.66 (2), p.64-78

2021

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Investigation of Fogging on Glass Display Cases at the Royal Ontario Museum

Studies in conservation, 2020-01, Vol.65 (1), p.1-13

2020

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Historical mystery solved: a multi-analytical approach to the identification of a key marker for the historical use of brazilwood ( Caesalpinia spp.) in paintings and textiles

Analytical methods, 2018-01, Vol.10 (6), p.617-623

2018

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Jack Chambers' mixed media paintings from the 1960s and 1970s: Painting technique and condition

Studies in conservation, 2013-07, Vol.58 (3), p.226-244

2013

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On the power transformation of kernel-based tests for serial correlation in vector time series: Some finite sample results and a comparison with the bootstrap

Computational statistics & data analysis, 2008-05, Vol.52 (9), p.4432-4457

2008

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Identification of white efflorescence on wooden African objects

Studies in conservation, 2014-03, Vol.59 (2), p.69-78

2014

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Historical mystery solved: a multi-analytical approach to the identification of a key marker for the historical use of brazilwood (Caesalpinia spp.) in paintings and textilesElectronic supplementary information (ESI) available: HPLC methods for synthesis; preparation of an authentic sample of 2,3,8-trihydroxyxanthone 4; LC trace for synthetic 2,3,8-trihydroxyxanthone 4 (Fig. S1); 1H and 13C NMR spectra of 2,3,8-trihydroxyxanthone 4 (Fig. S2); 1H and 13C NMR spectra of 3,8,9-trihydroxy-6H-benzo[c

2018-02

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Jack Chambers’ mixed media paintings from the 1960s and 1970s: Painting technique and condition

Studies in conservation, 2013-07, Vol.58 (3), p.226-244

2013

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ANALYSIS OF THE PAINTED ŒUVRE OF JEAN-PAUL RIOPELLE: FROM OIL TO MIXED MEDIA

Studies in conservation, 2004-09, Vol.49 (sup2), p.170-173

2004

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BUILDING ON THE TRIED AND TRUSTED: Recent Advances in Organic Materials Analysis

Conservation Perspectives, 2020-04, Vol.35 (1), p.10

2020

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A Study of Softening and Liquefying Oil Paint on Womenizer by Alex Janvier

Conservation of Modern Oil Paintings, p.309-324

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Statistics of the early synthetic dye industry

Found in the Folds: A Rediscovery of Ancient Egyptian Pleated Textiles and the Analysis of Carbohydrate Coatings

The effect of prior exposure on the lightfastness of early synthetic dyes on textiles

The lightfastness of early synthetic organic dyes

A New Methodology for the Characterisation of Natural Dyes on Museum Objects Using Gas Chromatography-Mass Spectrometry

Inside Amber: The Structural Role of Succinic Acid in Class Ia and Class Id Resinite

Inside amber: New insights into the macromolecular structure of Class Ib resinite

Direct Inlet Py-GC-MS analysis of cultural heritage materials

Class Id resinite from Canada: A new sub-class containing succinic acid

The Identification of Hafting Adhesive on a Slotted Antler Point from a Southwest Yukon Ice Patch

The characterisation of amber from deposit sites in western and northern Canada

Ancient throwing dart reveals first archaeological evidence of castoreum

Ancient projectile weapons from ice patches in northwestern Canada: identification of resin and compound resin-ochre hafting adhesives

The Alligator Lake Throwing Dart, Yukon, Canada

Rita Letendre's Oil Paintings from the 1960s: The Effect of Artist's Materials on Degradation Phenomena

Investigation of Fogging on Glass Display Cases at the Royal Ontario Museum

Historical mystery solved: a multi-analytical approach to the identification of a key marker for the historical use of brazilwood ( Caesalpinia spp.) in paintings and textiles

Jack Chambers' mixed media paintings from the 1960s and 1970s: Painting technique and condition

On the power transformation of kernel-based tests for serial correlation in vector time series: Some finite sample results and a comparison with the bootstrap

Identification of white efflorescence on wooden African objects

Jack Chambers’ mixed media paintings from the 1960s and 1970s: Painting technique and condition

ANALYSIS OF THE PAINTED ŒUVRE OF JEAN-PAUL RIOPELLE: FROM OIL TO MIXED MEDIA

BUILDING ON THE TRIED AND TRUSTED: Recent Advances in Organic Materials Analysis

A Study of Softening and Liquefying Oil Paint on Womenizer by Alex Janvier

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