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Singapore Literature and Culture: Current Directions in Local and Global Contexts

1, 2017

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Universalism and the Malaysian anglophone novel: Exploring inequality, migrancy, and class in Tash Aw's We, the Survivors

Journal of postcolonial writing, 2021-09, Vol.57 (5), p.607-620

Poon, Angelia

2021

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The Spatial Politics of Nation-Building: Minority Women Writers in Anglophone Malaysian and Singapore Literatures

Contemporary women's writing, 2021-08, Vol.15 (1), p.15-32

Poon, Angelia

2021

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Helping the novel: Neoliberalism, self-help, and the narrating of the self in Mohsin Hamid’s How to Get Filthy Rich in Rising Asia

Journal of Commonwealth literature, 2017-03, Vol.52 (1), p.139-150

Poon, Angelia

2017

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Being in the World: Literary Practice and Pedagogy in Global Times

Ariel, 2015, Vol.46 (1), p.257-273

Cheng, Angelia Poon Mui

2015

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Postcolonial and cosmopolitan connections: teaching Anglophone Singapore literature for nation and world

Asia Pacific journal of education, 2020-01, Vol.40 (1), p.74-86

Poon, Angelia

2020

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Narrating privilege: meritocracy and the portrait of the scholar in Singapore Anglophone literature

Postcolonial studies, 2018-10, Vol.21 (4), p.414-432

Poon, Angelia

2018

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Transcultural Aesthetics and Postcolonial Memory: the Practices and Politics of Remembering in Tan Twan Eng’s The Garden of Evening Mists

Cambridge journal of postcolonial literary inquiry, 2016-04, Vol.3 (2), p.185-201

Poon, Angelia

2016

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Brian Bernards, Writing the South Seas: Imagining the Nanyang in Chinese and Southeast Asian Postcolonial Literature

Asiatic, 2017-06, Vol.11 (1)

Poon, Angelia

2017

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Re-invention in a Globalized World: (Mis)reading and Metafictional Strategies in Tash Aw's Five Star Billionaire

Journal of modern literature, 2021-06, Vol.44 (4), p.162-177

Poon, Angelia

2021

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Common Ground, Multiple Claims: Representing and Constructing Singapore's "Heartland"

Asian studies review, 2013-12, Vol.37 (4), p.559-576

Poon, Angelia

2013

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Writing Home: Alfian Sa'at and the Politics of Malay Muslim Belonging in Global Multiracial Singapore

Interventions (London, England), 2016-07, Vol.18 (4), p.498-511

Poon, Angelia

2016

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Rising Stars and Fallen Women: Writing Lives in Emily Hahn's China

Journal of modern literature, 2021-06, Vol.44 (4), p.148-161

Mather, Jeffrey

2021

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(In)visible scripts, hidden costs: Narrating the postcolonial globe in Kiran Desai's The Inheritance of Loss

Journal of postcolonial writing, 2014-09, Vol.50 (5), p.547-558

Poon, Angelia

2014

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Becoming a Global Subject: Language and the Body in Xiaolu Guo's A Concise Chinese-English Dictionary for Lovers

Transnational literature, 2013-11, Vol.6 (1), p.1

Poon, Angelia

2013

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Against the ＂Uprush of Modern Progress＂: Exploring the Dilemma and Dynamics of Modernity in George Orwell's ＂Burmese Days

Concentric:Literary and Cultural Studies, 2014-03, Vol.40 (1), p.079-095

Angelia Poon

2014

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Constructing the cosmopolitan subject: teaching secondary school literature in Singapore

Asia Pacific journal of education, 2010-03, Vol.30 (1), p.31-41

Poon, Angelia Mui Cheng

2010

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To know what's what: Forms of migrant knowing in Monica Ali's Brick Lane

Journal of postcolonial writing, 2009-12, Vol.45 (4), p.426-437

Poon, Angelia

2009

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COMIC ACTS OF (BE)LONGING: PERFORMING ENGLISHNESS IN WONDERFUL ADVENTURES OF MRS. SEACOLE IN MANY LANDS

Victorian literature and culture, 2007-09, Vol.35 (2), p.501-516

Poon, Angelia

2007

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Universalism and the Malaysian anglophone novel: Exploring inequality, migrancy, and class in Tash Aw's We, the Survivors

The Postcolonial Millennium, 2024, p.24-37

1, 2024

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The Politics of Pragmatism: Some Issues in the Teaching of Literature in Singapore

Changing English, 2007-04, Vol.14 (1), p.51-59

Poon, Angelia

2007

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Self-conscious and queer: Translating the pasts of Singapore and Malaysia in Lydia Kwa’s This Place Called Absence and Tan Twan Eng’s The Gift of Rain

Translational Politics in Southeast Asian Literatures, 2021, p.22-41

1, 2021

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Seeing Double: Performing English identity and imperial duty in Emily Eden's Up the Country and Harriet Martineau's British Rule in India

Women's writing : the Elizabethan to Victorian period, 2005-10, Vol.12 (3), p.453-470

Poon, Angelia

2005

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Performing National Service in Singapore: (Re)imagining Nation in the Poetry and Short Stories of Alfian Sa’at

Journal of Commonwealth literature, 2005-09, Vol.40 (3), p.118-138

Poon, Angelia

2005

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Seeing double: performing English identity and imperial duty in Emily Eden's \+i\ Up the Country \-i\ and Harriet Martineau's \+i\ British Rule in India .\-i

Women's writing : the Elizabethan to Victorian period, 2005-01, Vol.12 (3), p.453-470

Poon, Angelia

2005

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Singapore Literature and Culture: Current Directions in Local and Global Contexts

Universalism and the Malaysian anglophone novel: Exploring inequality, migrancy, and class in Tash Aw's We, the Survivors

The Spatial Politics of Nation-Building: Minority Women Writers in Anglophone Malaysian and Singapore Literatures

Helping the novel: Neoliberalism, self-help, and the narrating of the self in Mohsin Hamid’s How to Get Filthy Rich in Rising Asia

Being in the World: Literary Practice and Pedagogy in Global Times

Postcolonial and cosmopolitan connections: teaching Anglophone Singapore literature for nation and world

Narrating privilege: meritocracy and the portrait of the scholar in Singapore Anglophone literature

Transcultural Aesthetics and Postcolonial Memory: the Practices and Politics of Remembering in Tan Twan Eng’s The Garden of Evening Mists

Brian Bernards, Writing the South Seas: Imagining the Nanyang in Chinese and Southeast Asian Postcolonial Literature

Re-invention in a Globalized World: (Mis)reading and Metafictional Strategies in Tash Aw's Five Star Billionaire

Common Ground, Multiple Claims: Representing and Constructing Singapore's "Heartland"

Writing Home: Alfian Sa'at and the Politics of Malay Muslim Belonging in Global Multiracial Singapore

Rising Stars and Fallen Women: Writing Lives in Emily Hahn's China

(In)visible scripts, hidden costs: Narrating the postcolonial globe in Kiran Desai's The Inheritance of Loss

Becoming a Global Subject: Language and the Body in Xiaolu Guo's A Concise Chinese-English Dictionary for Lovers

Against the ＂Uprush of Modern Progress＂: Exploring the Dilemma and Dynamics of Modernity in George Orwell's ＂Burmese Days

Constructing the cosmopolitan subject: teaching secondary school literature in Singapore

To know what's what: Forms of migrant knowing in Monica Ali's Brick Lane

COMIC ACTS OF (BE)LONGING: PERFORMING ENGLISHNESS IN WONDERFUL ADVENTURES OF MRS. SEACOLE IN MANY LANDS

Universalism and the Malaysian anglophone novel: Exploring inequality, migrancy, and class in Tash Aw's We, the Survivors

The Politics of Pragmatism: Some Issues in the Teaching of Literature in Singapore

Self-conscious and queer: Translating the pasts of Singapore and Malaysia in Lydia Kwa’s This Place Called Absence and Tan Twan Eng’s The Gift of Rain

Seeing Double: Performing English identity and imperial duty in Emily Eden's Up the Country and Harriet Martineau's British Rule in India

Performing National Service in Singapore: (Re)imagining Nation in the Poetry and Short Stories of Alfian Sa’at

Seeing double: performing English identity and imperial duty in Emily Eden's \+i\ Up the Country \-i\ and Harriet Martineau's \+i\ British Rule in India .\-i

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