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Differentiation of Renal Masses Using A-Mode Ultrasound

The Journal of urology, 2017-02, Vol.197 (2), p.S116-S120

2017

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Singing Finnegans Wake: A Key to Samuel Barber’s “Nuvoletta”

Journal of singing, 2022-01, Vol.78 (3), p.319-325

Pollack, Howard

2022

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Samuel Barber's 'Solitary Hotel' and James Joyce's Ulysses

James Joyce quarterly, 2021-01, Vol.58 (3), p.315-328

Pollack, Howard

2021

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Stravinsky and the American Traditions

The Musical quarterly, 2019-10, Vol.102 (1), p.8-30

Pollack, Howard

2019

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Samuel Barber: Absolute Beauty. H. Paul Moon, director. Zen Violence Films LLC, (2017), 130 minutes. DVD and streaming

Journal of the Society for American Music, 2018-11, Vol.12 (4), p.532-534

Pollack, Howard

2018

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Teaching Global German Using German-Language Cosmopolitan Tradition(s)

Die Unterrichtspraxis, 2019-10, Vol.52 (2), p.172-177

Pollack-Milgate, Howard

2019

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Jewish Subjects and the Biographical Enterprise

Musica judaica, 2018-01, Vol.22, p.89-92

Pollack, Howard

2018

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David Del Tredici, Gotham Glory: Complete Piano Works, Volume 1. Marc Peloquin, piano. Naxos 8.559680, 2012

Journal of the Society for American Music, 2013-11, Vol.7 (4), p.460-462

Pollack, Howard

2013

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Copland and the Prophetic Voice

Aaron Copland and His World, 2018, Vol.16, p.1-14

2018

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“Gott ist bald 1 · ∞ – bald 1/∞ – bald 0”: The Mathematical Infinite and the Absolute in Novalis

Seminar : a journal of Germanic studies (Toronto), 2015-02, Vol.51 (1), p.50-70

Pollack-Milgate, Howard M

2015

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Aaron Copland in Latin America: Music and Cultural Politics by Carol A. Hess (review)

Fontes artis musicae, 2023-07, Vol.70 (3), p.271-273

Pollack, Howard

2023

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Aaron Copland: Music in the 20's. David M. Davis, director. Kultur D4760, 2011, 3 DVDs

Journal of the Society for American Music, 2013-02, Vol.7 (1), p.119-121

Pollack, Howard

2013

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Samuel Barber: The Complete Solo Piano Music. John Browning, piano. Nimbus Records NI 2528 (2009)

Journal of the Society for American Music, 2012-02, Vol.6 (1), p.131-132

Pollack, Howard

2012

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Aaron Copland, Carlos Chávez, and Silvestre Revueltas

Carlos Chavez and His World, 2015, p.99-110

2015

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Posthumanism in the Age of Humanism: Mind, Matter, and the Life Sciences after Kant ed. by Edgar Landgraf, Gabriel Trop, and Leif Weatherby (review)

Goethe yearbook, 2020, Vol.27 (1), p.372-373

Pollack-Milgate, Howard

2020

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Differentiation of renal masses using A-mode ultrasound. 1971

The Journal of urology, 2002-02, Vol.167 (2 Pt 2), p.1022-6; discussion 1027

2002

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Multimedia Review

Journal of the Society for American Music, 2009-02, Vol.3 (1), p.127

Pollack, Howard

2009

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From the New World: Victor Herbert and His Second Cello Concerto

Journal of the Society for American Music, 2008-02, Vol.2 (1), p.71-99

POLLACK, HOWARD

2008

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Copland in Paris

Tempo (London), 2000-04 (212), p.2-7

Pollack, Howard

2000

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The Cambridge Companion to Gershwin

Celenza, Anna Harwell

2019

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Rotational Form in the Opening Scene of Gershwin's Porgy and Bess

Journal of the American Musicological Society, 2007-08, Vol.60 (2), p.373-414

2007

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Funny, It Doesn't Sound Jewish: How Yiddish Songs and Synagogue Melodies Influenced Tin Pan Alley, Broadway, and Hollywood. By Jack Gottlieb

American music (Champaign, Ill.), 2006-09, Vol.24 (3), p.364

Pollack, Howard

2006

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"Gott ist bald 1 oo - bald i/ - bald 0": The Mathematical Infinite and the Absolute in Novalis

Seminar : a journal of Germanic studies (Toronto), 2015-02, Vol.51 (1), p.50

Pollack-Milgate, Howard M

2015

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Rotational Form in the Opening Scene of Gershwin'sPorgy and Bess

Journal of the American Musicological Society, 2007-08, Vol.60 (2), p.373-414

2007

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The Coverage of Gershwin in Music History Texts

The Cambridge Companion to Gershwin, 2019, p.221-234

2019

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Differentiation of Renal Masses Using A-Mode Ultrasound

Singing Finnegans Wake: A Key to Samuel Barber’s “Nuvoletta”

Samuel Barber's 'Solitary Hotel' and James Joyce's Ulysses

Stravinsky and the American Traditions

Samuel Barber: Absolute Beauty. H. Paul Moon, director. Zen Violence Films LLC, (2017), 130 minutes. DVD and streaming

Teaching Global German Using German-Language Cosmopolitan Tradition(s)

Jewish Subjects and the Biographical Enterprise

David Del Tredici, Gotham Glory: Complete Piano Works, Volume 1. Marc Peloquin, piano. Naxos 8.559680, 2012

Copland and the Prophetic Voice

“Gott ist bald 1 · ∞ – bald 1/∞ – bald 0”: The Mathematical Infinite and the Absolute in Novalis

Aaron Copland in Latin America: Music and Cultural Politics by Carol A. Hess (review)

Aaron Copland: Music in the 20's. David M. Davis, director. Kultur D4760, 2011, 3 DVDs

Samuel Barber: The Complete Solo Piano Music. John Browning, piano. Nimbus Records NI 2528 (2009)

Aaron Copland, Carlos Chávez, and Silvestre Revueltas

Posthumanism in the Age of Humanism: Mind, Matter, and the Life Sciences after Kant ed. by Edgar Landgraf, Gabriel Trop, and Leif Weatherby (review)

Differentiation of renal masses using A-mode ultrasound. 1971

Multimedia Review

From the New World: Victor Herbert and His Second Cello Concerto

Copland in Paris

The Cambridge Companion to Gershwin

Rotational Form in the Opening Scene of Gershwin's Porgy and Bess

Funny, It Doesn't Sound Jewish: How Yiddish Songs and Synagogue Melodies Influenced Tin Pan Alley, Broadway, and Hollywood. By Jack Gottlieb

"Gott ist bald 1 oo - bald i/ - bald 0": The Mathematical Infinite and the Absolute in Novalis

Rotational Form in the Opening Scene of Gershwin'sPorgy and Bess

The Coverage of Gershwin in Music History Texts

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