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The Uncanniness of Intermediality. Joanna Hogg’s Eerily Self-Reflexive Cinema

Acta Universitatis Sapientiae. Film and Media Studies, 2023-11, Vol.24 (1), p.39-79

Pethő, Ágnes

2023

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Tacita Dean’s Affective Intermediality: Precarious Visions in-between the Visual Arts, Cinema, and the Gallery Film

Arts (Basel), 2023-07, Vol.12 (4), p.168

Pethő, Ágnes

2023

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The Exquisite Corpse of History. Radu Jude and the Intermedial Collage

Acta Universitatis Sapientiae. Film and Media Studies, 2022-07, Vol.21 (1), p.36-100

Pethő, Ágnes

2022

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Approaches to Studying Intermediality in Contemporary Cinema

Acta Universitatis Sapientiae. Film and Media Studies, 2018-10, Vol.15 (1), p.165-187

Pethő, Ágnes

2018

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A Good Concept Should Be both Very Concrete and Very Abstract.: Interview with Lars Elleström

Acta Universitatis Sapientiae. Film and Media Studies, 2018-10, Vol.15 (1), p.191-210

Pethő, Ágnes

2018

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Film Studies Always Need the Wider Approach of Intermediality.: Interview with Joachim Paech

Acta Universitatis Sapientiae. Film and Media Studies, 2018-10, Vol.15 (1), p.229-246

Pethő, Ágnes

2018

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The Use of Other Media within Film as a Passage to Material Reality.: Interview with Lúcia Nagib

Acta Universitatis Sapientiae. Film and Media Studies, 2018-10, Vol.15 (1), p.211-228

Pethő, Ágnes

2018

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Three Interviews with Scholars who Defined the Field

Acta Universitatis Sapientiae. Film and Media Studies, 2018-10, Vol.15 (1), p.189-189

Pethő, Ágnes

2018

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The Tableau Vivant as a “Figure of Return” in Contemporary East European Cinema

Acta Universitatis Sapientiae. Film and Media Studies, 2014-12, Vol.9 (1), p.51-76

Pethő, Ágnes

2014

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Between Absorption, Abstraction and Exhibition: Inflections of the Cinematic Tableau in the Films of Corneliu Porumboiu, Roy Andersson and Joanna Hogg

Acta Universitatis Sapientiae. Film and Media Studies, 2015-12, Vol.11 (1), p.39-76

Pethő, Ágnes

2015

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The Cinematic Bodies of Eastern Europe and Russia: Between Pain and Pleasure

1, 2016

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Cinematic Intermediality : Theory and Practice

1, 2021

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The New Romanian Cinema

1, 2019

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Theorizing Film Through Contemporary Art: Expanding Cinema

1, 2020

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The Vertigo of the Single Image: From the Classic Narrative “Glitch” to the Post-Cinematic Adaptations of Paintings

Acta Universitatis Sapientiae. Film and Media Studies, 2013-08, Vol.6 (1), p.65-90

Pethő, Ágnes

2013

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The garden of intermedial delights: cinematic 'adaptations' of Bosch, from modernism to the postmedia age

Screen (London), 2014-12, Vol.55 (4), p.471-489

Peth , A.

2014

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Las figuras reflexivas de la intermedialidad en la película. El cine en el espejo de las artes / las artes en el espejo del cine

Signa (Madrid, Spain), 2021-10, Vol.12, p.183-208

Pethö, Ágnes

2021

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The ‘Chemistry’ of Art(ifice) and Life: Embodied Paintings in East European Cinema

The Cinematic Bodies of Eastern Europe and Russia, 2016, p.239

2016

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Sieranevada, avagy a köztesség művészete

Korunk, 2019 (6), p.51-59

Pethő, Ágnes

2019

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‘Exhibited Space’ and Intermediality in the Films of Corneliu Porumboiu

The New Romanian Cinema, 2022, p.65-79

Pethő, Ágnes

2022

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Sculpture and Affect in Cinema’s Expanded Field: From Aleksey Gherman’s Hard to Be a God to Aleksey Gherman Jr’s Under Electric Clouds

Caught In-Between, 2022, p.65-90

Pethő, Ágnes

2022

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The Photo-filmic and the Post-human: Picturesque Landscapes at the Peripheries of Global Cinema

Cinematic Intermediality, 2022, p.38-51

Pethő, Ágnes

2022

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Introduction: The Art of In-Betweenness in Contemporary Eastern European Cinema

Caught In-Between, 2022, p.1-24

Pethő, Ágnes

2022

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The ‘Chemistry’ of Art(ifice) and Life: Embodied Paintings in East European Cinema

The Cinematic Bodies of Eastern Europe and Russia, 2022, p.239-256

Pethő, Ágnes

2022

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Index

Caught In-Between, 2022, p.254-260

Pethő, Ágnes

2022

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The Uncanniness of Intermediality. Joanna Hogg’s Eerily Self-Reflexive Cinema

Tacita Dean’s Affective Intermediality: Precarious Visions in-between the Visual Arts, Cinema, and the Gallery Film

The Exquisite Corpse of History. Radu Jude and the Intermedial Collage

Approaches to Studying Intermediality in Contemporary Cinema

A Good Concept Should Be both Very Concrete and Very Abstract.: Interview with Lars Elleström

Film Studies Always Need the Wider Approach of Intermediality.: Interview with Joachim Paech

The Use of Other Media within Film as a Passage to Material Reality.: Interview with Lúcia Nagib

Three Interviews with Scholars who Defined the Field

The Tableau Vivant as a “Figure of Return” in Contemporary East European Cinema

Between Absorption, Abstraction and Exhibition: Inflections of the Cinematic Tableau in the Films of Corneliu Porumboiu, Roy Andersson and Joanna Hogg

The Cinematic Bodies of Eastern Europe and Russia: Between Pain and Pleasure

Cinematic Intermediality : Theory and Practice

The New Romanian Cinema

Theorizing Film Through Contemporary Art: Expanding Cinema

The Vertigo of the Single Image: From the Classic Narrative “Glitch” to the Post-Cinematic Adaptations of Paintings

The garden of intermedial delights: cinematic 'adaptations' of Bosch, from modernism to the postmedia age

Las figuras reflexivas de la intermedialidad en la película. El cine en el espejo de las artes / las artes en el espejo del cine

The ‘Chemistry’ of Art(ifice) and Life: Embodied Paintings in East European Cinema

Sieranevada, avagy a köztesség művészete

‘Exhibited Space’ and Intermediality in the Films of Corneliu Porumboiu

Sculpture and Affect in Cinema’s Expanded Field: From Aleksey Gherman’s Hard to Be a God to Aleksey Gherman Jr’s Under Electric Clouds

The Photo-filmic and the Post-human: Picturesque Landscapes at the Peripheries of Global Cinema

Introduction: The Art of In-Betweenness in Contemporary Eastern European Cinema

The ‘Chemistry’ of Art(ifice) and Life: Embodied Paintings in East European Cinema

Index

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