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Characters in Search of an Ending in Laura Wade’s Stage Adaptation of Jane Austen’s The Watsons

Études britanniques contemporaines, 2024, Vol.66

Parey, Armelle

2024

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Adapting fragmentation: changing borders in Olive Kitteridge (HBO 2014); Case Histories, (BBC 2011-2013); Love and Friendship (2016) and Sanditon (ITV 2019)

Interfaces (Dijon. En ligne), 2022-07, Vol.47 (47)

Parey, Armelle

2022

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Reviving Historical Fiction in Kate Atkinson’s Life After Life

Études britanniques contemporaines, 2022-06, Vol.62 (62)

Parey, Armelle

2022

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On the Afterlives of Daphne Du Maurier’s Rebecca: Spinoffs and Transfictions

LISA (Caen, France), 2021-11, Vol.19 (vol. 19-n°52)

Parey, Armelle

2021

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Prequels, Coquels and Sequels in Contemporary Anglophone Fiction

Parey, Armelle

1, 2019

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Kate Atkinson’s Crime Fiction: Exception as a Rule

Études britanniques contemporaines, 2020-04, Vol.58 (58)

Parey, Armelle

2020

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Becoming Morse in Endeavour: the prequel as locus of reconstruction of the past?

TV series (Le Havre), 2019-07, Vol.15 (15)

Parey, Armelle

2019

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Revolutionary Closure in A. S. Byatt’s Neo-Victorian Fiction

Études britanniques contemporaines, 2019-04, Vol.56 (56)

Parey, Armelle

2019

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Adapting Endings from Book to Screen: Last Pages, Last Shots

1, 2019

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The Art of Recording Li(v)es in A.S. Byatt’s Fiction

Études britanniques contemporaines, 2018-06, Vol.54 (54)

Parey, Armelle

2018

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Susan Hill's Mrs de Winter and Sally Beauman'sRebecca's Tale: “re-visions” of Daphne du Maurier’sRebecca?

Odisea (Almería, Spain), 2017-06 (17), p.7-17

Parey, Armelle

2017

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Confluence and the Neo-Victorian in Dickensian

Études britanniques contemporaines, 2017-05, Vol.52 (52)

Parey, Armelle

2017

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WHEN CHARLES DICKENS ENTERS THE HOUSE OF FICTION: PETER CAREY’S JACK MAGGS AND JOSEPH O’CONNOR’S STAR OF THE SEA

Odisea (Almería, Spain), 2017-03 (9), p.191-199

Parey, Armelle

2017

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AS - Poetic Justice, Endings and Epilogues in Sense and Sensibility

Miranda, 2016-11, Vol.13 (13)

Parey, Armelle

2016

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Daphné du Maurier’s characters in Rebecca living on in Mrs de Winter by Susan Hill

E-rea : Revue d'etudes anglophones, 2015-12, Vol.13

PAREY, Armelle

2015

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Characters in Search of an Ending in Laura Wade’s Stage Adaptation of Jane Austen’s The Watsons

Études britanniques contemporaines, 2024-05

Parey, Armelle

2024

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Closure and Happy Endings in Janet Frame’s The Lagoon and Other Stories

Miranda, 2013-10, Vol.8 (8)

Parey, Armelle

2013

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Space Matters in Rachel Cusk’s Arlington Park

E-rea : Revue d'etudes anglophones, 2013-06, Vol.10 (10.2)

PAREY, Armelle

2013

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Character Migration in Anglophone Literature

E-rea : Revue d'etudes anglophones, 2015-12, Vol.13

2015

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Kate Atkinson’s Crime Fiction: Exception as a Rule

Études britanniques contemporaines, 2020-04

Parey, Armelle

2020

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Becoming Morse in Endeavour: the prequel as locus of recons

TV series (Le Havre), 2019-07 (15)

Parey, Armelle

2019

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The Art of Recording Li(v)es in A.S. Byatt’s Fiction

Études britanniques contemporaines, 2018-06

Parey, Armelle

2018

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“There's a wooden thing for sitting”: Representing Memory Loss in Emma Healey's Elizabeth is Missing

Anglophonia : French journal of English studies, 2018 (60), p.65-80

Parey, Armelle

2018

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"There's a wooden thing for sitting": Representing Memory Loss in Emma Healey's Elizabeth is Missing

Caliban (Toulouse, France : 2014), 2018-11, Vol.60, p.65-80

Parey, Armelle

2018

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Unsettling postscripts and epilogues in A. S. Byatt’s Possession and Ian McEwan’s Atonement

Sillages critiques, 2018-07, Vol.24 (24)

Parey, Armelle

2018

Volltextzugriff (PDF)

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Characters in Search of an Ending in Laura Wade’s Stage Adaptation of Jane Austen’s The Watsons

Adapting fragmentation: changing borders in Olive Kitteridge (HBO 2014); Case Histories, (BBC 2011-2013); Love and Friendship (2016) and Sanditon (ITV 2019)

Reviving Historical Fiction in Kate Atkinson’s Life After Life

On the Afterlives of Daphne Du Maurier’s Rebecca: Spinoffs and Transfictions

Prequels, Coquels and Sequels in Contemporary Anglophone Fiction

Kate Atkinson’s Crime Fiction: Exception as a Rule

Becoming Morse in Endeavour: the prequel as locus of reconstruction of the past?

Revolutionary Closure in A. S. Byatt’s Neo-Victorian Fiction

Adapting Endings from Book to Screen: Last Pages, Last Shots

The Art of Recording Li(v)es in A.S. Byatt’s Fiction

Susan Hill's Mrs de Winter and Sally Beauman'sRebecca's Tale: “re-visions” of Daphne du Maurier’sRebecca?

Confluence and the Neo-Victorian in Dickensian

WHEN CHARLES DICKENS ENTERS THE HOUSE OF FICTION: PETER CAREY’S JACK MAGGS AND JOSEPH O’CONNOR’S STAR OF THE SEA

AS - Poetic Justice, Endings and Epilogues in Sense and Sensibility

Daphné du Maurier’s characters in Rebecca living on in Mrs de Winter by Susan Hill

Characters in Search of an Ending in Laura Wade’s Stage Adaptation of Jane Austen’s The Watsons

Closure and Happy Endings in Janet Frame’s The Lagoon and Other Stories

Space Matters in Rachel Cusk’s Arlington Park

Character Migration in Anglophone Literature

Kate Atkinson’s Crime Fiction: Exception as a Rule

Becoming Morse in Endeavour: the prequel as locus of recons

The Art of Recording Li(v)es in A.S. Byatt’s Fiction

“There's a wooden thing for sitting”: Representing Memory Loss in Emma Healey's Elizabeth is Missing

"There's a wooden thing for sitting": Representing Memory Loss in Emma Healey's Elizabeth is Missing

Unsettling postscripts and epilogues in A. S. Byatt’s Possession and Ian McEwan’s Atonement

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