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I Got Something to Say: Gender, Race, and Social Consciousness in Rap Music

Oware, Matthew

1, 2018

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Text mining and the examination of language used to report child maltreatment: How language impacts child welfare intake reports

Children and youth services review, 2022-02, Vol.133, p.106344, Article 106344

2022

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Break Beats in the Bronx: Rediscovering Hip-Hop's Early Years by Joseph C. Ewoodzie Jr (review)

Social forces, 2018, Vol.96 (3), p.1-2

Oware, Matthew

2018

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(Un)conscious (popular) underground: Restricted cultural production and underground rap music

Poetics (Amsterdam), 2014-02, Vol.42, p.60-81

Oware, Matthew

2014

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We Stick Out Like a Sore Thumb . . .: Underground White Rappers’ Hegemonic Masculinity and Racial Evasion

Sociology of race and ethnicity (Thousand Oaks, Calif.), 2016-07, Vol.2 (3), p.372-386

Oware, Matthew

2016

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Telling the Code of the Street: An Ethnomethodological Ethnography

Journal of contemporary ethnography, 2006-02, Vol.35 (1), p.24-50

2006

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We Stick Out Like a Sore Thumb . . .

Sociology of race and ethnicity (Thousand Oaks, Calif.), 2016-07, Vol.2 (3), p.372-386

Oware, Matthew

2016

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Brotherly Love: Homosociality and Black Masculinity in Gangsta Rap Music

Journal of African American studies (New Brunswick, N.J.), 2011-03, Vol.15 (1), p.22-39

Oware, Matthew

2011

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A “Man's Woman”?: Contradictory Messages in the Songs of Female Rappers, 1992-2000

Journal of black studies, 2009-05, Vol.39 (5), p.786-802

Oware, Matthew

2009

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Decent Daddy, Imperfect Daddy: Black Male Rap Artists' Views of Fatherhood and the Family

Journal of African American studies (New Brunswick, N.J.), 2012-09, Vol.15 (3), p.327-351

Oware, Matthew

2012

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Decent Daddy, Imperfect Daddy: Black Male Rap Artists’ Views of Fatherhood and the Family

Journal of African American studies (New Brunswick, N.J.), 2011-09, Vol.15 (3), p.327-351

Oware, Matthew

2011

Volltextzugriff (PDF)

A "Man's Woman"? Contradictory Messages in the Songs of Female Rappers, 1992-2000

Journal of black studies, 2009-05, Vol.39 (5), p.786-802

Oware, Matthew

2009

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Battle Rap: An Exploration of Competitive Rhyming in Hip Hop

African Battle Traditions of Insult, 2023, p.147-164

2023

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Your racist ass did too much: Hypermasculinity, Donald Trump, and rap music

Race, Gender, and Political Culture in the Trump Era, 2022, p.101-117

1, 2022

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Status maximization, hypodescent theory, or social identity theory? A theoretical approach to understanding the racial identification of multiracial adolescents

Research in race and ethnic relations, 2008, Vol.15, p.225-253

Oware, Matthew

2008

Volltextzugriff (PDF)

Black Lives Matter and Political Rap

I Got Something to Say, 2018, p.181-206

Oware, Matthew

2018

Volltextzugriff (PDF)

Coming Straight from the Underground

I Got Something to Say, 2018, p.115-152

Oware, Matthew

2018

Volltextzugriff (PDF)

The Hybrid Rapper

I Got Something to Say, 2018, p.39-77

Oware, Matthew

2018

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Conclusion: Future Intersections of Rap and Politics

I Got Something to Say, 2018, p.207-223

Oware, Matthew

2018

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Urban Spaces and Bodies

I Got Something to Say, 2018, p.23-37

Oware, Matthew

2018

Volltextzugriff (PDF)

Bad Bitches?

I Got Something to Say, 2018, p.79-114

Oware, Matthew

2018

Volltextzugriff (PDF)

Introduction: Started from the Bottom

I Got Something to Say, 2018, p.1-21

Oware, Matthew

2018

Volltextzugriff (PDF)

The Queer Emcee

I Got Something to Say, 2018, p.153-180

Oware, Matthew

2018

Volltextzugriff (PDF)

Appendix

I Got Something to Say, 2018

Oware, Matthew

2018

Volltextzugriff (PDF)

Sample Selection Process

I Got Something to Say, 2018

Oware, Matthew

2018

Volltextzugriff (PDF)

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I Got Something to Say: Gender, Race, and Social Consciousness in Rap Music

Text mining and the examination of language used to report child maltreatment: How language impacts child welfare intake reports

Break Beats in the Bronx: Rediscovering Hip-Hop's Early Years by Joseph C. Ewoodzie Jr (review)

(Un)conscious (popular) underground: Restricted cultural production and underground rap music

We Stick Out Like a Sore Thumb . . .: Underground White Rappers’ Hegemonic Masculinity and Racial Evasion

Telling the Code of the Street: An Ethnomethodological Ethnography

We Stick Out Like a Sore Thumb . . .

Brotherly Love: Homosociality and Black Masculinity in Gangsta Rap Music

A “Man's Woman”?: Contradictory Messages in the Songs of Female Rappers, 1992-2000

Decent Daddy, Imperfect Daddy: Black Male Rap Artists' Views of Fatherhood and the Family

Decent Daddy, Imperfect Daddy: Black Male Rap Artists’ Views of Fatherhood and the Family

A "Man's Woman"? Contradictory Messages in the Songs of Female Rappers, 1992-2000

Battle Rap: An Exploration of Competitive Rhyming in Hip Hop

Your racist ass did too much: Hypermasculinity, Donald Trump, and rap music

Status maximization, hypodescent theory, or social identity theory? A theoretical approach to understanding the racial identification of multiracial adolescents

Black Lives Matter and Political Rap

Coming Straight from the Underground

The Hybrid Rapper

Conclusion: Future Intersections of Rap and Politics

Urban Spaces and Bodies

Bad Bitches?

Introduction: Started from the Bottom

The Queer Emcee

Appendix

Sample Selection Process

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