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Comment on "U-Th dating of carbonate crusts reveals Neandertal origin of Iberian cave art"

Science (American Association for the Advancement of Science), 2018-09, Vol.361 (6408)

2018

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Latitudinal gradient in dairy production with the introduction of farming in Atlantic Europe

Nature communications, 2020-04, Vol.11 (1), p.2036-9, Article 2036

2020

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Under the Skin of a Lion: Unique Evidence of Upper Paleolithic Exploitation and Use of Cave Lion (Panthera spelaea) from the Lower Gallery of La Garma (Spain)

PloS one, 2016-10, Vol.11 (10), p.e0163591-e0163591

2016

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Regional temperature, atmospheric circulation, and sea-ice variability within the Younger Dryas Event constrained using a speleothem from northern Iberia

Earth and planetary science letters, 2015-06, Vol.419, p.101-110

2015

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North Iberian temperature and rainfall seasonality over the Younger Dryas and Holocene

Quaternary science reviews, 2019-12, Vol.226, p.105998, Article 105998

2019

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Arquitectura defensiva y doméstica del castro del Alto de La Garma (Cantabria)

Zephyrus, 2022-07, Vol.90, p.179-196

2022

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Cave acoustics in prehistory: Exploring the association of Palaeolithic visual motifs and acoustic response

The Journal of the Acoustical Society of America, 2017-09, Vol.142 (3), p.1332-1349

2017

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Under the Skin of a Lion: Unique Evidence of Upper Paleolithic Exploitation and Use of Cave Lion (Panthera spelaea) from the Lower Gallery of La Garma (Spain)

PloS one, 2024-06, Vol.19 (6), p.e0305109

2024

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Under the Skin of a Lion: Unique Evidence of Upper Paleolithic Exploitation and Use of Cave Lion

PloS one, 2024-06, Vol.19 (6), p.e0305109

2024

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Animals hidden in plain sight: stereoscopic recording of Palaeolithic rock art at La Pasiega cave, Cantabria

Antiquity, 2023-10, Vol.97 (395), p.1084-1099

2023

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Geometric and radiometric recording of prehistoric graphic expression: the case of Peña Tu (Asturias, Spain)

Archaeological and anthropological sciences, 2024-02, Vol.16 (2), p.32, Article 32

2024

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Improving the characterization of red coloring matter from prehistoric cave art by means of laboratory confocal XRF depth profiling combined with synchrotron XRF imaging

Journal of cultural heritage, 2024-05, Vol.67, p.385-394

2024

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Upper Palaeolithic Installation Art: Topography, Distortion, Animation and Participation in the Production and Experience of Cantabrian Cave Art

Cambridge archaeological journal, 2020-11, Vol.30 (4), p.665-688

2020

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New views on old hands: the context of stencils in El Castillo and La Garma caves (Cantabria, Spain)

Antiquity, 2014-03, Vol.88 (339), p.47

2014

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The chronology of Palaeolithic cave art: New data, new debates. Preface to the volume

Quaternary international, 2017-03, Vol.432, p.2-4

2017

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Microclimate, airborne particles, and microbiological monitoring protocol for conservation of rock-art caves: The case of the world-heritage site La Garma cave (Spain)

Journal of environmental management, 2024-02, Vol.351, p.119762-119762, Article 119762

2024

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Environment-driven control of fungi in subterranean ecosystems: the case of La Garma Cave (northern Spain)

International microbiology, 2021-11, Vol.24 (4), p.573-591

2021

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New insights into the European Palaeolithic Art: Symbolic interactions in the Bay of Biscay

Journal of archaeological science, reports, 2019-10, Vol.27, p.101973, Article 101973

2019

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Erratum: Under the Skin of a Lion: Unique Evidence of Upper Paleolithic Exploitation and Use of Cave Lion (Panthera spelaea) from the Lower Gallery of La Garma (Spain)

PloS one, 2024-01, Vol.19 (6), p.e0305109-e0305109

2024

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With the back to the art. Context of Pleistocene cave art

Quaternary international, 2017-02, Vol.430, p.1-4

2017

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Highlighting the role of carnivores as a multifunctional resource among the Middle Magdalenian: The case of the Lower Galley of La Garma (Cantabria, Spain)

Journal of archaeological science, reports, 2020-04, Vol.30, p.102221, Article 102221

2020

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Under the Skin of a Lion: Unique Evidence of Upper Paleolithic Exploitation and Use of Cave Lion

PloS one, 2016-10, Vol.11 (10), p.e0163591

2016

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Still no archaeological evidence that Neanderthals created Iberian cave art

Journal of human evolution, 2020-07, Vol.144, p.102640, Article 102640

2020

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Corrigendum to “Highlighting the role of carnivores as a multifunctional resource among the Middle Magdalenian: The case of the Lower Galley of La Garma (Cantabria, Spain)” [J Archaeol. Sci.: Rep., 30 (2020), 1–10, 102221]

Journal of archaeological science, reports, 2024-05, Vol.55, p.104516, Article 104516

2024

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Comment on "U-Th dating of carbonate crusts reveals Neandertal origin of Iberian cave art"

Latitudinal gradient in dairy production with the introduction of farming in Atlantic Europe

Under the Skin of a Lion: Unique Evidence of Upper Paleolithic Exploitation and Use of Cave Lion (Panthera spelaea) from the Lower Gallery of La Garma (Spain)

Regional temperature, atmospheric circulation, and sea-ice variability within the Younger Dryas Event constrained using a speleothem from northern Iberia

North Iberian temperature and rainfall seasonality over the Younger Dryas and Holocene

Arquitectura defensiva y doméstica del castro del Alto de La Garma (Cantabria)

Cervidae antlers exploited to manufacture prehistoric tools and hunting implements as a reliable source of ancient DNA

Cave acoustics in prehistory: Exploring the association of Palaeolithic visual motifs and acoustic response

Under the Skin of a Lion: Unique Evidence of Upper Paleolithic Exploitation and Use of Cave Lion (Panthera spelaea) from the Lower Gallery of La Garma (Spain)

Under the Skin of a Lion: Unique Evidence of Upper Paleolithic Exploitation and Use of Cave Lion

Animals hidden in plain sight: stereoscopic recording of Palaeolithic rock art at La Pasiega cave, Cantabria

Geometric and radiometric recording of prehistoric graphic expression: the case of Peña Tu (Asturias, Spain)

Improving the characterization of red coloring matter from prehistoric cave art by means of laboratory confocal XRF depth profiling combined with synchrotron XRF imaging

Upper Palaeolithic Installation Art: Topography, Distortion, Animation and Participation in the Production and Experience of Cantabrian Cave Art

New views on old hands: the context of stencils in El Castillo and La Garma caves (Cantabria, Spain)

The chronology of Palaeolithic cave art: New data, new debates. Preface to the volume

Microclimate, airborne particles, and microbiological monitoring protocol for conservation of rock-art caves: The case of the world-heritage site La Garma cave (Spain)

Environment-driven control of fungi in subterranean ecosystems: the case of La Garma Cave (northern Spain)

New insights into the European Palaeolithic Art: Symbolic interactions in the Bay of Biscay

Erratum: Under the Skin of a Lion: Unique Evidence of Upper Paleolithic Exploitation and Use of Cave Lion (Panthera spelaea) from the Lower Gallery of La Garma (Spain)

With the back to the art. Context of Pleistocene cave art

Highlighting the role of carnivores as a multifunctional resource among the Middle Magdalenian: The case of the Lower Galley of La Garma (Cantabria, Spain)

Under the Skin of a Lion: Unique Evidence of Upper Paleolithic Exploitation and Use of Cave Lion

Still no archaeological evidence that Neanderthals created Iberian cave art

Corrigendum to “Highlighting the role of carnivores as a multifunctional resource among the Middle Magdalenian: The case of the Lower Galley of La Garma (Cantabria, Spain)” [J Archaeol. Sci.: Rep., 30 (2020), 1–10, 102221]

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