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The Poetics and Ethics of (Un-)Grievability in Contemporary Anglophone Fiction

1, 2023

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Contemporary Trauma Narratives: Liminality and the Ethics of Form

1, 2014

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Imagining the Blitz and Its Aftermath: The Narrative Performance of Trauma in Sarah Waters’s The Night Watch

Humanities (Basel), 2022-04, Vol.11 (2), p.57

Onega, Susana

2022

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Trauma and romance in contemporary British literature

1, 2013

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Transcending the Postmodern: The Singular Response of Literature to the Transmodern Paradigm

1st edition., 2020

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The Wounded Hero in Contemporary Fiction: A Paradoxical Quest

1st, 2018

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Victimhood and Vulnerability in 21st Century Fiction

1, 2017

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Pornography and the Crossing of Class, Gender and Moral Boundaries in Sarah Waters’ Fingersmith

Études britanniques contemporaines, 2015-06, Vol.48 (48)

Onega, Susana

2015

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Traumatic Memory and the Ethical, Political and Transhistorical Functions of Literature

1, 2017

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Of Sexbots, Cyborgs and Artificial Intelligence: Articulations of the Posthuman Subject in Jeanette Winterson’s Frankissstein: A Love Story

Polemos (Roma), 2023-04, Vol.17 (1), p.89-109

Onega, Susana

2023

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The Social Importance of How Bodies Inhabit Spaces with Others: A Queer Reading of Sarah Waters's The Paying Guests

The European legacy, toward new paradigms, 2021-05, Vol.26 (3-4), p.341-357

Onega, Susana

2021

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Mary Shelley's Literary Lives and Other Writings

1st, 2022

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Thinking English Literature and Criticism under the Transmodern Paradigm

CounterText (Online), 2017-12, Vol.3 (3), p.362-376

Onega, Susana

2017

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MichaelRichardson. Gestures of Testimony: Torture, Trauma, and Affect in Literature. New York, London, Oxford, New Delhi, Sydney: Bloomsbury, 2016, x + 220 pp

Orbis litterarum, 2018-02, Vol.73 (1), p.101-101

Onega, Susana

2018

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English Studies : A Note on the Birth and Uses of the Term

Journal of English studies (Logroño), 2008-05, Vol.5, p.259-267

Onega, Susana

2008

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The Notion of Paradigm Shift and the Roles of Science and Literature in the Interpretation of Reality

European review (Chichester, England), 2014-07, Vol.22 (3), p.491-503

Onega, Susana

2014

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Romeo and Juliet y "The problem comedies"

Cuadernos de investigación filológica, 2013-06, Vol.7, p.29-38

Onega Jaén, Susana

2013

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Affective Knowledge, Self-awareness and the Function of Myth in the Representation and Transmission of Trauma

Journal of literary theory (Berlin), 2012-02, Vol.6 (1), p.83-102

ONEGA, SUSANA

2012

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Sarah Waters: Representing Marginal Groups and Individuals

The Contemporary British Novel Since 2000, 2017, p.153-162

2017

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Writing the Event and the Ethics of Love in J. M. Coetzee's Age of Iron

Anglia (Tübingen), 2011-08, Vol.129 (1-2), p.93-116

Onega, Susana

2011

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THE TRAUMA PARADIGM AND THE ETHICS OF AFFECT IN JEANETTE WINTERSON'S THE STONE GODS

DQR studies in literature, 2011-07, Vol.48, p.265

Onega, Susana

2011

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The Contemporary British Novel Since 2000

Acheson, James

2017

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The Contemporary British Novel Since 2000

James Acheson

2017

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Symbolism 2020: An International Annual of Critical Aesthetics

1, 2020

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The Poetics and Ethics of (Un-)Grievability in Contemporary Anglophone Fiction

Contemporary Trauma Narratives: Liminality and the Ethics of Form

Imagining the Blitz and Its Aftermath: The Narrative Performance of Trauma in Sarah Waters’s The Night Watch

Trauma and romance in contemporary British literature

Transcending the Postmodern: The Singular Response of Literature to the Transmodern Paradigm

The Wounded Hero in Contemporary Fiction: A Paradoxical Quest

Victimhood and Vulnerability in 21st Century Fiction

Pornography and the Crossing of Class, Gender and Moral Boundaries in Sarah Waters’ Fingersmith

Traumatic Memory and the Ethical, Political and Transhistorical Functions of Literature

Of Sexbots, Cyborgs and Artificial Intelligence: Articulations of the Posthuman Subject in Jeanette Winterson’s Frankissstein: A Love Story

The Social Importance of How Bodies Inhabit Spaces with Others: A Queer Reading of Sarah Waters's The Paying Guests

Mary Shelley's Literary Lives and Other Writings

Thinking English Literature and Criticism under the Transmodern Paradigm

MichaelRichardson. Gestures of Testimony: Torture, Trauma, and Affect in Literature. New York, London, Oxford, New Delhi, Sydney: Bloomsbury, 2016, x + 220 pp

English Studies : A Note on the Birth and Uses of the Term

The Notion of Paradigm Shift and the Roles of Science and Literature in the Interpretation of Reality

Romeo and Juliet y "The problem comedies"

Affective Knowledge, Self-awareness and the Function of Myth in the Representation and Transmission of Trauma

Sarah Waters: Representing Marginal Groups and Individuals

Writing the Event and the Ethics of Love in J. M. Coetzee's Age of Iron

THE TRAUMA PARADIGM AND THE ETHICS OF AFFECT IN JEANETTE WINTERSON'S THE STONE GODS

The Contemporary British Novel Since 2000

The Contemporary British Novel Since 2000

The Humble in 19th- to 21st-Century British Literature and Arts

Symbolism 2020: An International Annual of Critical Aesthetics

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