UB Paderborn / Katalog / Suche / in CDI

Weyward Macbeth: Intersections of Race and Performance

Newstok, S

1, 2016

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"Here Lies": Sincerity and Insincerity in Early Modern Epitaphs Onstage

Christianity & literature, 2017-12, Vol.67 (1), p.50-68

Newstok, Scott L.

2017

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Weyward Macbeth: Intersections of Race and Performance

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Elegies ending "here": the poetics of epitaphic closure

Studies in the literary imagination, 2006-03, Vol.39 (1), p.75

Newstok, Scott L

2006

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Stanley Cavell's American Dream: Shakespeare, Philosophy, and Hollywood Movies

Shakespeare Bulletin, 2006-12, Vol.24 (4), p.57-63

Newstok, Scott L.

2006

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Annabel Patterson , Milton's Words Milton’s Words . Annabel Patterson. Oxford: Oxford University Press, 2009. Pp. xvi+212

Modern philology, 2013-05, Vol.110 (4), p.E257-E261

Newstok, Scott L.

2013

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Anthony R. Guneratne. Shakespeare, Film Studies, and the Visual Cultures of Modernity. New York: Palgrave Macmillan, 2008. xx + 346 pp. index. bibl. $89.95. ISBN: 978–0–4039–6788–6

Renaissance quarterly, 2010, Vol.63 (1), p.328-329

Newstok, Scott L.

2010

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"Why Macbeth?" Looking back on Umabatha after forty years An Interview with Welcome Msomi : interview

Shakespeare in Southern Africa, 2009-01, Vol.21 (1), p.73-80

Newstok, Scott L.

2009

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"Why Macbeth?" Looking Back on Umabatha after Forty Years: an interview with Welcome Msomi

Shakespeare in Southern Africa, 2009-01, Vol.21, p.73

Newstok, Scott L

2009

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Certain tendencies in criticism of Shakespeare on film

Shakespeare studies (Columbia), 2010-01, Vol.38, p.88-103

2010

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Editor's Note

Shakespeare quarterly, 2006-10, Vol.57 (3), p.294

Newstok, Scott L

2006

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Editor's Note

Shakespeare quarterly, 2006, Vol.57 (3), p.294-296

Newstok, Scott L

2006

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ELEGIES ENDING "HERE": THE POETICS OF EPITAPHIC CLOSURE1

Studies in the literary imagination, 2006-04, Vol.39 (1), p.75

Newstok, Scott L

2006

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Renewing Kenneth Burke's "Plea for the Shakespearean Drama"

Literature compass, 2006-05, Vol.3 (3), p.470-486

Newstok, Scott L.

2006

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Editor's Note

Shakespeare quarterly, 2006, Vol.57 (3), p.294-296

Newstok, Scott L.

2006

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"Touch" of Shakespeare: Welles Unmoors "Othello"

Shakespeare bulletin, 2005-04, Vol.23 (1), p.29-86

Newstok, Scott L.

2005

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A Plea for "Close Learning"

Liberal education, 2013-09, Vol.99 (4)

Newstok, Scott L

2013

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Shakespeare, Film Studies, and the Visual Cultures of Modernity

Renaissance Quarterly, 2010, Vol.63 (1), p.328-329

Newstok, Scott L

2010

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Shakespeare and Historical Formalism

Shakespeare Quarterly, 2008, Vol.59 (4), p.523-525

Newstok, Scott L.

2008

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Shakespeare’s Late Style

Renaissance Quarterly, 2007, Vol.60 (3), p.1044-1046

Newstok, Scott L

2007

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After Welles: Re-do Voodoo Macbeths

Weyward Macbeth, p.91-100

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Shades of Shakespeare: Colorblind Casting and Interracial Couples in Macbeth in Manhattan, Grey’s Anatomy, and Prison Macbeth

Weyward Macbeth, p.193-202

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A Black Actor’s Guide to the Scottish Play, or, Why Macbeth Matters

Weyward Macbeth, p.113-120

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“Black up again”: Combating Macbeth in Contemporary African-American Plays

Weyward Macbeth, p.211-221

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Semper Die: Marines Incarnadine in Nina Menkes’s The Bloody Child: An Interior of Violence

Weyward Macbeth, p.183-191

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Weyward Macbeth: Intersections of Race and Performance

"Here Lies": Sincerity and Insincerity in Early Modern Epitaphs Onstage

Weyward Macbeth: Intersections of Race and Performance

Elegies ending "here": the poetics of epitaphic closure

Stanley Cavell's American Dream: Shakespeare, Philosophy, and Hollywood Movies

Annabel Patterson , Milton's Words Milton’s Words . Annabel Patterson. Oxford: Oxford University Press, 2009. Pp. xvi+212

Anthony R. Guneratne. Shakespeare, Film Studies, and the Visual Cultures of Modernity. New York: Palgrave Macmillan, 2008. xx + 346 pp. index. bibl. $89.95. ISBN: 978–0–4039–6788–6

"Why Macbeth?" Looking back on Umabatha after forty years An Interview with Welcome Msomi : interview

"Why Macbeth?" Looking Back on Umabatha after Forty Years: an interview with Welcome Msomi

Certain tendencies in criticism of Shakespeare on film

Editor's Note

Editor's Note

ELEGIES ENDING "HERE": THE POETICS OF EPITAPHIC CLOSURE1

Renewing Kenneth Burke's "Plea for the Shakespearean Drama"

Editor's Note

"Touch" of Shakespeare: Welles Unmoors "Othello"

A Plea for "Close Learning"

Shakespeare, Film Studies, and the Visual Cultures of Modernity

Shakespeare and Historical Formalism

Shakespeare’s Late Style

After Welles: Re-do Voodoo Macbeths

Shades of Shakespeare: Colorblind Casting and Interracial Couples in Macbeth in Manhattan, Grey’s Anatomy, and Prison Macbeth

A Black Actor’s Guide to the Scottish Play, or, Why Macbeth Matters

“Black up again”: Combating Macbeth in Contemporary African-American Plays

Semper Die: Marines Incarnadine in Nina Menkes’s The Bloody Child: An Interior of Violence

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